Catalogue of a Copper Collection of Fine and Valuable Coins and Medals the Property of George W. Cox, and others to be Sold at Auctions 12/19/1883 PDF Download
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Author: John W. Haseltine
Publisher: BoD – Books on Demand
ISBN: 3385306760
Category : Fiction
Languages : en
Pages : 34
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Book Description
Reprint of the original, first published in 1883.
Author: John W. Haseltine
Publisher: BoD – Books on Demand
ISBN: 3385306760
Category : Fiction
Languages : en
Pages : 34
Get Book Here
Book Description
Reprint of the original, first published in 1883.
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
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Book Description
Author: William Laidlaw Purves
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 938
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Book Description
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 934
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 872
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 710
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Book Description
Author: John M. Kleeberg
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 280
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
