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Author: Kevin Adonis Browne
Publisher: Univ. Press of Mississippi
ISBN: 149681939X
Category : Social Science
Languages : en
Pages : 331
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Book Description
Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence.
Author: Kevin Adonis Browne
Publisher: Univ. Press of Mississippi
ISBN: 149681939X
Category : Social Science
Languages : en
Pages : 331
Get Book Here
Book Description
Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence.
Author: Frances Henry
Publisher: Univ. Press of Mississippi
ISBN: 1496825489
Category : History
Languages : en
Pages : 206
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Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Author: Milla Cozart Riggio
Publisher: Presbyterian Publishing Corp
ISBN: 0203646045
Category : Social Science
Languages : en
Pages : 339
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Book Description
This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.
Author: Jillian Powell
Publisher: Collins
ISBN: 9780008163839
Category : Caribbean Area
Languages : en
Pages : 0
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Book Description
Wear a bright costume, bang a drum, dance and sing. Come and join the carnival as the Caribbean islands celebrate in style! - Topaz/Band 13 books offer longer and more demanding reads for children to investigate and evaluate. - An information book. - Curriculum Links: Geography
Author: Ray Allen
Publisher:
ISBN: 0190656840
Category : Music
Languages : en
Pages : 305
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Book Description
Jump Up Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.
Author: Garth L. Green
Publisher: Indiana University Press
ISBN: 0253116724
Category : Social Science
Languages : en
Pages : 546
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Book Description
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.
Author: Claire Tancons
Publisher: Independent Curators International
ISBN: 9780916365899
Category : Art
Languages : en
Pages : 0
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Book Description
EN MAS': Carnival and Performance Art of the Caribbean is an extension of the Independent Curators International (ICI) and Contemporary Art Center, New Orleans (CAC) produced touring exhibition of the same title. The publication is an extension of the exhibition curated by Claire Tancons and Krista Thompson, but is also one of the first publications to give serious scholarly attention to contemporary art practices considering the connections between Carnival and performance, masquerade and social criticism, diaspora and transnationalism. EN MAS' will appeal to popular and scholarly audiences interested in Caribbean art, contemporary art, and performance studies. It fills a gap in two decades of exhibitions of contemporary Caribbean art that did not explicitly address Carnival as an artistic practice nor conceptualize distinct and historical forms of Caribbean art. EN MAS' includes scholarly essays by leading art historians Shannon Jackson and Kobena Mercer along with the two curators Claire Tancons and Krista Thompson, which offer formal and theoretical analyses of the artists' projects as well as explorations of Caribbean aesthetic practices and their impact on art and performance studies more broadly. In addition, the nine newly commissioned artist projects which are the basis for the exhibition will be fully illustrated and further enhanced by responsive essays from writers and curators in each hosting city such as Nicholas Laughlin from Port of Spain, Petrina Dacres from Kingston, Paul Goodwin from London and Thomas J. Lax from New York.
Author: Philip W. Scher
Publisher:
ISBN: 9780813027999
Category : Social Science
Languages : en
Pages : 214
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Book Description
"A welcome contribution to the growing number of recent anthropological studies of popular culture in Trinidad."--David Scott, Columbia University This dual-site ethnography follows the celebration of Carnival from Trinidad to North America, where immigrant Trinidadian-Americans loyally perpetuate this annual cultural event. Philip Scher uses the lens of transnationalism to explore the Carnival tradition transported from Trinidad by the immigrant Trinis living in Brooklyn, New York. As Scher moves back and forth between these two sites, he outlines aspects of the history of Carnival in Trinidad, looking in particular at the ways in which the middle class appropriated it and incorporated it into their nationalist agenda. Then, outlining the history of Carnival in Brooklyn, he explores in detail the place of Carnival in the lives of Trinis in New York by focusing attention on a "mas' camp"--the arena of creative activity, from making costumes to general "liming." He demonstrates how Trinis, in their attempt to import the folk traditions of their native island into their American lifestyle, have infused Carnival with a new, distinctly American meaning. Scher incorporates case studies and interviews into ideas about how the preparation and reception of cultural rituals serve as a bridge between the original culture and its displaced people, and about how this helps the immigrant population to forge its own identity in a new land. The discussion alludes to ethnic and ethnographic theories while remaining grounded and accessible, thus revealing the linkage between Trinidadian Carnival as popular culture and the people who celebrate it in Trinidad and beyond. In all of this description, a judicious use of the voices of participants and a sensitive positioning of the ethnographic presence make for an engaging and subtle analysis. Philip Scher is assistant professor of anthropology at the University of Oregon.
Author:
Publisher:
ISBN:
Category : Calypso (Music)
Languages : en
Pages : 268
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Book Description
Author: Gerard Aching
Publisher: Cultural Studies of the Americ
ISBN: 9780816640171
Category : Social Science
Languages : en
Pages : 180
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Book Description
Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.
