Catalogue de la vente qui aura lieu par suite du décès de M Adolf Dillens

Catalogue de la vente qui aura lieu par suite du décès de M Adolf Dillens PDF Author:
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Languages : fr
Pages : 0

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Catalogue de la vente qui aura lieu par suite du décès de M Adolf Dillens

Catalogue de la vente qui aura lieu par suite du décès de M Adolf Dillens PDF Author:
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Languages : fr
Pages : 0

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Vente par suite du décès de M. Riesener

Vente par suite du décès de M. Riesener PDF Author: Léon Riesener
Publisher:
ISBN:
Category :
Languages : fr
Pages : 32

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Catalogue de la vente qui aura lieu par suite du décès de N. Diaz de la Pena: Versteigerung im Hotel Drouot, Paris vom 22.1.1877 - 24.1.1877, 25.1.1877

Catalogue de la vente qui aura lieu par suite du décès de N. Diaz de la Pena: Versteigerung im Hotel Drouot, Paris vom 22.1.1877 - 24.1.1877, 25.1.1877 PDF Author:
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Languages : fr
Pages :

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Catalogue de la vente qui aura lieu par suite du décès de N. Diaz de la Pena

Catalogue de la vente qui aura lieu par suite du décès de N. Diaz de la Pena PDF Author: Charles Pillet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 114

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Catalogue de la vente, qui aura lieu par suite du décès de Eugène Delacroix

Catalogue de la vente, qui aura lieu par suite du décès de Eugène Delacroix PDF Author:
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Languages : fr
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Catalogue de la vente qui aura lieu par suite du décès de Eugène Delacroix Hôtel Drouot

Catalogue de la vente qui aura lieu par suite du décès de Eugène Delacroix Hôtel Drouot PDF Author:
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Languages : fr
Pages : 104

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Great Historical Geographical and Poetical Dictionary

Great Historical Geographical and Poetical Dictionary PDF Author: Louis Moreri
Publisher: Routledge
ISBN: 9780415200462
Category :
Languages : en
Pages :

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Male Bonds in Nineteenth-Century Art

Male Bonds in Nineteenth-Century Art PDF Author: Thijs Dekeukeleire
Publisher: Leuven University Press
ISBN: 9462702810
Category : Social Science
Languages : en
Pages : 321

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Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.

Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris

Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris PDF Author: Norma Broude
Publisher:
ISBN: 9780813530178
Category : Art
Languages : en
Pages : 278

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Once neglected, Gustave Caillebotte (1848-1894), a painter associated with the French Impressionists, has become the subject of intense public interest and renewed scholarly debate. With a series of exhibitions showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences and have become rich sites for interpretive debate.

The Sculptural Imagination

The Sculptural Imagination PDF Author: Alex Potts
Publisher: Yale University Press
ISBN: 9780300088014
Category : Art
Languages : en
Pages : 442

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Book Description
Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.