Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney

Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney PDF Author: Louisa Macdonald
Publisher:
ISBN:
Category : Lamps
Languages : en
Pages : 60

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Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney

Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney PDF Author: Louisa Macdonald
Publisher:
ISBN:
Category : Lamps
Languages : en
Pages : 60

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Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps

Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps PDF Author: Louisa MacDonald
Publisher:
ISBN: 9781332325092
Category : Crafts & Hobbies
Languages : en
Pages : 62

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Excerpt from Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps: In the Nicholson Museum, University of Sydney The Collection were presented to the University of Sydney by Sir Charles Nicholson, formerly Chancellor of the University. They were found, probably, in different parts of Italy, but the exact locality has been noted only in a few instances. In earlier days vases such as we have here were known as Etruscan vases, because Etruria was the first country where they were found in great abundance. Their true name is Greek Vases, and only a very few can be strictly called Etruscan. In our collection the Etruscan vases proper are 45 and 46, and possibly some of the early black incised and the late black stamped ware may have been made by Etruscan potters. Greek vases have been found, generally, in tombs, and one class in particular, the white Athenian Lehythoi were produced solely for funeral purposes. But painted clay vases were used constantly in ordinary Greek life, as, indeed, we can see from the shapes adapted to their different purposes the skyphos, the kylixy and the cantharos, for drinking cups; the aryballos, for holding oil or perfume; the crater, or mixing bowl the lekyihos, for pouring oil; the otnochoe, for wine and so on. The examination of Greek decorated pottery shows a successive development through many stages. Between the 7th and 3rd centuries, B. C., when the art of vase painting ceased, the history can be clearly traced: and, though the dates cannot be fixed more than approximately, from the fact that the different styles of colour and design overlap each other, there is no difference of opinion among authorities as to the period within a few years to which any vase or class of vases belongs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney

Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney PDF Author: Louisa MacDonald
Publisher: Palala Press
ISBN: 9781340648251
Category :
Languages : en
Pages : 56

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Publisher:
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Category :
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