Author: Watson Kirkconnell
Publisher: University of Toronto Press
ISBN: 1487592655
Category : Poetry
Languages : en
Pages : 740
Book Description
An all-inclusive edition of the poetry of Watson Kirkonnell would run to some ten large volumes of original verse and translations. His original verse would fill two volumes the size of this one, and his translated verse—from Icelandic, Italian, Dutch, French, Magyar, Latin, Ukrainian and Polish—would fill 5,000 pages. No poet in the English-speaking tradition is more deeply grounded in world literature. The original poetry of Watson Kirkconnell has been primarily narrative in character: first, the twelve philosophically slanted books of his Spenserian epic, The Eternal Quest; then the seventeen vivid narratives in The Flying Bull, and Other Tales, a sort of Western echo of The Canterbury Tales; and finally the thirty narrative poems of his new Centennial Tales, many of which were written in 1964. These are framed about the history of Canada, and are written in honour of the nation's Centennial in 1967. They range from the coming of the first "Amerindians" from Asia about 30,000 B.C. to a possible atomic holocaust in A.D. 2000, and include poems on the Quebec Conference of 1864, the Vimy Memorial, the Italian Campaign and the Canadians in Cyprus. This volume also contains some lyrics from Dr. Kirkconnell's light opera, The Mod at Grand Pré, and the whole of his Greek-style drama, Let My People Go, with its setting in Egypt just before the Exodus and its issues in the present. The original poetry has been arranged in roughly the reverse of chronological order, while the translations are arranged according to the dates of publication.
Centennial Tales and Selected Poems
Author: Watson Kirkconnell
Publisher: University of Toronto Press
ISBN: 1487592655
Category : Poetry
Languages : en
Pages : 740
Book Description
An all-inclusive edition of the poetry of Watson Kirkonnell would run to some ten large volumes of original verse and translations. His original verse would fill two volumes the size of this one, and his translated verse—from Icelandic, Italian, Dutch, French, Magyar, Latin, Ukrainian and Polish—would fill 5,000 pages. No poet in the English-speaking tradition is more deeply grounded in world literature. The original poetry of Watson Kirkconnell has been primarily narrative in character: first, the twelve philosophically slanted books of his Spenserian epic, The Eternal Quest; then the seventeen vivid narratives in The Flying Bull, and Other Tales, a sort of Western echo of The Canterbury Tales; and finally the thirty narrative poems of his new Centennial Tales, many of which were written in 1964. These are framed about the history of Canada, and are written in honour of the nation's Centennial in 1967. They range from the coming of the first "Amerindians" from Asia about 30,000 B.C. to a possible atomic holocaust in A.D. 2000, and include poems on the Quebec Conference of 1864, the Vimy Memorial, the Italian Campaign and the Canadians in Cyprus. This volume also contains some lyrics from Dr. Kirkconnell's light opera, The Mod at Grand Pré, and the whole of his Greek-style drama, Let My People Go, with its setting in Egypt just before the Exodus and its issues in the present. The original poetry has been arranged in roughly the reverse of chronological order, while the translations are arranged according to the dates of publication.
Publisher: University of Toronto Press
ISBN: 1487592655
Category : Poetry
Languages : en
Pages : 740
Book Description
An all-inclusive edition of the poetry of Watson Kirkonnell would run to some ten large volumes of original verse and translations. His original verse would fill two volumes the size of this one, and his translated verse—from Icelandic, Italian, Dutch, French, Magyar, Latin, Ukrainian and Polish—would fill 5,000 pages. No poet in the English-speaking tradition is more deeply grounded in world literature. The original poetry of Watson Kirkconnell has been primarily narrative in character: first, the twelve philosophically slanted books of his Spenserian epic, The Eternal Quest; then the seventeen vivid narratives in The Flying Bull, and Other Tales, a sort of Western echo of The Canterbury Tales; and finally the thirty narrative poems of his new Centennial Tales, many of which were written in 1964. These are framed about the history of Canada, and are written in honour of the nation's Centennial in 1967. They range from the coming of the first "Amerindians" from Asia about 30,000 B.C. to a possible atomic holocaust in A.D. 2000, and include poems on the Quebec Conference of 1864, the Vimy Memorial, the Italian Campaign and the Canadians in Cyprus. This volume also contains some lyrics from Dr. Kirkconnell's light opera, The Mod at Grand Pré, and the whole of his Greek-style drama, Let My People Go, with its setting in Egypt just before the Exodus and its issues in the present. The original poetry has been arranged in roughly the reverse of chronological order, while the translations are arranged according to the dates of publication.
