Author: David McKay Powell
Publisher: LSU Press
ISBN: 0807177806
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Cather and Opera
Author: David McKay Powell
Publisher: LSU Press
ISBN: 0807177806
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Publisher: LSU Press
ISBN: 0807177806
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Cather and Opera
Author: David McKay Powell
Publisher: LSU Press
ISBN: 0807177792
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Publisher: LSU Press
ISBN: 0807177792
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Willa Cather
Author: Kelsey Squire
Publisher: Camden House (NY)
ISBN: 1571139974
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
The ever-growing body of criticism on Willa Cather and her fiction is indicative of her enduring position as a pre-eminent figure of twentieth-century American literature. It has been spurred by the challenge of situating Cather in relation to established critical approaches. Since the 1920s, Cather's work has been praised by critics for its realism, innovative form, and diversity; simultaneously, it has been derided as nostalgic, anti-modern, and narrow. Drawing on monographs, edited collections, journal articles, and society publications, Willa Cather: The Critical Conversation provides Cather scholars and students at the graduate and undergraduate levels with an accessible overview of Cather's critical reception through the first two decades of the twenty-first century. In addition to providing a valuable resource for research and teaching on Cather, the book also speaks to broader issues such as canon formation and historical trends in literary criticism that are relevant to American literature and culture as a whole. This book provides a solid understanding of the major issues in Cather criticism over time, with an eye toward how the conversation may continue for decades to come. Kelsey Squire is Assistant Professor of English at Ohio Dominican University.
Publisher: Camden House (NY)
ISBN: 1571139974
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
The ever-growing body of criticism on Willa Cather and her fiction is indicative of her enduring position as a pre-eminent figure of twentieth-century American literature. It has been spurred by the challenge of situating Cather in relation to established critical approaches. Since the 1920s, Cather's work has been praised by critics for its realism, innovative form, and diversity; simultaneously, it has been derided as nostalgic, anti-modern, and narrow. Drawing on monographs, edited collections, journal articles, and society publications, Willa Cather: The Critical Conversation provides Cather scholars and students at the graduate and undergraduate levels with an accessible overview of Cather's critical reception through the first two decades of the twenty-first century. In addition to providing a valuable resource for research and teaching on Cather, the book also speaks to broader issues such as canon formation and historical trends in literary criticism that are relevant to American literature and culture as a whole. This book provides a solid understanding of the major issues in Cather criticism over time, with an eye toward how the conversation may continue for decades to come. Kelsey Squire is Assistant Professor of English at Ohio Dominican University.
Willa Cather and the Dance
Author: Wendy K. Perriman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642039
Category : History
Languages : en
Pages : 371
Book Description
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642039
Category : History
Languages : en
Pages : 371
Book Description
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
My Mortal Enemy
Author: Willa Cather
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 40
Book Description
"My Mortal Enemy" is a novella written by American author Willa Cather, first published in 1926. It is a poignant and introspective work that explores themes of love, regret, and the passage of time. The story is narrated by Nellie, who reflects on the life of her cousin, Myra Henshawe, a woman who had been the subject of gossip and speculation due to her complex relationship with her husband Oswald. Myra is portrayed as a woman of strong will and passion, whose choices in life have led to both fulfillment and regrets. The novella delves into the contrast between personal desires and societal expectations. "My Mortal Enemy" is a short but emotionally rich work that examines the consequences of choices made in the pursuit of personal happiness and the price one may pay for deviating from conventional norms. It showcases Willa Cather's talent for character exploration and her ability to capture the human experience with depth and sensitivity.
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 40
Book Description
"My Mortal Enemy" is a novella written by American author Willa Cather, first published in 1926. It is a poignant and introspective work that explores themes of love, regret, and the passage of time. The story is narrated by Nellie, who reflects on the life of her cousin, Myra Henshawe, a woman who had been the subject of gossip and speculation due to her complex relationship with her husband Oswald. Myra is portrayed as a woman of strong will and passion, whose choices in life have led to both fulfillment and regrets. The novella delves into the contrast between personal desires and societal expectations. "My Mortal Enemy" is a short but emotionally rich work that examines the consequences of choices made in the pursuit of personal happiness and the price one may pay for deviating from conventional norms. It showcases Willa Cather's talent for character exploration and her ability to capture the human experience with depth and sensitivity.
