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Author: Tim Parks
Publisher: Simon and Schuster
ISBN: 1628726199
Category : Fiction
Languages : en
Pages : 280
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Book Description
The first Duckworth novel is "Better than Silence of the Lambs . . . Macabre fun orchestrated with immaculate precision. It's a killer" (Los Angeles Times) Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft, and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility. However, after the girl's mother—much to his chagrin—unequivocally forbids her from seeing him, he hits upon a perfect scheme: he convinces the besotted girl to run off with him, then sends ransom notes to her family. Following a frightening logic, Morris's subversions become deeper and darker. Soon events are spiraling with eerie momentum into a nightmare of deception and violence. The first novel in what has become the Duckworth in Verona trilogy, Cara Massimina is a comic thriller that will leave readers laughing out loud in mortified delight. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: Tim Parks
Publisher: Simon and Schuster
ISBN: 1628726199
Category : Fiction
Languages : en
Pages : 280
Get Book Here
Book Description
The first Duckworth novel is "Better than Silence of the Lambs . . . Macabre fun orchestrated with immaculate precision. It's a killer" (Los Angeles Times) Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft, and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility. However, after the girl's mother—much to his chagrin—unequivocally forbids her from seeing him, he hits upon a perfect scheme: he convinces the besotted girl to run off with him, then sends ransom notes to her family. Following a frightening logic, Morris's subversions become deeper and darker. Soon events are spiraling with eerie momentum into a nightmare of deception and violence. The first novel in what has become the Duckworth in Verona trilogy, Cara Massimina is a comic thriller that will leave readers laughing out loud in mortified delight. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: John MacDowell
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 232
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Book Description
Author: Tim Parks
Publisher:
ISBN: 9782760925625
Category :
Languages : fr
Pages : 358
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Book Description
Author: Tim Parks
Publisher:
ISBN: 9782742706051
Category :
Languages : fr
Pages : 278
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Book Description
Author: Tim Parks
Publisher: OUP Oxford
ISBN: 019106002X
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. The Novel: A Survival Skill is the fruit of a lifetime's search for a different, more immediate, but again systematic and serious way of talking about literature. Developed over many years, it offers a completely new account of the relationship between a writer, his or her work, and the reader. As such it radically undermines traditional literary criticism and the various criteria used for evaluating a work of fiction. Drawing on ideas from systemic psychology, Tim Parks suggest that both the content and style of a novelist's work, the kind of stories told and the way in which they are told, form part of a more general strategy or simply habit of communication that the novelist has learned within his or her family of origin. The reader reacts to these in very much the same way he or she would react to the same communicative strategy in a real life encounter, different readers reacting differently depending on their own backgrounds and habits of communication. Looking at the different value structures that can dominate in any family—good/evil, independence/dependence, success/failure, belonging/exclusion—this book looks at how a number of major writers position themselves within these value structures, how this positioning is manifest in their writing, and how readers have responded to this depending on their own positioning in the same semantics. Thomas Hardy, for example, a man eager to believe himself courageous but terrified of the consequences of any socially 'unacceptable' behaviour, constructs stories which are courageous in their willingness to debate difficult issues, but which constantly suggest that any attempt to behave courageously is condemned to disaster. Hardy as it were imprisons himself in a world where it is folly to take risks. He is thus exceedingly conservative in his life, while at the same time able to think of himself as courageous in his writing. The Novel: A Survival Skill looks at the way different readers in different periods respond to this depending on their own position with regard to fear, courage, social convention and so on.
Author:
Publisher: BRILL
ISBN: 900448633X
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility — concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation — and indeed has often attracted already established ‘mainstream’ writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world ‘of old’ are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their ‘golden age’ precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.
Author: Gillian Fenwick
Publisher: Univ of South Carolina Press
ISBN: 9781570034565
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
"Fenwick reckons with Parks's full literary range, from his novels and nonfiction books to his translations and journalism, and sheds light on the work of a versatile English writer whose international recognition is steadily growing."--BOOK JACKET.
Author: Tim Parks
Publisher: New York Review of Books
ISBN: 159017884X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the novelist and critic Tim Parks ranges over decades of critical reading—from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others—to upend our assumptions about literature and its purpose. In thirty-seven interlocking essays, Where I’m Reading From examines the rise of the “international” novel and the disappearance of “national” literary styles; how market forces shape “serious” fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers—and readers—can escape the twin pressures of the new global system and the novel that has become its emblematic genre.
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1487531907
Category : Literary Criticism
Languages : en
Pages : 1104
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Book Description
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
Author: Tim Parks
Publisher: Skyhorse
ISBN: 1628720417
Category : Fiction
Languages : en
Pages : 259
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Book Description
Morris Duckworth teaches English to the pampered rich of Verona and is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress, falls in love with him, Morris can almost smell upward mobility. However, after the girl’s mother—much to his chagrin—unequivocally forbids her from seeing him, he hits upon the perfect scheme: He convinces the besotted girl to run off with him, then sends ransom notes to her family. Following a frightening logic, Morris’s subversions become deeper and darker. Soon events are spiraling with eerie momentum into a nightmare of deception and violence. As Publishers Weekly observed about the protagonist, “So deft is Parks’s dissection of Morris’s pathology that this taut narrative gains in suspense and surprise and sweeps to a shocking conclusion.”
