A Catalogue of the Pictures and Drawings in the National Loan Exhibition

A Catalogue of the Pictures and Drawings in the National Loan Exhibition PDF Author: Grafton Galleries
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366

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A Catalogue of the Pictures and Drawings in the National Loan Exhibition

A Catalogue of the Pictures and Drawings in the National Loan Exhibition PDF Author: Grafton Galleries
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366

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Book Description


Catalogue of the Pictures Forming the Collection of the Works of the Old Masters

Catalogue of the Pictures Forming the Collection of the Works of the Old Masters PDF Author: Gideon] [Nye
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 82

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Descriptive and Historical Catalogue of the British and Foreign Pictures with Biographical Notices of the Painters, Indices, Etc

Descriptive and Historical Catalogue of the British and Foreign Pictures with Biographical Notices of the Painters, Indices, Etc PDF Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 868

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Descriptive and Historical Catalogue of the Pictures in the National Gallery

Descriptive and Historical Catalogue of the Pictures in the National Gallery PDF Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 644

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Descriptive and Historical Catalogue of the Pictures in the National Gallery

Descriptive and Historical Catalogue of the Pictures in the National Gallery PDF Author: Ralph Nicholson Wornum
Publisher: BoD – Books on Demand
ISBN: 3846050458
Category : Art
Languages : en
Pages : 198

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Book Description
Reprint of the original, first published in 1869.

A Critical and Historical Corpus of Florentine Painting

A Critical and Historical Corpus of Florentine Painting PDF Author: Richard Offner
Publisher: Giunti Editore
ISBN:
Category : Art
Languages : en
Pages : 646

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Book Description
This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.

The Fourteenth Century

The Fourteenth Century PDF Author: Richard Offner
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 400

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Book Description
Section 3, Vol. 3.

Catalogue of the Royal Picture Gallery in Dresden

Catalogue of the Royal Picture Gallery in Dresden PDF Author: Gemäldegalerie (Dresden, Germany)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 354

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Catalogue Raisonné, Or, A List of the Pictures in Blenheim Palace

Catalogue Raisonné, Or, A List of the Pictures in Blenheim Palace PDF Author: George Scharf
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 248

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What Do Pictures Want?

What Do Pictures Want? PDF Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419

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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum