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Author: Stanford University. Department of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 116
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Author: Stanford University. Department of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 116
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Book Description
Author: Henk Badings
Publisher: Weert : Kanton Weert
ISBN:
Category : Badings, Henk, 1907---Bibliography
Languages : en
Pages : 44
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Book Description
Author: David Daniels
Publisher: Scarecrow Press
ISBN: 146166425X
Category : Music
Languages : en
Pages : 634
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Book Description
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Author: British Broadcasting Corporation. Music Library
Publisher: [London] : British Broadcasting Corporation
ISBN:
Category : Organ music
Languages : en
Pages : 646
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Author: Ricardo Iznaola
Publisher: Mel Bay Publications
ISBN: 1513480359
Category : Music
Languages : en
Pages : 137
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Book Description
This second volume of Ricardo Iznaola’s monumental Summa Kitharologica trilogy is, according to its author, “a playbook for self-guided discovery” in matters related to the expressive interpretation of music. Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents. As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player “is so at one with the score that they can stretch it – and occasionally contradict it – without ever betraying its essential meaning,” attaining that “desirable imprecision” proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player’s imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer’s need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: “what if…” as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding. Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.
Author: Jolande van der Klis
Publisher: Leiden University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 462
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Book Description
Of all the composers of Dutch origin, only a handful have achieved world renown, such as early seventeenth century's Jan Pieterszoon Sweelinck and today's Louis Andriessen. Nonetheless, so much more Dutch music is worthy of attention. Now, for the first time ever, four centuries of composition in the Netherlands are documented in an alphabetical reference work. This book, an initiative of MuziekGroep Nederland, contains a hundred articles written by over forty specialists. Each essay deals with the life and work of an individual composer and is followed by a list of works as well as a discography. Short bibliographies make suggestions for more specialized reading.
![BBC Music Library Catalogues: Piano and organ catalogue. [pt.] 1. Composers, A-K ; [pt.] 2. Composers, L-Z PDF](https://books.google.com/books/content/images/frontcover/jjEbAQAAMAAJ?fife=w80-h100)
Author: British Broadcasting Corporation. Music Library
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 644
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: Francis Frederick Clough
Publisher:
ISBN: 9780837130033
Category : Music
Languages : en
Pages : 600
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 964
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Book Description
