Author: Sir George Elvey
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
Thirty Cathedral Chants
Author: Sir George Elvey
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Book Description
A Selection of Church Tunes and Cathedral Chants, arranged by S. Parker
Author: Septimus Parker
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Cathedral chants
Author: Alfred Bennett
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 130
Book Description
Musical Times and Singing Class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1078
Book Description
The Musical Times and Singing-class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 504
Book Description
Chapters on Church Music
Author: Richard Blackburne Daniel
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 238
Book Description
Church Music Review and Official Bulletin of the American Guild of Organists
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 914
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 914
Book Description
The Choral Revival in the Anglican Church (1839-1872)
Author: Bernarr Rainbow
Publisher: Boydell & Brewer
ISBN: 9780851158181
Category : History
Languages : en
Pages : 398
Book Description
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.
Publisher: Boydell & Brewer
ISBN: 9780851158181
Category : History
Languages : en
Pages : 398
Book Description
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.
The New Music Review and Church Music Review
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 350
Book Description
Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820
Author: Ruth Mack Wilson
Publisher: Oxford University Press
ISBN: 9780198164241
Category : Anglican chants
Languages : en
Pages : 364
Book Description
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.
Publisher: Oxford University Press
ISBN: 9780198164241
Category : Anglican chants
Languages : en
Pages : 364
Book Description
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.