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Author: Phil Malpas
Publisher: Routledge
ISBN: 1000211924
Category : Photography
Languages : en
Pages : 204
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Book Description
Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making. The topics discussed range from basic colour theory to the colour temperature of light and how to use colour to maximize the impact of compositions. A full and intimate understanding of colour is vital to the creation of dramatic, emotive and powerful photographic images. The way we choose to use colour will greatly influence the success of our image-making.
Author: Phil Malpas
Publisher: Routledge
ISBN: 1000211924
Category : Photography
Languages : en
Pages : 204
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Book Description
Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making. The topics discussed range from basic colour theory to the colour temperature of light and how to use colour to maximize the impact of compositions. A full and intimate understanding of colour is vital to the creation of dramatic, emotive and powerful photographic images. The way we choose to use colour will greatly influence the success of our image-making.
Author: Phil Malpas
Publisher: AVA Publishing
ISBN: 294037306X
Category : Photography
Languages : en
Pages : 179
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Book Description
Providing students with an introduction to the subject of colour in a photographic context, this book explains how to master its use in the image-making process.
Author: PHIL. MALPAS
Publisher: Routledge
ISBN: 9780367717629
Category :
Languages : en
Pages : 176
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Book Description
Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making. The topics discussed range from basic colour theory to the colour temperature of light and how to use colour to maximize the impact of compositions. A full and intimate understanding of colour is vital to the creation of dramatic, emotive and powerful photographic images. The way we choose to use colour will greatly influence the success of our image-making.
Author: John Child
Publisher: Taylor & Francis
ISBN: 1136107177
Category : Photography
Languages : en
Pages : 176
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Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Pedro Castillo Garcia
Publisher: Springer Science & Business Media
ISBN: 1846281792
Category : Technology & Engineering
Languages : en
Pages : 260
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Book Description
Modelling and Control of Mini-Flying Machines is an exposition of models developed to assist in the motion control of various types of mini-aircraft: • Planar Vertical Take-off and Landing aircraft; • helicopters; • quadrotor mini-rotorcraft; • other fixed-wing aircraft; • blimps. For each of these it propounds: • detailed models derived from Euler-Lagrange methods; • appropriate nonlinear control strategies and convergence properties; • real-time experimental comparisons of the performance of control algorithms; • review of the principal sensors, on-board electronics, real-time architecture and communications systems for mini-flying machine control, including discussion of their performance; • detailed explanation of the use of the Kalman filter to flying machine localization. To researchers and students in nonlinear control and its applications Modelling and Control of Mini-Flying Machines provides valuable insights to the application of real-time nonlinear techniques in an always challenging area.
Author: Timon Beyes
Publisher: Oxford University Press
ISBN: 0192537962
Category : Business & Economics
Languages : en
Pages : 892
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Book Description
Our most basic relationship with the world is one of technological mediation. Nowadays our available tools are digital, and increasingly what counts in economic, social, and cultural life is what can be digitally stored, distributed, replayed, augmented, and switched. Yet the digital remains very much materially configured, and though it now permeates nearly all human life it has not eclipsed all older technologies. This Handbook is grounded in an understanding that our technologically mediated condition is a condition of organization. It maps and theorizes the largely unchartered territory of media, technology, and organization studies. Written by scholars of organization and theorists of media and technology, the chapters focus on specific, and specifically mediating, objects that shape the practices, processes, and effects of organization. It is in this spirit that each chapter focuses on a specific technological object, such as the Battery, Clock, High Heels, Container, or Smartphone, asking the question, how does this object or process organize? In staying with the object the chapters remain committed to the everyday, empirical world, rather than being confined to established disciplinary concerns and theoretical developments. As the first sustained and systematic interrogation of the relation between technologies, media, and organization, this Handbook consolidates, deepens, and further develops the empirics and concepts required to make sense of the material forces of organization.
Author: Rainer Mausfeld
Publisher: Oxford University Press
ISBN: 0191660426
Category : Psychology
Languages : en
Pages :
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Book Description
Colour has long been a source of fascination to both scientists and philosophers. In one sense, colours are in the mind of the beholder, in another sense they belong to the external world. Colours appear to lie on the boundary where we have divided the world into 'objective' and 'subjective' events. They represent, more than any other attribute of our visual experience, a place where both physical and mental properties are interwoven in an intimate and enigmatic way. The last few decades have brought fascinating changes in the way that we think about 'colour' and the role 'colour' plays in our perceptual architecture. In Colour Perception: Mind and the physical world, leading scholars from cognitive psychology, philosophy, neurophysiology, and computational vision provide an overview of the contemporary developments in our understanding of colours and of the relationship between the 'mental' and the 'physical'. With each chapter followed by critical commentaries, the volume presents a lively and accessible picture of the intellectual traditions which have shaped research into colour perception. Written in a non-technical style and accessible to an interdisciplinary audience, the book will provide an invaluable resource for researchers in colour perception and the cognitive sciences.
Author: Adrian Davies
Publisher: Taylor & Francis
ISBN: 0240515900
Category : Business & Economics
Languages : en
Pages : 226
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Book Description
CD-ROM contains: Selected images from text -- Animations -- Software.
Author: Sean McHugh
Publisher:
ISBN: 9780998301921
Category :
Languages : en
Pages :
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Book Description
Author: Susan Harrow
Publisher: Bloomsbury Publishing
ISBN: 1350182222
Category : Art
Languages : en
Pages : 289
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Book Description
How do modern writers write colour? How do today's readers respond to the invitation to 'think colour' as they read poetry and art writing, and explore paintings? To what extent can critical thought on colour in visual media illuminate the textual life of colour? These are some of the lines of enquiry pursued in this bold new study of modern poetry and art writing in French, where colour, Susan Harrow argues, is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority. The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a 'colour turn' in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications-conceptual, methodological, and practical-for the study of visuality in humanities research, from literature studies to material and visual culture studies.
