Carl Andre, Sculptor 1996 : [Krefeld at home, Wolfsburg at large ; anlässlich der Ausstellung Carl Andre, Sculptor 1996 - Krefeld at Home, Wolfsburg at Large in den Museen Haus Lange und Haus Esters, Krefeld (4. 2. - 21. 4. 1996) sowie im Kunstmuseum Wolfsburg (3. 2. - 21. 4. 1996)] PDF Download
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![Carl Andre, Sculptor 1996 : [Krefeld at home, Wolfsburg at large ; anlässlich der Ausstellung Carl Andre, Sculptor 1996 - Krefeld at Home, Wolfsburg at Large in den Museen Haus Lange und Haus Esters, Krefeld (4. 2. - 21. 4. 1996) sowie im Kunstmuseum Wolfsburg (3. 2. - 21. 4. 1996)] PDF](https://books.google.com/books/content/images/frontcover/vG9QAAAAMAAJ?fife=w150-h200)
Author: Carl Andre
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
![Carl Andre, Sculptor 1996 : [Krefeld at home, Wolfsburg at large ; anlässlich der Ausstellung Carl Andre, Sculptor 1996 - Krefeld at Home, Wolfsburg at Large in den Museen Haus Lange und Haus Esters, Krefeld (4. 2. - 21. 4. 1996) sowie im Kunstmuseum Wolfsburg (3. 2. - 21. 4. 1996)] PDF](https://books.google.com/books/content/images/frontcover/vG9QAAAAMAAJ?fife=w80-h100)
Author: Carl Andre
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
Author: Anne Mosseri-Morlio
Publisher: Scheidegger and Spiess
ISBN: 9783858818225
Category : Circle in art
Languages : en
Pages : 0
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Book Description
Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work. At long last, this first full book on Minoru Onoda introduces him as an artist in his own right. Apart from his role with Gutai, the book mines Onoda's sketchbooks and completed works to explore his creative process over time, from his artistic education in the 1960s at the Osaka Institute of Fine Arts and the Osaka School of Art to his later works following the 1972 disbanding of Gutai, which see the artist moving toward a monochrome and more conceptual style. Alongside critical essays by Edward M. Gómez, Astrid Handa-Gagnard, Shoichi Hirai, and Koichi Kawasaki, and Takesada Matsutani are 175 full-color illustrations.
Author: Kosme De Baranano
Publisher:
ISBN: 9783906915005
Category : Art and literature
Languages : en
Pages : 181
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Book Description
Published to accompany the exhibition ?Philip Guston and The Poets? at Gallerie dell?Accademia (May ? September 2017), this monograph exposes the artist?s oeuvre to critical literary interpretation. The exhibition draws parallels between humanist themes reflected in both Guston?s paintings and drawings as well as in the language and prose discerned in five of the twentieth century?s most prominent literary figures: D. H. Lawrence, W. B. Yeats, Wallace Stevens, Eugenio Montale and T. S. Eliot. The enormous influence that Italy itself had upon Guston and his work is also examined.0Spanning a 50-year period, ?Philip Guston and The Poets?, edited by curator Prof. Dr. Kosme de Barañano, features approximately 40 major paintings and 40 prominent drawings dating from 1930 through to 1980, the last of which were created in the final years of Guston?s life. 00Exhibition: Gallerie dell?Accademia, Venice, Italy (10.05.-03.09.2017).
Author: Thomas Schütte
Publisher: Richter Verlag
ISBN: 9783941263413
Category : Figure sculpture, German
Languages : en
Pages : 0
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The Castello di Rivoli exhibition examines the Frauen series, extraordinary portrayals of women whose bodies are submitted to spatial and organic deformations. What emerges forcefully from this group of works is Schu tte's ability to effect a true formal and imaginative revolution, not only with regard to the noble tradition of Western figurative sculpture but also to that of his own ¿uvre. The bronze and aluminium Frauen derive directly from some ceramic models chosen from the 120 different rough sketches realised between 1997 and 1999. For the first time ever, the 18 Frauen are presented together in the impressive spaces of the Manica Lunga, the former paintings gallery of the Savoys in the 17th century, measuring 6 metres by 146. The Frauen are accompanied by the complete series of their ceramic models and the 100 watercolours from the artist's private collection. At the Castello di Rivoli, the artist also presents two new bronze sculptures four metres high, called United Enemies, which greet the visitor as he approaches the entrance to the 18th-century castle.--www.nmnm.mc.
Author: Meret Oppenheim
Publisher: Skira
ISBN: 9788857235394
Category : Surrealism
Languages : en
Pages : 199
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Book Description
Meret Oppenheim (1913-1985) is one of the most recognized twentieth-century artists: an almost legendary figure able to stand out on a mainly male-dominated Surrealist art scene while developing her own highly personal artistic practice. This catalogue presents her entire career, from the 1930s to her late works. It thus reveals the intense personal and creative network of relationships she nurtured with her older and often already famous peers during her time in Paris: Man Ray, Marcel Duchamp, Max Ernst, Alberto Giacometti, Hans Arp and others are also documented in this publication through some of their most significant works. What emerges, above all, is the extent to which the artist influenced, thanks to her personality and allure, the Surrealist vocabulary in which objects turn into fetishes, oneiric and erotic fantasies intermingle, and women are seen as innocent or evil, enveloped in mysterious nature. After the war, Meret Oppenheim conducted her investigations - ranging from figurativism to abstraction, from assemblage to painting - while eluding all attempts at categorization. Her creative freedom and the extraordinary evocative power of her works have made her a key figure for many generations of artists, as can be seen here through parallels with creations by Daniel Spoerri, Birgit J�rgenssen, Robert Gober and Mona Hatoum.
Author: David Blayney Brown
Publisher:
ISBN: 9783777432663
Category : Mountains in art
Languages : en
Pages : 0
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Book Description
The extensive travels of J.M.W. Turner (1775-1851) through Britain and continental Europe provided an inexhaustible source of inspiration for his visionary color compositions, imaginative landscapes, and turbulent, often violent marine paintings. In Switzerland, he experienced both the beauty and the menace of the Alps, while by the sea, he observed the colorful harmonies of diffuse light. These experiences laid the groundwork for Turner to elevate landscape painting to an eminence that rivaled history painting. But how did he get there? Presenting this incomparably original artist on his route to autonomy in art, Turner traces the London artist's travels as he extended his search for motifs to Central Europe during the continent's temporary peace in 1802. He spent much time journeying through the mountains of Switzerland, constantly sketching his impressions of the scenes around him. Upon his return to London, he developed the unique imagery of his sublime landscape paintings. Through one hundred color illustrations that tell a story about the forces of nature of the sea and the Swiss mountain landscapes, the authors here examine the change Turner brought to the portrayal of the sublime and the subject of weather phenomena. Other essays explore Turner's role as the forerunner of modernism and reflect on the relationship between the artist and travel. Bringing together the symphony of colors that composed Turner's view of Switzerland's awe-inspiring landscapes, this book sheds new light on the artist's vision of the Alps and the sea.
