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Author: Janet Fitch
Publisher: Little, Brown
ISBN: 0316510068
Category : Fiction
Languages : en
Pages : 752
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Book Description
A young Russian woman comes into her own in the midst of revolution and civil war in this "brilliant" novel set in "a world of furious beauty" (Los Angeles Review of Books). After the loves and betrayals of The Revolution of Marina M., young poet Marina Makarova finds herself alone amid the devastation of the Russian Civil War -- pregnant and adrift, forced to rely on her own resourcefulness to find a place to wait out the birth of her child and eventually make her way back to her native city, Petrograd. After two years of revolution, the city that was once St. Petersburg is almost unrecognizable, the haunted, half-emptied, starving Capital of Once Had Been, its streets teeming with homeless children. Moved by their plight, though hardly better off herself, she takes on the challenge of caring for these orphans, until they become the tool of tragedy from an unexpected direction. Shaped by her country's ordeals and her own trials -- betrayal and privation and inconceivable loss -- Marina evolves as a poet and a woman of sensibility and substance hardly imaginable at the beginning of her transformative odyssey. Chimes of a Lost Cathedral is the culmination of one woman's s journey through some of the most dramatic events of the last century -- the epic story of an artist who discovers her full power, passion, and creativity just as her revolution reveals its true direction for the future.
Author: Janet Fitch
Publisher: Little, Brown
ISBN: 0316510068
Category : Fiction
Languages : en
Pages : 752
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Book Description
A young Russian woman comes into her own in the midst of revolution and civil war in this "brilliant" novel set in "a world of furious beauty" (Los Angeles Review of Books). After the loves and betrayals of The Revolution of Marina M., young poet Marina Makarova finds herself alone amid the devastation of the Russian Civil War -- pregnant and adrift, forced to rely on her own resourcefulness to find a place to wait out the birth of her child and eventually make her way back to her native city, Petrograd. After two years of revolution, the city that was once St. Petersburg is almost unrecognizable, the haunted, half-emptied, starving Capital of Once Had Been, its streets teeming with homeless children. Moved by their plight, though hardly better off herself, she takes on the challenge of caring for these orphans, until they become the tool of tragedy from an unexpected direction. Shaped by her country's ordeals and her own trials -- betrayal and privation and inconceivable loss -- Marina evolves as a poet and a woman of sensibility and substance hardly imaginable at the beginning of her transformative odyssey. Chimes of a Lost Cathedral is the culmination of one woman's s journey through some of the most dramatic events of the last century -- the epic story of an artist who discovers her full power, passion, and creativity just as her revolution reveals its true direction for the future.
Author: Janet Fitch
Publisher: Hachette UK
ISBN: 0316125776
Category : Fiction
Languages : en
Pages : 901
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Book Description
From the mega-bestselling author of White Oleander and Paint It Black, a sweeping historical saga of the Russian Revolution, as seen through the eyes of one young woman. St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn. As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times. This is the epic, mesmerizing story of one indomitable woman's journey through some of the most dramatic events of the last century.
Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616773413
Category : Music
Languages : en
Pages : 32
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Book Description
(Faber Piano Adventures ). ChordTime Piano Music from China takes Level 2B pianists on a musical trip through original Chinese compositions, folk songs, and dance themes. Mid-elementary students will enjoy analyzing the pentatonic scales and intervals that make up the distinctive Chinese sound. A picture tour and historical information provide rich context, while LeLe the musical panda highlights key performance details and invites creative improvisation. Songs include: Divertimento * Lady Meng Jiang * The Little Bird Song * Little Dance Song * Luchai Flowers * The Luhua Rooster * Picking Flowers * Talk Back.
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80
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Book Description
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.
Author: Henry Martyn Hart
Publisher:
ISBN:
Category : Bells
Languages : en
Pages : 20
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Book Description
Author: Edgar Allan Poe
Publisher: Philadelphia : Porter & Coates
ISBN:
Category : Bells
Languages : en
Pages : 60
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Book Description
Author: Sir Hugh Walpole
Publisher: Library of Alexandria
ISBN: 1465509496
Category : Fiction
Languages : en
Pages : 576
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Book Description
Adam Brandon was born at Little Empton in Kent in 1839. He was educated at the King's School, Canterbury, and at Pembroke College, Cambridge. Ordained in 1863, he was first curate at St. Martin's, Portsmouth, then Chaplain to the Bishop of Worcester; in the year 1875 he accepted the living of Pomfret in Wiltshire and was there for twelve years. It was in 1887 that he came to our town; he was first Canon and afterwards Archdeacon. Ten years later he had, by personal influence and strength of character, acquired so striking a position amongst us that he was often alluded to as "the King of Polchester." His power was the greater because both our Bishop (Bishop Purcell) and our Dean (Dean Sampson) during that period were men of retiring habits of life. A better man, a greater saint than Bishop Purcell has never lived, but in 1896 he was eighty-six years of age and preferred study and the sanctity of his wonderful library at Carpledon to the publicity and turmoil of a public career; Dean Sampson, gentle and amiable as he was, was not intended by nature for a moulder of men. He was, however, one of the best botanists in the County and his little book on "Glebshire Ferns" is, I believe, an authority in its own line. Archdeacon Brandon was, of course, greatly helped by his magnificent physical presence. "Magnificent" is not, I think, too strong a word. Six feet two or three in height, he had the figure of an athlete, light blue eyes, and his hair was still, when he was fifty-eight years of age, thick and fair and curly like that of a boy. He looked, indeed, marvellously young, and his energy and grace of movement might indeed have belonged to a youth still in his teens. It is not difficult to imagine how startling an effect his first appearance in Polchester created. Many of the Polchester ladies thought that he was like "a Greek God" (the fact that they had never seen one gave them the greater confidence), and Miss Dobell, who was the best read of all the ladies in our town, called him "the Viking." This stuck to him, being an easy and emphatic word and pleasantly cultured. Indeed, had Brandon come to Polchester as a single man there might have been many broken hearts; however, in 1875 he had married Amy Broughton, then a young girl of twenty. He had by her two children, a boy, Falcon, now twenty-one years of age, and a girl, Joan, just eighteen. Brandon therefore was safe from the feminine Polchester world; our town is famous among Cathedral cities for the morality of its upper classes. It would not have been possible during all these years for Brandon to have remained unconscious of the remarkable splendour of his good looks. He was very well aware of it, but any one who called him conceited (and every one has his enemies) did him a grave injustice. He was not conceited at all-- he simply regarded himself as a completely exceptional person. He was not elated that he was exceptional, he did not flatter himself because it was so; God had seen fit (in a moment of boredom, perhaps, at the number of insignificant and misshaped human beings He was forced to create) to fling into the world, for once, a truly Fine Specimen, Fine in Body, Fine in Soul, Fine in Intellect. Brandon had none of the sublime egoism of Sir Willoughby Patterne--he thought of others and was kindly and often unselfish--but he did, like Sir Willoughby, believe himself to be of quite another clay from the rest of mankind. He was intended to rule, God had put him into the world for that purpose, and rule he would--to the glory of God and a little, if it must be so, to the glory of himself. He was a very simple person, as indeed were most of the men and women in the Polchester of 1897.
Author: Horace Walpole
Publisher: BoD – Books on Demand
ISBN: 3732641481
Category : Fiction
Languages : en
Pages : 378
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Book Description
Reproduction of the original: The Cathedral by Horace Walpole
Author: Margaret Aston
Publisher: Cambridge University Press
ISBN: 1316060470
Category : History
Languages : en
Pages : 1994
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Book Description
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
