Thirty Cathedral Chants

Thirty Cathedral Chants PDF Author: Sir George Elvey
Publisher:
ISBN:
Category :
Languages : en
Pages : 374

Get Book Here

Book Description

Thirty Cathedral Chants

Thirty Cathedral Chants PDF Author: Sir George Elvey
Publisher:
ISBN:
Category :
Languages : en
Pages : 374

Get Book Here

Book Description


A Selection of Church Tunes and Cathedral Chants, arranged by S. Parker

A Selection of Church Tunes and Cathedral Chants, arranged by S. Parker PDF Author: Septimus Parker
Publisher:
ISBN:
Category :
Languages : en
Pages : 118

Get Book Here

Book Description


Cathedral chants

Cathedral chants PDF Author: Alfred Bennett
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 130

Get Book Here

Book Description


Musical Times and Singing Class Circular

Musical Times and Singing Class Circular PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1078

Get Book Here

Book Description


The Musical Times and Singing-class Circular

The Musical Times and Singing-class Circular PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 504

Get Book Here

Book Description


Chapters on Church Music

Chapters on Church Music PDF Author: Richard Blackburne Daniel
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 238

Get Book Here

Book Description


Church Music Review and Official Bulletin of the American Guild of Organists

Church Music Review and Official Bulletin of the American Guild of Organists PDF Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 914

Get Book Here

Book Description


The Choral Revival in the Anglican Church (1839-1872)

The Choral Revival in the Anglican Church (1839-1872) PDF Author: Bernarr Rainbow
Publisher: Boydell & Brewer
ISBN: 9780851158181
Category : History
Languages : en
Pages : 398

Get Book Here

Book Description
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.

The New Music Review and Church Music Review

The New Music Review and Church Music Review PDF Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 350

Get Book Here

Book Description


Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820

Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820 PDF Author: Ruth Mack Wilson
Publisher: Oxford University Press
ISBN: 9780198164241
Category : Anglican chants
Languages : en
Pages : 364

Get Book Here

Book Description
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.