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Author: Maciej Kazimierz Sarbiewski
Publisher: MHRA
ISBN: 1907322124
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from Hills to such famous authors as Vaughan, Burns and Coleridge. His poetry was universally read in grammar schools and used as a medium of improving the knowledge of Latin during a period exceeding two centuries. Thanks to Sarbiewski, English poets started to imitate Horace, which was an important factor in overcoming the Pindaric tradition. Sarbiewski's oeuvre was also attractive owing to its immersion in various cultural traditions such as Stoicism, Ignatian spirituality, Platonism, and Hermeticism. This revised edition includes all known English translations of Sarbiewski's poems. The texts are accompanied by an introduction presenting the biography and works of Sarbiewski, as well as a short critical analysis of the translations included in the volume.
Author: Maciej Kazimierz Sarbiewski
Publisher: MHRA
ISBN: 1907322124
Category : Literary Criticism
Languages : en
Pages : 326
Get Book Here
Book Description
Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from Hills to such famous authors as Vaughan, Burns and Coleridge. His poetry was universally read in grammar schools and used as a medium of improving the knowledge of Latin during a period exceeding two centuries. Thanks to Sarbiewski, English poets started to imitate Horace, which was an important factor in overcoming the Pindaric tradition. Sarbiewski's oeuvre was also attractive owing to its immersion in various cultural traditions such as Stoicism, Ignatian spirituality, Platonism, and Hermeticism. This revised edition includes all known English translations of Sarbiewski's poems. The texts are accompanied by an introduction presenting the biography and works of Sarbiewski, as well as a short critical analysis of the translations included in the volume.
Author: Anthony W. Johnson
Publisher: Routledge
ISBN: 1134786891
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
The fruit of intensive collaboration among leading international specialists on the literature, religion and culture of early modern England, this volume examines the relationship between writing and religion in England from 1558, the year of the Elizabethan Settlement, up until the Act of Toleration of 1689. Throughout these studies, religious writing is broadly taken as being 'communicational' in the etymological sense: that is, as a medium which played a significant role in the creation or consolidation of communities. Some texts shaped or reinforced one particular kind of religious identity, whereas others fostered communities which cut across the religious borderlines which prevailed in other areas of social interaction. For a number of the scholars writing here, such communal differences correlate with different ways of drawing on the resources of cultural memory. The denominational spectrum covered ranges from several varieties of Dissent, through via media Anglicanism, to Laudianism and Roman Catholicism, and there are also glances towards heresy and the mid-seventeenth century's new atheism. With respect to the range of different genres examined, the volume spans the gamut from poetry, fictional prose, drama, court masque, sermons, devotional works, theological treatises, confessions of faith, church constitutions, tracts, and letters, to history-writing and translation. Arranged in roughly chronological order, Writing and Religion in England, 1558-1689 presents chapters which explore religious writing within the wider contexts of culture, ideas, attitudes, and law, as well as studies which concentrate more on the texts and readerships of particular writers. Several contributors embrace an inter-arts orientation, relating writing to liturgical ceremony, painting, music and architecture, while others opt for a stronger sociological slant, explicitly emphasizing the role of women writers and of writers from different sub-cultural backgrounds.
Author: Michael Edson
Publisher: Liverpool University Press
ISBN: 1638040737
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
When Cowley died, he was the most famous poet in England. His popularity continued throughout the eighteenth century. Yet Cowley has virtually disappeared from the canon today, even from metaphysical poetry collections, although it was Cowley who occasioned Samuel Johnson’s famous definition of metaphysical poetry. This book considers the circumstances behind Cowley’s falling out of the canon and what he might offer future generations of readers discovering his poetry anew.
Author: Martin Stöckinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110528894
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
Author: Mirosława Hanusiewicz-Lavallee
Publisher: BRILL
ISBN: 9004687653
Category : History
Languages : en
Pages : 480
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Book Description
An in-depth look at British–Polish literary pre-Enlightenment contacts, The Call of Albion explores how the reverberations of British religious upheavals in distant Poland–Lithuania surprisingly served to strengthen the impact of English, Scottish, and Welsh works on Polish literature. The book argues that Jesuits played a key role in that process. The book provides an insightful account of how the transmission, translation, and recontextualization of key publications by British Protestants and Catholics served Calvinist and Jesuit agendas, while occasionally bypassing barriers between confessionally defined textual communities and inspiring Polish–Lithuanian political thought, as well as literary tastes.
