Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457484155
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with ATB Soli composed by Johann Sebastian Bach.
Cantata No. 182 -- Himmelskönig, sei willkommen (King of Heaven, Welcome)
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457484155
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with ATB Soli composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457484155
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with ATB Soli composed by Johann Sebastian Bach.
Cantata no. 182 "Himmelskönig, sei willkommen" (King of Heaven, ever welcome).
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cantata No. 182
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Cantata 182 Himmelskonig
Author: Johann Sebastian Bach
Publisher: Schott & Company Limited
ISBN: 9783795769888
Category : Music
Languages : en
Pages : 56
Book Description
(Schott). For 3 solo voices, chorus and chamber orchestra. Study score.
Publisher: Schott & Company Limited
ISBN: 9783795769888
Category : Music
Languages : en
Pages : 56
Book Description
(Schott). For 3 solo voices, chorus and chamber orchestra. Study score.
Cantata No. 182
Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Cantata No 182
Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Periodical
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 520
Book Description
Bach The Borrower
Author: Norman Carrell
Publisher: Taylor & Francis
ISBN: 1040223990
Category : Music
Languages : en
Pages : 397
Book Description
Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.
Publisher: Taylor & Francis
ISBN: 1040223990
Category : Music
Languages : en
Pages : 397
Book Description
Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.
Bach
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 1107139252
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.
Publisher: Cambridge University Press
ISBN: 1107139252
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.
Tears into Wine
Author: Eric Chafe
Publisher: Oxford University Press
ISBN: 0190272961
Category : