Author: Linda Merrill
Publisher: Yale University Press
ISBN: 0300076118
Category : Architecture
Languages : en
Pages : 420
Book Description
En gennemgang af Smithsonian Institutions Peacock Room, indrettet af J.A.M. Whistler (1834-1903)
The Peacock Room
Author: Linda Merrill
Publisher: Yale University Press
ISBN: 0300076118
Category : Architecture
Languages : en
Pages : 420
Book Description
En gennemgang af Smithsonian Institutions Peacock Room, indrettet af J.A.M. Whistler (1834-1903)
Publisher: Yale University Press
ISBN: 0300076118
Category : Architecture
Languages : en
Pages : 420
Book Description
En gennemgang af Smithsonian Institutions Peacock Room, indrettet af J.A.M. Whistler (1834-1903)
Fresh from the Farm 6pk
Author: Rigby
Publisher:
ISBN: 9781418914219
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781418914219
Category :
Languages : en
Pages : 0
Book Description
Bestsellers: Popular Fiction since 1900
Author: C. Bloom
Publisher: Palgrave Macmillan
ISBN: 9780333687420
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
This guide and reference work of all of the bestselling books, authors and genres since the beginning of the 20th century, provides an insight into over 100 years of publishing and reading as well as taking us on a journey into the heart of the British imagination.
Publisher: Palgrave Macmillan
ISBN: 9780333687420
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
This guide and reference work of all of the bestselling books, authors and genres since the beginning of the 20th century, provides an insight into over 100 years of publishing and reading as well as taking us on a journey into the heart of the British imagination.
DIABOLICAL DESIGNS
Author: Deanna Marohn Bendix
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
"In Diabolical Designs, Deanna Marohn Bendix chronicles James McNeill Whistler's career as an "agitator" for elevating design. Demonstrating that Whistler's design ideas - seen most fully in his Peacock Room - were central to his entire artistic enterprise, Bendix reveals the artist's prominence in the Victorian design reform movement. She unearths rare documentation, public notices (both laudatory and critical), and written appreciation by his colleagues of at least twenty-five interiors designed by Whistler." "Noting that many of his paintings were called "arrangements" - indeed, Whistler's Mother is actually titled Arrangement in Grey and Black - Bendix traces the extension of Whistler's holistic view of art to include the painting's frame and the entire setting in which the work would be seen. His designs for private and public spaces emphasized plain walls, light colors, and empty spaces; his stark interiors not only contrasted dramatically with the fussy Victorian style but pointed the way toward modern interior design." "Bendix compares Whistler's role as a design influence to that of his contemporaries John Ruskin, William Morris, Edward Godwin, and his friend and rival Oscar Wilde. By exploring both well-known and obscure aspects of his career against the backdrop of the design mania of his time and milieu, she reveals Whistler's singular contributions to design renewal in Victorian England."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
"In Diabolical Designs, Deanna Marohn Bendix chronicles James McNeill Whistler's career as an "agitator" for elevating design. Demonstrating that Whistler's design ideas - seen most fully in his Peacock Room - were central to his entire artistic enterprise, Bendix reveals the artist's prominence in the Victorian design reform movement. She unearths rare documentation, public notices (both laudatory and critical), and written appreciation by his colleagues of at least twenty-five interiors designed by Whistler." "Noting that many of his paintings were called "arrangements" - indeed, Whistler's Mother is actually titled Arrangement in Grey and Black - Bendix traces the extension of Whistler's holistic view of art to include the painting's frame and the entire setting in which the work would be seen. His designs for private and public spaces emphasized plain walls, light colors, and empty spaces; his stark interiors not only contrasted dramatically with the fussy Victorian style but pointed the way toward modern interior design." "Bendix compares Whistler's role as a design influence to that of his contemporaries John Ruskin, William Morris, Edward Godwin, and his friend and rival Oscar Wilde. By exploring both well-known and obscure aspects of his career against the backdrop of the design mania of his time and milieu, she reveals Whistler's singular contributions to design renewal in Victorian England."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Commercial Union
Author:
Publisher:
ISBN:
Category : Advertising, Newspaper
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Advertising, Newspaper
Languages : en
Pages : 312
Book Description
Kumba Africa
Author: Sampson Ejike Odum
Publisher: iUniverse
ISBN: 1663205043
Category : Fiction
Languages : en
Pages : 123
Book Description
‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
Publisher: iUniverse
ISBN: 1663205043
Category : Fiction
Languages : en
Pages : 123
Book Description
‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
A Writer's Workshop: Crafting Sentences, Building Paragraphs
Author: Bob Brannan
Publisher: McGraw-Hill Education
ISBN: 9780073385716
Category : Reference
Languages : en
Pages : 608
Book Description
This two-book developmental writing series engages using with its environmental theme. A Writer’s Workshop: Crafting Sentences, Building Paragraphs engages developing writers with a hands-on, process-oriented, collaborative, and conscientious approach to writing, treating students as writers and writing as a dynamic process. Throughout, this text offers sound connections between its lessons and students’ existing knowledge. It also explores why we study each writing skill and process, linking lessons to future application in the classroom and beyond.