The Prairie Trilogy
Author: Willa Cather
Publisher: Jazzybee Verlag
ISBN: 3849627934
Category : Fiction
Languages : en
Pages : 813
Book Description
Willa Cather was the 1922 winner of the Pulitzer Prize. Her breakthrough in literature were the three novels featured here in this edition, the so-called Prairie trilogy. All three novels stage in Nebraska and the surrounding Great Plains territory and deal with the life there, family challenges and romance. Featured here are: O Pioneers! The Song of the Lark My Antonia
Publisher: Jazzybee Verlag
ISBN: 3849627934
Category : Fiction
Languages : en
Pages : 813
Book Description
Willa Cather was the 1922 winner of the Pulitzer Prize. Her breakthrough in literature were the three novels featured here in this edition, the so-called Prairie trilogy. All three novels stage in Nebraska and the surrounding Great Plains territory and deal with the life there, family challenges and romance. Featured here are: O Pioneers! The Song of the Lark My Antonia
One of Ours
Author: Willa Cather
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 484
Book Description
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 484
Book Description
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive
Lucy Gayheart
Author: Willa Cather
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566505
Category : Fiction
Languages : en
Pages : 198
Book Description
Willa Cather's Lucy Gayheart gropes a wistful way back to the time of the horse and buggy, when some men and some women loved deeply and truly and make themselves miserable and hugged their misery. Small towns, no less than Vienna and the Paris Left Bank and a Greenwich Village as dirty and noisy then as it is now, had romances of which they had a right to be proud. So it is with Lucy Gayheart, written in 1935, When she wrote the novel, Cather had just turned 60 and was in tune with the zeitgeist that, shortly, would produce the works of Jean-Paul Sartre and Albert Camus. In her homey yet subtle way, she tapped into the modern loss of faith. And she created an existential novel. A romance, a feminist story It doesn't seem that way at the beginning. Indeed, Lucy Gayheart appears to be nothing more than a confection of a romance. Lucy is the bright, lively, musical girl, a stand-out among her young adult peers in the small Nebraska town of Haverford where Harry Gordon, the banker's son, is the most eligible bachelor. They seem made for each other as they skate together on the Platte River in the novel's opening scene. They have always seemed made for each other. But Lucy wants a career and has been working in Chicago. She becomes the piano accompanist to a much older classical singer, Clement Sebastian. The two fall in love in a chaste way, just as Harry sweeps into town and, with ham-handed arrogance, tells Lucy that it's about time for them to get married, right? Wrong. Then, the book seems to be on its way to becoming a feminist Horatio Alger story in which the plucky heroine will find her way to beauty (and maybe love) in the stratospheric Olympus of the high arts.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057566505
Category : Fiction
Languages : en
Pages : 198
Book Description
Willa Cather's Lucy Gayheart gropes a wistful way back to the time of the horse and buggy, when some men and some women loved deeply and truly and make themselves miserable and hugged their misery. Small towns, no less than Vienna and the Paris Left Bank and a Greenwich Village as dirty and noisy then as it is now, had romances of which they had a right to be proud. So it is with Lucy Gayheart, written in 1935, When she wrote the novel, Cather had just turned 60 and was in tune with the zeitgeist that, shortly, would produce the works of Jean-Paul Sartre and Albert Camus. In her homey yet subtle way, she tapped into the modern loss of faith. And she created an existential novel. A romance, a feminist story It doesn't seem that way at the beginning. Indeed, Lucy Gayheart appears to be nothing more than a confection of a romance. Lucy is the bright, lively, musical girl, a stand-out among her young adult peers in the small Nebraska town of Haverford where Harry Gordon, the banker's son, is the most eligible bachelor. They seem made for each other as they skate together on the Platte River in the novel's opening scene. They have always seemed made for each other. But Lucy wants a career and has been working in Chicago. She becomes the piano accompanist to a much older classical singer, Clement Sebastian. The two fall in love in a chaste way, just as Harry sweeps into town and, with ham-handed arrogance, tells Lucy that it's about time for them to get married, right? Wrong. Then, the book seems to be on its way to becoming a feminist Horatio Alger story in which the plucky heroine will find her way to beauty (and maybe love) in the stratospheric Olympus of the high arts.
Lucy Gayheart
Author: Willa Cather
Publisher: Vintage
ISBN: 0679728880
Category : Fiction
Languages : en
Pages : 210
Book Description
In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
Publisher: Vintage
ISBN: 0679728880
Category : Fiction
Languages : en
Pages : 210
Book Description
In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
My Antonia
Author: Willa Cather
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 260
Book Description
My Antonia is a novel by an American writer Willa Cather. It is the final book of the "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City.
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 260
Book Description
My Antonia is a novel by an American writer Willa Cather. It is the final book of the "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City.