Author: Victoria Moul
Publisher: Cambridge University Press
ISBN: 1107192714
Category : Language Arts & Disciplines
Languages : en
Pages : 601
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Book Description
The first account of the bilingualism of English poetic culture from the mid-sixteenth to the early eighteenth century.
Author: Richard Robinson
Publisher: MHRA
ISBN: 094762385X
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Richard Robinson's 'The Rewarde of Wickednesse' (1574) is a quasi-epic poem that imitates the de casibus form of 'A Mirror for Magistrates' and makes a clear indication of the hellish position of the damned. Robinson wrote the poem during the period when his employer, George Talbot, was appointed as the jailer over Elizabeth's cousin Mary Stuart during the period of her imprisonment at Sheffield Castle and Sheffield Manor. The poem is anti-Catholic polemic, but it is not simply an invective against Catholicism; Robinson's work condemns bad moral behaviour but in the context of the dialectical opposition between Catholicism and Protestantism; an opposition that was not clearly demarcated during this period. Robinson's poem 'The Rewarde of Wickednesse' explores the notion that sinful people on earth are influenced by a Hellish force but he emphasises the punishment for sin and makes the link between the damned and Hell. 'The Rewarde of Wickednesse', through its inclusion of different, and sometimes opposing, traditions, faiths and literary formats, reveals an Elizabethan culture rife with the apprehensions concerning salvation and damnation that define early English Protestantism Robinson stages his laments for the sinners in the space of Hell as he and the god Morpheus travel through the underworld witnessing the punishments inflicted on sinners. Allyna E Ward is Assistant Professor of English at Booth College in Winnipeg, Canada where she works on Tudor and Early Modern Literature.
Author: Tamara Trojanowska
Publisher: University of Toronto Press
ISBN: 1442622520
Category : Literary Criticism
Languages : en
Pages : 853
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Book Description
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland’s return to independence. Conceived to address the lack of critical scholarship on Poland’s cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland’s modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
Author: Gilbert Tournoy
Publisher: Leuven University Press
ISBN: 9058676927
Category : Foreign Language Study
Languages : en
Pages : 429
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Book Description
As well as presenting articles on Neo-Latin topics, the annual journal Humanistica Lovaniensia is a major source for critical editions of Neo-Latin texts with translations and commentaries. Please visit www.lup.be for the full table of contents.
Author: Jean-François Kosta-Théfaine
Publisher: MHRA
ISBN: 094762368X
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
'L'Istoire de la Chastelaine du Vergier et de Tristan le Chevalier', composee en prose au XVeme siecle et conservee dans un unique manuscrit, est un remaniement anonyme de 'La Chastelaine de Vergi', ce court poeme du XIIIeme siecle au succes incontestable. Cette version en prose narre, tout comme son modele en vers, les amours malheureuses d'un couple d'amants. Cependant, si l'Istoire de la 'Chastelaine du Vergier et de Tristan le Chevalier' parait, de prime abord, suivre d'une facon presque fidele son modele, il faut admettre qu'il existe un certain nombre de variations passant d'une version a l'autre. En effet, la version en prose ajoute des developpements absents dans celle en vers, amplifie la portee morale de son texte, propose un changement manifeste de la conception de l'amour, modifie le caractere de la duchesse, emploie un vocabulaire bien specifique dans certaines occasions, etc. Ainsi, l''Istoire de la Chastelaine du Vergier et de Tristan le Chevalier', bien qu'offrant une organisation sequentielle assez peu differente de celle de 'La Chastelaine de Vergi', sait se detacher de son modele en proposant une adaptation ainsi qu'une version toute personnelle du celebre poeme du XIIIeme siecle. Jean-Francois Kosta-Thefaine, docteur en litterature medievale, est chercheur associe au Centre d'Etudes des Textes Medievaux - Universite de Rennes 2.
