Author: British Museum
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 64
Book Description
List of Casts from Sculptures, &c. in the Departments of Antiquities
Author: British Museum
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 64
Book Description
Antonia Augusta
Author: Nikos Kokkinos
Publisher: Psychology Press
ISBN: 9780415080293
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Nikos Kokkinos presents a portrait of the most influential Roman matron of her time - the daughter of Mark Antony and the great-grandmother of Nero. In addition to being pivotal to the political shifts of the Empire, Antonia was strongly involved in many aspects of business life, and thus her career has an important bearing on contemporary perceptions of the position of Roman women. Marshalling many diverse archaeological source materials, the author has produced a book which places Antonia firmly in the social context of her day.
Publisher: Psychology Press
ISBN: 9780415080293
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Nikos Kokkinos presents a portrait of the most influential Roman matron of her time - the daughter of Mark Antony and the great-grandmother of Nero. In addition to being pivotal to the political shifts of the Empire, Antonia was strongly involved in many aspects of business life, and thus her career has an important bearing on contemporary perceptions of the position of Roman women. Marshalling many diverse archaeological source materials, the author has produced a book which places Antonia firmly in the social context of her day.
Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 794
Book Description
The English Catalogue of Books
Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1450
Book Description
Volumes for 1898-1968 include a directory of publishers.
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1450
Book Description
Volumes for 1898-1968 include a directory of publishers.
Fragmentary Modernism
Author: Nora Goldschmidt
Publisher: Oxford University Press
ISBN: 0192678167
Category : Literary Collections
Languages : en
Pages : 239
Book Description
Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated — the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.
Publisher: Oxford University Press
ISBN: 0192678167
Category : Literary Collections
Languages : en
Pages : 239
Book Description
Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated — the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.
Art of the Hellenistic Kingdoms
Author: Seán Hemingway
Publisher: Metropolitan Museum of Art
ISBN: 1588396584
Category : Art
Languages : en
Pages : 228
Book Description
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Publisher: Metropolitan Museum of Art
ISBN: 1588396584
Category : Art
Languages : en
Pages : 228
Book Description
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Homer
Author: James I. Porter
Publisher: University of Chicago Press
ISBN: 0226675904
Category : History
Languages : en
Pages : 292
Book Description
The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of Homer’s mystique and their impact since the first recorded mentions of Homer in ancient Greece. Homer: The Very Idea considers Homer not as a man, but as a cultural invention nearly as distinctive and important as the poems attributed to him, following the cultural history of an idea and of the obsession that is reborn every time Homer is imagined. Offering novel readings of texts and objects, the book follows the very idea of Homer from his earliest mentions to his most recent imaginings in literature, criticism, philosophy, visual art, and classical archaeology.
Publisher: University of Chicago Press
ISBN: 0226675904
Category : History
Languages : en
Pages : 292
Book Description
The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of Homer’s mystique and their impact since the first recorded mentions of Homer in ancient Greece. Homer: The Very Idea considers Homer not as a man, but as a cultural invention nearly as distinctive and important as the poems attributed to him, following the cultural history of an idea and of the obsession that is reborn every time Homer is imagined. Offering novel readings of texts and objects, the book follows the very idea of Homer from his earliest mentions to his most recent imaginings in literature, criticism, philosophy, visual art, and classical archaeology.
Marble
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361743
Category : Classical antiquities
Languages : en
Pages : 299
Book Description
In sixteen essays, prominent art historians, sculptors, scientists, and conservators discuss ancient marble sculpture. The essays are based on a symposium held at the J. Paul Getty Museum in April 1988. Topics include the provenancing of marble, the detection of marble forgeries, scientific analysis and authentication of ancient marble, marble quarrying and trade in the ancient world, and the techniques used in ancient sculpture.
Publisher: Getty Publications
ISBN: 0892361743
Category : Classical antiquities
Languages : en
Pages : 299
Book Description
In sixteen essays, prominent art historians, sculptors, scientists, and conservators discuss ancient marble sculpture. The essays are based on a symposium held at the J. Paul Getty Museum in April 1988. Topics include the provenancing of marble, the detection of marble forgeries, scientific analysis and authentication of ancient marble, marble quarrying and trade in the ancient world, and the techniques used in ancient sculpture.
Didyma
Author: Joseph Eddy Fontenrose
Publisher: Univ of California Press
ISBN: 9780520058453
Category : History
Languages : en
Pages : 318
Book Description
Publisher: Univ of California Press
ISBN: 9780520058453
Category : History
Languages : en
Pages : 318
Book Description
Images of Mithra
Author: Philippa Adrych
Publisher: Oxford University Press
ISBN: 0198792530
Category : Art
Languages : en
Pages : 232
Book Description
This work presents six case-studies of objects from different periods and regions of antiquity that are labelled by variations of the name Mithra, including the Roman Mithras, Persian Mihr, and Bactrian Miiro. Each chapter places each object in its original context, before questioning its role in religious ritual, tradition, and belief
Publisher: Oxford University Press
ISBN: 0198792530
Category : Art
Languages : en
Pages : 232
Book Description
This work presents six case-studies of objects from different periods and regions of antiquity that are labelled by variations of the name Mithra, including the Roman Mithras, Persian Mihr, and Bactrian Miiro. Each chapter places each object in its original context, before questioning its role in religious ritual, tradition, and belief