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Author: Greg Chase
Publisher:
ISBN: 1316515257
Category : Art
Languages : en
Pages : 261
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Book Description
An accessible investigation of the importance of Cavell's most famous work for modern and contemporary philosophy and literature.
Author: Greg Chase
Publisher:
ISBN: 1316515257
Category : Art
Languages : en
Pages : 261
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Book Description
An accessible investigation of the importance of Cavell's most famous work for modern and contemporary philosophy and literature.
Author: Stanley Cavell
Publisher: Cambridge University Press
ISBN: 1316425363
Category : Philosophy
Languages : en
Pages : 373
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Book Description
In this classic collection of wide-ranging and interdisciplinary essays, Stanley Cavell explores a remarkably broad range of philosophical issues from politics and ethics to the arts and philosophy. The essays explore issues as diverse as the opposing approaches of 'analytic' and 'Continental' philosophy, modernism, Wittgenstein, abstract expressionism and Schoenberg, Shakespeare on human needs, the difficulties of authorship, Kierkegaard and post-Enlightenment religion. Presented in a fresh twenty-first century series livery, and including a specially commissioned preface, written by Stephen Mulhall, illuminating its continuing importance and relevance to philosophical enquiry, this influential work is now available for a new generation of readers.
Author: Stanley Cavell
Publisher: Harvard University Press
ISBN: 9780674739062
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.
Author: Stanley Cavell
Publisher: Stanford University Press
ISBN: 0804775087
Category : Biography & Autobiography
Languages : en
Pages : 583
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Book Description
An autobiography in the form of a philosophical diary, Little Did I Know's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.
Author: William Rothman
Publisher: State University of New York Press
ISBN: 0791483401
Category : Social Science
Languages : en
Pages : 432
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Book Description
This extensive collection offers a substantially complete retrospective of Stanley Cavell's previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell's practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell's career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell's work on film and his aims as a philosopher more generally.
Author: Stanley Cavell
Publisher: University of Chicago Press
ISBN: 022641714X
Category : Philosophy
Languages : en
Pages : 208
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Book Description
In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another. "Cavell's 'readings' of Wittgenstein and Heidegger and Emerson and other thinkers surely deepen our understanding of them, but they do much more: they offer a vision of what life can be and what culture can mean. . . . These profound lectures are a wonderful place to make [Cavell's] acquaintance."—Hilary Putnam
Author: Stanley Cavell
Publisher: Oxford University Press
ISBN: 0190284935
Category : Philosophy
Languages : en
Pages : 538
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Book Description
The first three parts of this book deal with the tension between ordinary language philosophy (as envisioned in the writings of J.L. Austin and the later Wittgenstein) and the 'tradition.' In the fourth part the author explores the problem of skepticism and takes a broad view of its consequences.
Author: Andrew Norris
Publisher: Oxford University Press
ISBN: 0190673966
Category : Philosophy
Languages : en
Pages : 329
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Book Description
While much literature exists on the work of Stanley Cavell, this is the first monograph on his contribution to politics and practical philosophy. As Andrew Norris demonstrates, though skepticism is Cavell's central topic, Cavell understands it not as an epistemological problem or position, but as an existential one. The central question is not what we know or fail to know, but to what extent we have made our lives our own, or failed to do so. Accordingly, Cavell's reception of Austin and Wittgenstein highlights, as other readings of these figures do not, the uncanny nature of the ordinary, the extent to which we ordinarily fail to mean what we say and be who we are. Becoming Who We Are charts Cavell's debts to Heidegger and Thompson Clarke, even as it allows for a deeper appreciation of the extent to which Cavell's Emersonian Perfectionism is a rewriting of Rousseau's and Kant's theories of autonomy. This in turn opens up a way of understanding citizenship and political discourse that develops points made more elliptically in the work of Hannah Arendt, and that contrasts in important ways with the positions of liberal thinkers like John Rawls and Jürgen Habermas on the one hand, and radical democrats like Ernesto Laclau and Chantal Mouffe on the other.
Author: Michael North
Publisher: University of Chicago Press
ISBN: 022607790X
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
If art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Author: Henry Staten
Publisher: U of Nebraska Press
ISBN: 9780803291690
Category : Philosophy
Languages : en
Pages : 212
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Book Description
"By linking Wittgenstein with Derrida, Staten suggests that the intellectual relevance of deconstruction is wider than the English-speaking public has recognized."?Studies in the Humanities "This work is altogether first rate. It is informative, faithful, rigorous and completely original in its problematization. It is an original theoretical advance which I believe will mark an essential step forward in the field."?Jacques Derrida "Staten has plenty of philosophical acuity and critical sensitivity as well as wide philosophical scholarship, and he writes in a clear, muscular style which illuminates the issues sometimes profoundly without in any way concealing their difficulty and complxity. . . . Wittgenstein and Derrida should be essential reading not only for anyone interested in the current critical debate but also for philosophers."?Bernard Harrison, University of Sussex, England This book examines Aristotle, Kant, and especially Husserl to bring to light Derrida's development of the classical philosophical concepts of form (eidos), verbal formula (logos), the object-in-general, and time. The later work of Wittgenstein is then examined in detail and Wittgenstein's "zigzag" writing in the Philosophical Investigations is interpreted as deconstructive syntax, directed, like Derrida's work, against the dominance of the philosophical concern with the form of an entity. Henry Staten is a professor of English and philosophy at the University of Utah.
