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Author: Gisela M. A. Richter
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882653743
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Gisela M. A. Richter
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882653743
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
Author: British Museum. Department of Greek and Roman Antiquities
Publisher: London Printed by order of the Trustees 1888.
ISBN:
Category : Gems
Languages : en
Pages : 284
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Book Description
Author: Gisela Marie Augusta Richter
Publisher:
ISBN:
Category : Gems
Languages : en
Pages : 228
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Gems
Languages : en
Pages : 494
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Book Description
Author: GISELA MARIE AUGUSTA. RICHTER
Publisher:
ISBN: 9781033118160
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 143
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Book Description
Author: British Museum. Department of British and Mediaeval Antiquities and Ethnography
Publisher:
ISBN:
Category : Cameos
Languages : en
Pages : 346
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Book Description
Author: John Henry Middleton
Publisher:
ISBN:
Category : Classical antiquities
Languages : en
Pages : 228
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Book Description
Author: N. Metropolitan Museum of Art (New York
Publisher: Wentworth Press
ISBN: 9781361113394
Category : History
Languages : en
Pages : 494
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Gisela Marie Augusta Richter
Publisher: Forgotten Books
ISBN: 9781334731761
Category : Art
Languages : en
Pages : 490
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Book Description
Excerpt from Catalogue of Engraved Gems of the Classical Style The King Collection was formed by the Rev. C. W. King of Trinity College, Cambridge, England, between the years 1845 and 1877. It was subsequently sold by him to john Taylor Johnston, who generously presented it to our Museum in 1881. The majority of these gems date from the later periods, though several fine early ex amples are included, such as the eight-sided cone with Hermes (no. The agate with the galloping Centaur (no. And the carnelian with the child caressing a hound (no. Among the Hellenistic and Graeco Roman gems the most important are, perhaps, the bust of Serapis (no. The portrait of Junius Brutus (no. The pantheistic head (no. Apollo leaning on a pillar (no. The head of Asklepios (no. And the charming Satyr bust (no. An attractive series is that showing Erotes in various attitudes and motives (nos. 146 ff). Most of our late Roman and pseudo classical stones belong to this collection. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
