Everybody's Book of Short Poems PDF Download
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Author: Eli Lemon Sheldon
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 336
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Book Description
Author: Eli Lemon Sheldon
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 336
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1128
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Book Description
Author: William Livingston
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 1474
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Book Description
Author: Leonard Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 928
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Book Description
Author: William George Jordan
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 644
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1312
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Book Description
Author:
Publisher:
ISBN:
Category : Liberalism (Religion)
Languages : en
Pages : 422
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Book Description
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
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Book Description
Author: JD Eident
Publisher: Lulu.com
ISBN: 132960315X
Category : History
Languages : en
Pages : 644
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Book Description
This book contains the letters of one hundred years ago that passed between Dr. James Newton Matthews of Mason, Illinois, and the well-known Hoosier poet James Whitcomb Riley. Also included in this volume are sixteen letters to Dr. Matthews from Paul Laurence Dunbar, an early African American poet who has received much recent attention.
