Cantata No. 59 -- Wer mich liebet, der wird mein Wort halten PDF Download
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Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457483424
Category : Music
Languages : en
Pages : 24
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Book Description
A Choral Worship Cantata in SATB with SB Soli voicing, composed by Johann Sebastian Bach.
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457483424
Category : Music
Languages : en
Pages : 24
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Book Description
A Choral Worship Cantata in SATB with SB Soli voicing, composed by Johann Sebastian Bach.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Verena Kast
Publisher:
ISBN:
Category :
Languages : de
Pages : 8
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Book Description
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : de
Pages : 24
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457483479
Category : Music
Languages : en
Pages : 40
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Book Description
A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : de
Pages : 34
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Book Description
Author: Jonathan D. Green
Publisher: Rowman & Littlefield
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747
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Book Description
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Author: Charles Sanford Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 644
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Book Description
Author: Anne Leahy
Publisher: Scarecrow Press
ISBN: 0810881829
Category : Music
Languages : en
Pages : 327
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Book Description
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.