Centennial Tales and Selected Poems
Author: Watson Kirkconnell
Publisher:
ISBN: 9780598184368
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780598184368
Category :
Languages : en
Pages : 0
Book Description
The Racial Mosaic
Author: Daniel R. Meister
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228009987
Category : Social Science
Languages : en
Pages : 341
Book Description
Canada is often considered a multicultural mosaic, welcoming to immigrants and encouraging of cultural diversity. Yet this reputation masks a more complex history. In this groundbreaking study of the pre-history of Canadian multiculturalism, Daniel Meister shows how the philosophy of cultural pluralism normalized racism and the entrenchment of whiteness. The Racial Mosaic demonstrates how early ideas about cultural diversity in Canada were founded upon, and coexisted with, settler colonialism and racism, despite the apparent tolerance of a variety of immigrant peoples and their cultures. To trace the development of these ideas, Meister takes a biographical approach, examining the lives and work of three influential public intellectuals whose thoughts on cultural pluralism circulated widely beginning in the 1920s: Watson Kirkconnell, a university professor and translator; Robert England, an immigration expert with Canadian National Railways; and John Murray Gibbon, a publicist for the Canadian Pacific Railway. While they all proposed variants of the idea that immigrants to Canada should be allowed to retain certain aspects of their cultures, their tolerance had very real limits. In their personal, corporate, and government-sponsored works, only the cultures of "white" European immigrants were considered worthy of inclusion. On the fiftieth anniversary of Canada's official policy of multiculturalism, The Racial Mosaic represents the first serious and sustained attempt to detail the policy's historical antecedents, compelling readers to consider how racism has structured Canada's settler-colonial society.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228009987
Category : Social Science
Languages : en
Pages : 341
Book Description
Canada is often considered a multicultural mosaic, welcoming to immigrants and encouraging of cultural diversity. Yet this reputation masks a more complex history. In this groundbreaking study of the pre-history of Canadian multiculturalism, Daniel Meister shows how the philosophy of cultural pluralism normalized racism and the entrenchment of whiteness. The Racial Mosaic demonstrates how early ideas about cultural diversity in Canada were founded upon, and coexisted with, settler colonialism and racism, despite the apparent tolerance of a variety of immigrant peoples and their cultures. To trace the development of these ideas, Meister takes a biographical approach, examining the lives and work of three influential public intellectuals whose thoughts on cultural pluralism circulated widely beginning in the 1920s: Watson Kirkconnell, a university professor and translator; Robert England, an immigration expert with Canadian National Railways; and John Murray Gibbon, a publicist for the Canadian Pacific Railway. While they all proposed variants of the idea that immigrants to Canada should be allowed to retain certain aspects of their cultures, their tolerance had very real limits. In their personal, corporate, and government-sponsored works, only the cultures of "white" European immigrants were considered worthy of inclusion. On the fiftieth anniversary of Canada's official policy of multiculturalism, The Racial Mosaic represents the first serious and sustained attempt to detail the policy's historical antecedents, compelling readers to consider how racism has structured Canada's settler-colonial society.
A Native Heritage
Author: Leslie Monkman
Publisher: University of Toronto Press
ISBN: 1487586264
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Disparity and division in religion, technology and ideology have characterized relations between English-Canadian and Indian cultures through-out Canada's history. From the earliest declaration of white territorial ownership to the current debate on aboriginal rights, red man and white man have had opposing principles and perspectives. The most common 'solutions' imposed on these conflicts by white men have relegated the Indian to the fringes of white society and consciousness. This survey of English-Canadian literature is the first comprehensive examination of a tradition in which white writers turn to the Indian and his culture for standards and models by which they can measure their own values and goals; for patterns of cultural destruction, transformation, and survival; and for sources of native heroes and indigenous myths. Leslie Monkman examines images of the Indian as they appear in works raning from Robert Rogers' Ponteach, or The Savages of America (1766) to Robertson Davies' 'Pontiac and the Green Man' (1977), demonstrating how English-Canadian writers have illuminated their own world through reference to Indian culture. The Indian has been seen as an antagonist, as a superior alternative, as a member of a vanishing and lamented race, and as a hero and the source of the new myths. Although white/Indian tension often lies in apparently irreconcilable opposites, Monkman finds in the literature surveyed complementary images reflecting a common humanity. This is an important contribution to a hitherto unexplored area of Canadian literature in English which should give rise to further elaboration of this major theme.
