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Author: John Fullerton
Publisher: Indiana University Press
ISBN: 9781864620153
Category : History
Languages : en
Pages : 310
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Book Description
Includes 27 of the finest papers presented at The Centenary of Cinema conference in June 1995
Author: John Fullerton
Publisher: Indiana University Press
ISBN: 9781864620153
Category : History
Languages : en
Pages : 310
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Book Description
Includes 27 of the finest papers presented at The Centenary of Cinema conference in June 1995
Author: Herbert E. Brown
Publisher:
ISBN:
Category : Cycling
Languages : en
Pages : 208
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Book Description
Author: T. G. Otte
Publisher: Routledge
ISBN: 135170236X
Category : History
Languages : en
Pages : 405
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Book Description
For historians centennial commemorations furnish an excellent heuristic tool for gauging late nineteenth- and early twentieth-century attitudes towards the past and the present. Centenary celebrations helped to revive, perpetuate and reinforce public perceptions of historical events and people in collective memory. They were fairly infrequent before 1850 but increased in size and numbers by the end of the long nineteenth century, so much so that a ‘cult of the centenary’ had become established throughout the wider Western world around 1900. At one level, such events were ephemeral affairs. And yet many left a lasting legacy. Above all, as part of the contemporary processes of the ‘invention of traditions’ and the conscious national ‘self-historicization’ of the established nation-states, they offer crucial insights into the social, cultural and political dynamics of the period.
Author: Ross Melnick
Publisher: Columbia University Press
ISBN: 0231159056
Category : Performing Arts
Languages : en
Pages : 582
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Book Description
Samuel ÒRoxyÓ Rothafel (1882Ð1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to RothafelÕs multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New YorkÕs most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. RoxyÕs interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release Òevents,Ó and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
Author: Andrew Spira
Publisher: Bloomsbury Publishing
ISBN: 1350091103
Category : Philosophy
Languages : en
Pages : 349
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Book Description
The notion of a personal self took centuries to evolve, reaching the pinnacle of autonomy with Descartes' 'I think, therefore I am' in the 17th century. This 'personalisation' of identity thrived for another hundred years before it began to be questioned, subject to the emergence of broader, more inclusive forms of agency. Simulated Selves: The Undoing Personal Identity in the Modern World addresses the 'constructed' notion of personal identity in the West and how it has been eclipsed by the development of new technological, social, art historical and psychological infrastructures over the last two centuries. While the provisional nature of the self-sense has been increasingly accepted in recent years, Simulated Selves addresses it in a new way - not by challenging it directly, but by observing changes to the environments and cultural conventions that have traditionally supported it. By narrating both its dismantling and its incapacitation in this way, it records its undoing. Like The Invention of the Self: Personal Identity in the Age of Art (to which it forms a companion volume), Simulated Selves straddles cultural history and philosophy. Firstly, it identifies hitherto neglected forces that inform the course of cultural history. Secondly, it highlights how the self is not the self-authenticating abstraction, only accessible to introspection, that it seems to be; it is also a cultural and historical phenomenon. Arguing that it is by engaging in cultural conventions that we subscribe to the process of identity-formation, the book also suggests that it is in these conventions that we see our self-sense - and its transience - best reflected. By examining the traces that the trajectory of the self-sense has left in its environment, Simulated Selves offers a radically new approach to the question of personal identity, asking not only 'how and why is it under threat?' but also 'given that we understand the self-sense to be a constructed phenomenon, why do we cling to it?'.
Author: J.B. Williams
Publisher: Springer
ISBN: 3319511556
Category : Technology & Engineering
Languages : en
Pages : 227
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Book Description
This book is about how electricity has profoundly changed the way we live, work, and play. Some twenty topics are covered, with an abundance of graphs and images to build a comprehensive picture. Each looks at the developments, and the people who initiated them, together with how one led to the next and their subsequent impact on society. Topics include electric supply, lighting through X-rays, and all those appliances that make our homes so comfortable. Most homes at the end of the twentieth century were full of electrical equipment, much of which was regarded as essential. It ran from lights, washing machines, fridges, freezers, kettles, telephones and so on, to the more subtle things such as wipers and starter motors on cars. In 1900, in all but a tiny minority of houses, there were none of these things. It is very difficult for us now to imagine a world without electrical equipment everywhere, and yet it has only taken a century. The Electric Century examines how we got from then to now. The nineteenth is often described as the century of steam from the impact it had on employment and transport, and The Electric Century makes a similar claim as the description of the twentieth. Electricity and the equipment using it are so pervasive that they have affected every corner of modern life.
Author: Dominique Brégent-Heald
Publisher: U of Nebraska Press
ISBN: 0803276737
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
"An examination of the intersection of North American borderlands and culture, as portrayed through early twentieth-century cinema"--
Author: Stuart Hanson
Publisher: Manchester University Press
ISBN: 1526141442
Category : History
Languages : en
Pages : 225
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Book Description
Detailed and comprehensive, this book is the first survey of cinema exhibition in Britain from its inception until the present. Charting the development of cinema exhibition and cinema-going in Britain from the first public film screening by the Lumière Brothers’ at London’s Regent Street Polytechnic in February 1896, through to the development of the multiplex and giant megaplex cinemas, the history of cinema exhibition is placed in its wider social, cultural and economic contexts. Adopting a chronological structure, this book takes into account how changes in the structure of the film industry, especially regarding the exhibition sector, impacted upon the cinema-going experience. From silent screen to multi-screen will be valuable for social historians as well as scholars and students in film studies, media studies and cultural history.
Author: J.B. Williams
Publisher: Springer
ISBN: 3319490885
Category : Technology & Engineering
Languages : en
Pages : 293
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Book Description
This book is about how electronics, computing, and telecommunications have profoundly changed our lives – the way we work, live, and play. It covers a myriad of topics from the invention of the fundamental devices, and integrated circuits, through radio and television, to computers, mobile telephones and GPS. Today our lives are ruled by electronics as they control the home and computers dominate the workspace. We walk around with mobile phones and communicate by email. Electronics didn’t exist until into the twentieth century. The industrial revolution is the term usually applied to the coming of steam, railways and the factory system. In the twentieth century, it is electronics that has changed the way we gather our information, entertain ourselves, communicate and work. This book demonstrates that this is, in fact, another revolution.
Author: Richard Abel
Publisher: University of California Press
ISBN: 0520286782
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
