Applying Karnatic Rhythmical Techniques to Western Music

Applying Karnatic Rhythmical Techniques to Western Music PDF Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180135
Category : Music
Languages : en
Pages : 476

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Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings

Applying Karnatic Rhythmical Techniques to Western Music

Applying Karnatic Rhythmical Techniques to Western Music PDF Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180135
Category : Music
Languages : en
Pages : 476

Get Book Here

Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings

Carnatic & Western Music

Carnatic & Western Music PDF Author: V.S. Narasimhan
Publisher: Notion Press
ISBN:
Category : Music
Languages : en
Pages : 273

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Book Description
“I too have a dream”, says V.S. Narasimhan, author of this book. Someday the sound of St. Thyagaraja’s compositions should be heard in places like Carnegie Hall! It is my desire and vision that cello should become a prominent instrument of Carnatic music both as solo and accompanying instrument just as the violin is. The grandeur of the tone of a cello in Carnatic music is something I hear in my head. Similarly bass players could incorporate Carnatic music ornamentation techniques. Viola should also become a featured component of Carnatic music as a solo and as accompaniment. If these instruments which cover a wide range of frequencies get into the hands of skillful artists, the result would be a novel symphonic style of arrangement that would gain a broader international audience and would be a transformative event bringing new dimensions to Carnatic music. What I hear in these tracks is the voice on the other side of the world, seemingly divergent yet at the same time oddly familiar, using the same classic instrumentation to provide yet another compelling new musical paradigm in the continuing evolution of the string quartet form. One can only wonder what Papa Haydn would have thought if somehow by a miracle of time travel he were to hear this music!…Grammy award winner, David Balakrishnan, Founder/ Member of Turtle Island String Quartet: Together, the musicians of the Madras String Quartet played authentic, grace oriented Carnatic music, setting off its beauty against the harmonic richness of the Western classical idiom. It was beautiful. Bangalore Mirror, March 1, 2010 A Capella twist to Thyagaraja kriti “Brova Bharamma” gets a new sound, thanks to ace violinist V. S. Narasimhan The Hindu, Chennai, Friday, July 22, 2016

The Illustrated Companion to South Indian Classical Music

The Illustrated Companion to South Indian Classical Music PDF Author: Ludwig Pesch
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 408

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Book Description
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.

From the Tanjore Court to the Madras Music Academy

From the Tanjore Court to the Madras Music Academy PDF Author: Lakshmi Subramanian
Publisher: OUP India
ISBN: 9780198071907
Category : Music
Languages : en
Pages : 232

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Book Description
This book deals with the production of knowledge about music and the related institution-building process in south India. It also examines the role of identity, imagination, nationalism, and patronage in the development of musical tradition in south India.

Ragas in Indian Music

Ragas in Indian Music PDF Author: V. K. Krishna Prasad
Publisher:
ISBN: 9788185381978
Category : Music
Languages : en
Pages : 755

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Book Description


Solkattu Manual

Solkattu Manual PDF Author: David P. Nelson
Publisher: Wesleyan University Press
ISBN: 0819574481
Category : Music
Languages : en
Pages : 160

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Book Description
Solkattu, the spoken rhythms and patterns of hand-clapping used by all musicians and dancers in the classical traditions of South India, is a subject of worldwide interest—but until now there has not been a textbook for students new to the practice. Designed especially for classroom use in a Western setting, the manual begins with rudimentary lessons in the simplest South Indian tala, or metric cycle, and proceeds step-by-step into more challenging material. The book then provides lessons in the eight-beat adi tala, arranged so that by the end, students will have learned a full percussion piece they can perform as an ensemble. Solkattu Manual includes web links to video featuring performances of all 150 lessons, and full performances of all three of the outlined small-ensemble pieces. Ideal for courses in world music and general musicianship, as well as independent study. Book lies flat for easy use.

A Southern Music

A Southern Music PDF Author: T.M. Krishna
Publisher: Harper Collins
ISBN: 9350298228
Category : Music
Languages : en
Pages : 608

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Book Description
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.

Ragas in Carnatic Music

Ragas in Carnatic Music PDF Author: S. Bhagyalekshmy
Publisher: Trivandrum, India : CBH Publications
ISBN:
Category : Music
Languages : en
Pages : 408

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Book Description


The Classical Music of North India: The first years study

The Classical Music of North India: The first years study PDF Author: George Ruckert
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400

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Book Description
This Is A Book Of And About The Classical Music Of North India, Among The Oldest Continual Musical Traditions Of The World. This Volume Introduces The Great Richness And Variety Of The Different Styles Of Music As Taught By One Of The Century`S Greatest Musicians, Ali Akbar Khan.

Indian Classical Music in Western Notation

Indian Classical Music in Western Notation PDF Author: Kathiravelu Ganeshan
Publisher:
ISBN: 9780476009721
Category : Carnatic music
Languages : un
Pages : 94

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Book Description
For students and teachers of vocal and instrumental South Indian classical music (Carnatic music). Complimentary with the syllabus for examinations of the Academy of Fine Arts, London. Introduces basic Western notation system and an enhanced version of the Indian notation system. Includes easy songs suitable for a variety of instruments.