Islamic Arms and Armor in The Metropolitan Museum of Art PDF Download
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Author: David G. Alexander
Publisher: Metropolitan Museum of Art
ISBN: 1588395707
Category : Social Science
Languages : en
Pages : 350
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Book Description
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
Author: David G. Alexander
Publisher: Metropolitan Museum of Art
ISBN: 1588395707
Category : Social Science
Languages : en
Pages : 350
Get Book Here
Book Description
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
Author: Samuel Henry Austin
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 236
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Alexander Farnum
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 348
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Book Description
Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 826
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Book Description
Author: Samuel Henry Austin
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 742
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Book Description
Author:
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 674
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 526
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Book Description
Author: Brené Brown
Publisher: Random House
ISBN: 0399592520
Category : Business & Economics
Languages : en
Pages : 321
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Book Description
#1 NEW YORK TIMES BESTSELLER • Brené Brown has taught us what it means to dare greatly, rise strong, and brave the wilderness. Now, based on new research conducted with leaders, change makers, and culture shifters, she’s showing us how to put those ideas into practice so we can step up and lead. Don’t miss the five-part HBO Max docuseries Brené Brown: Atlas of the Heart! NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BLOOMBERG Leadership is not about titles, status, and wielding power. A leader is anyone who takes responsibility for recognizing the potential in people and ideas, and has the courage to develop that potential. When we dare to lead, we don’t pretend to have the right answers; we stay curious and ask the right questions. We don’t see power as finite and hoard it; we know that power becomes infinite when we share it with others. We don’t avoid difficult conversations and situations; we lean into vulnerability when it’s necessary to do good work. But daring leadership in a culture defined by scarcity, fear, and uncertainty requires skill-building around traits that are deeply and uniquely human. The irony is that we’re choosing not to invest in developing the hearts and minds of leaders at the exact same time as we’re scrambling to figure out what we have to offer that machines and AI can’t do better and faster. What can we do better? Empathy, connection, and courage, to start. Four-time #1 New York Times bestselling author Brené Brown has spent the past two decades studying the emotions and experiences that give meaning to our lives, and the past seven years working with transformative leaders and teams spanning the globe. She found that leaders in organizations ranging from small entrepreneurial startups and family-owned businesses to nonprofits, civic organizations, and Fortune 50 companies all ask the same question: How do you cultivate braver, more daring leaders, and how do you embed the value of courage in your culture? In this new book, Brown uses research, stories, and examples to answer these questions in the no-BS style that millions of readers have come to expect and love. Brown writes, “One of the most important findings of my career is that daring leadership is a collection of four skill sets that are 100 percent teachable, observable, and measurable. It’s learning and unlearning that requires brave work, tough conversations, and showing up with your whole heart. Easy? No. Because choosing courage over comfort is not always our default. Worth it? Always. We want to be brave with our lives and our work. It’s why we’re here.” Whether you’ve read Daring Greatly and Rising Strong or you’re new to Brené Brown’s work, this book is for anyone who wants to step up and into brave leadership.
Author: Bernard S. Bachrach
Publisher: Taylor & Francis
ISBN: 1040248462
Category : History
Languages : en
Pages : 279
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Book Description
In these articles Professor Bachrach starts by looking at aspects of the ’barbarian’ occupation of the land of the Roman Empire, from Britain to the Alan settlements in southern Gaul. His particular interest, however, is in the political and, above all, in the military structures that grew out of the Early Middle Ages. He has sought to demonstrate that there was a fundamental continuity in military organisation and tactics from the Merovingian through the Carolingian period. As he shows, there is no reason to connect the origins of ’feudalism’ with Charles Martel’s wish to create a force of cavalry, and it is a fallacy that he grasped the potential of the stirrup for enabling mounted shock combat. On the contrary, its use in the West progressed only slowly, and it had nothing to do with the origins or growth of feudalism. Le professeur Bachrach débute par l’analyse de certains aspects de l’occupation barbare des terres de l’empire romain, de la Grande-Bretagne aux campements alans en Gaule méridionale. Il s’attache en suite aux structures politiques et, surtout, militaires qui furent issues du Haut Moyen Age. Selon lui, et il tente d’en faire ici la démonstration, l’organisation et les tactiques militaires ont fait preuve d’une continuité fondamentale de l’époque mérovingienne à celle des Carolingiens. Comme il le demontre, il n’y a pas lieu d’établir de liens entre l’origine du féodalisme et le désir qu’avait Charles Martel de créer une cavalerie; il est également tout à fait erroné de dire que ce dernier s’était rendu compte du potentiel de l’étrier en tant que facteur de mener des combats à cheval de choc. Bien contraire, l’utilisation de l’étrier à l’Ouest ne fit que progresser lentement et aucun rapport n’existe entre cet instrument et l’origine ou la croissance de la féodalité.