Publisher: University of Toronto Press
ISBN: 1487586264
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Disparity and division in religion, technology and ideology have characterized relations between English-Canadian and Indian cultures through-out Canada's history. From the earliest declaration of white territorial ownership to the current debate on aboriginal rights, red man and white man have had opposing principles and perspectives. The most common 'solutions' imposed on these conflicts by white men have relegated the Indian to the fringes of white society and consciousness. This survey of English-Canadian literature is the first comprehensive examination of a tradition in which white writers turn to the Indian and his culture for standards and models by which they can measure their own values and goals; for patterns of cultural destruction, transformation, and survival; and for sources of native heroes and indigenous myths. Leslie Monkman examines images of the Indian as they appear in works raning from Robert Rogers' Ponteach, or The Savages of America (1766) to Robertson Davies' 'Pontiac and the Green Man' (1977), demonstrating how English-Canadian writers have illuminated their own world through reference to Indian culture. The Indian has been seen as an antagonist, as a superior alternative, as a member of a vanishing and lamented race, and as a hero and the source of the new myths. Although white/Indian tension often lies in apparently irreconcilable opposites, Monkman finds in the literature surveyed complementary images reflecting a common humanity. This is an important contribution to a hitherto unexplored area of Canadian literature in English which should give rise to further elaboration of this major theme.
The Blue Book
Author:
Publisher:
ISBN: 9780900997143
Category : Biography
Languages : en
Pages : 1610
Book Description
Publisher:
ISBN: 9780900997143
Category : Biography
Languages : en
Pages : 1610
Book Description
A Slice of Canada
Author: Watson Kirkconnell
Publisher: University of Toronto Press
ISBN: 1487592663
Category : Biography & Autobiography
Languages : en
Pages : 654
Book Description
Watson Kirkconnell is one of the most familiar figures in the world of Canadian letters. Educated at Queen's and Oxford, he has published several volumes of poetry and poetry translations, was the founding father and first chairman of the Humanities Research Council, a charter member and national president (1942-44, 1956-58) of the Canadian Authors Association, and has shared in university life for 45 years. He has been active in many other areas of public life; as one of the founders of the Prisoners' Aid Society (now the John Howard Society of Manitoba), a joint organizer of the Citizenship Branch, Ottawa, a founder and first president of the Canadian-Polish Society, as well as the Baptist Federation of Canada of which he was national president (1953-56). In widespread recognition of his work in these many fields Dr. Kirkonnell has received twelve honorary doctorates from universities in Canada, the United States, Hungary, and Germany, knighthoods from Poland and Iceland, and numerous awards from other countries. The chronicle of such a full and active career offers a valuable look at many aspects of Canadian life: in his memoirs Dr. Kirkonnell has avoided a merely chronological arrangement of his autobiography but sought rather to take various phases of the Canadian tradition and to analyse his experience of each down through the years. This Slice of Canada demonstrates the author's discerning faculty of observation and his close involvement, not only with the arts, but with education, religion, politics and other areas of Canadian life.
Publisher: University of Toronto Press
ISBN: 1487592663
Category : Biography & Autobiography
Languages : en
Pages : 654
Book Description
Watson Kirkconnell is one of the most familiar figures in the world of Canadian letters. Educated at Queen's and Oxford, he has published several volumes of poetry and poetry translations, was the founding father and first chairman of the Humanities Research Council, a charter member and national president (1942-44, 1956-58) of the Canadian Authors Association, and has shared in university life for 45 years. He has been active in many other areas of public life; as one of the founders of the Prisoners' Aid Society (now the John Howard Society of Manitoba), a joint organizer of the Citizenship Branch, Ottawa, a founder and first president of the Canadian-Polish Society, as well as the Baptist Federation of Canada of which he was national president (1953-56). In widespread recognition of his work in these many fields Dr. Kirkonnell has received twelve honorary doctorates from universities in Canada, the United States, Hungary, and Germany, knighthoods from Poland and Iceland, and numerous awards from other countries. The chronicle of such a full and active career offers a valuable look at many aspects of Canadian life: in his memoirs Dr. Kirkonnell has avoided a merely chronological arrangement of his autobiography but sought rather to take various phases of the Canadian tradition and to analyse his experience of each down through the years. This Slice of Canada demonstrates the author's discerning faculty of observation and his close involvement, not only with the arts, but with education, religion, politics and other areas of Canadian life.
Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island
Author: Brown University. Library
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 794
Book Description
Literary History of Canada
Author: Carl F. Klinck
Publisher: University of Toronto Press
ISBN: 1487590997
Category : Literary Criticism
Languages : en
Pages : 480
Book Description
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.
Publisher: University of Toronto Press
ISBN: 1487590997
Category : Literary Criticism
Languages : en
Pages : 480
Book Description
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.
Creative Canada
Author:
Publisher: University of Toronto Press
ISBN: 1442637846
Category : Reference
Languages : en
Pages : 704
Book Description
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
Publisher: University of Toronto Press
ISBN: 1442637846
Category : Reference
Languages : en
Pages : 704
Book Description
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
The Fiddlehead
Author: Kent Thompson
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 348
Book Description