Publisher: McGraw-Hill Education
ISBN: 9780073385716
Category : Reference
Languages : en
Pages : 608
Book Description
This two-book developmental writing series engages using with its environmental theme. A Writer’s Workshop: Crafting Sentences, Building Paragraphs engages developing writers with a hands-on, process-oriented, collaborative, and conscientious approach to writing, treating students as writers and writing as a dynamic process. Throughout, this text offers sound connections between its lessons and students’ existing knowledge. It also explores why we study each writing skill and process, linking lessons to future application in the classroom and beyond.
Japonisme
Author: Lionel Lambourne
Publisher: Phaidon Press
ISBN: 9780714847979
Category : Design
Languages : en
Pages : 240
Book Description
A broad survey of the West's extraordinary love affair with Japan. From the moment of the very first contact in the sixteenth century, Japan has always possessed an irresistible fascination for the West. The fascination was if anything increased when Japan closed its borders in 1638, and for over 200 years the only contact was through a small colony of Dutch traders who were permitted to live on the tiny island of Deshima in Nagasaki Bay. After 1858, full trade was resumed, and a wave of 'Japanomania' swept across Europe and America. The 1862 Great Exhibition in London was the first to display a wide range of Japanese goods in the west. Visited by hundreds of thousands of people, the prints, ceramics and lacquer work became the height of fashion. Christopher Dresser travelled to Japan in 1876 as an agent for Tiffany & Co. He visited 64 potteries and dozens of other manufacturers. Not only did he take photographs home to spread the word there, but he also advised the Japanese how best to export their trade. This two way dialogue offers a rich synthesis of fine art and the decorative arts, as well as popular culture. Lionel Lambourne tells this remarkable story in a fluent and engaging narrative that focuses on the human drama - often amusing but sometimes tragic - of the individual personalities involved in the two-way dialogue between cultures.
Publisher: Phaidon Press
ISBN: 9780714847979
Category : Design
Languages : en
Pages : 240
Book Description
A broad survey of the West's extraordinary love affair with Japan. From the moment of the very first contact in the sixteenth century, Japan has always possessed an irresistible fascination for the West. The fascination was if anything increased when Japan closed its borders in 1638, and for over 200 years the only contact was through a small colony of Dutch traders who were permitted to live on the tiny island of Deshima in Nagasaki Bay. After 1858, full trade was resumed, and a wave of 'Japanomania' swept across Europe and America. The 1862 Great Exhibition in London was the first to display a wide range of Japanese goods in the west. Visited by hundreds of thousands of people, the prints, ceramics and lacquer work became the height of fashion. Christopher Dresser travelled to Japan in 1876 as an agent for Tiffany & Co. He visited 64 potteries and dozens of other manufacturers. Not only did he take photographs home to spread the word there, but he also advised the Japanese how best to export their trade. This two way dialogue offers a rich synthesis of fine art and the decorative arts, as well as popular culture. Lionel Lambourne tells this remarkable story in a fluent and engaging narrative that focuses on the human drama - often amusing but sometimes tragic - of the individual personalities involved in the two-way dialogue between cultures.
POT OF PAINT
Author: Linda Merrill
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 442
Book Description
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask two hundred guineas for a painting such as Nocturne in Black and Gold: The Falling Rocket. The dispute was fully covered in the popular press. Using those newspaper accounts, as well as letters, legal papers, Ruskin's instructions to his counsel, and Whistler's later rendition of events in The Gentle Art of Making Enemies, Linda Merrill reveals the deeply held, contrary aesthetic ideals of the two parties, and shows that, in many ways, the real litigants in Whistler v. Ruskin were traditional, representational art and art that tended toward abstraction." "During eighteen months of pretrial delays and two days of testimony from Whistler and several well-known figures in the art world, London debated the value and the meaning of art. A Pot of Paint retrieves these debates for a society that continues to argue the merits of innovation in art and the place of art in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 442
Book Description
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask two hundred guineas for a painting such as Nocturne in Black and Gold: The Falling Rocket. The dispute was fully covered in the popular press. Using those newspaper accounts, as well as letters, legal papers, Ruskin's instructions to his counsel, and Whistler's later rendition of events in The Gentle Art of Making Enemies, Linda Merrill reveals the deeply held, contrary aesthetic ideals of the two parties, and shows that, in many ways, the real litigants in Whistler v. Ruskin were traditional, representational art and art that tended toward abstraction." "During eighteen months of pretrial delays and two days of testimony from Whistler and several well-known figures in the art world, London debated the value and the meaning of art. A Pot of Paint retrieves these debates for a society that continues to argue the merits of innovation in art and the place of art in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Modern Ornamentation
Author: Christopher Dresser
Publisher:
ISBN:
Category : Arts and crafts movement
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Arts and crafts movement
Languages : en
Pages : 0
Book Description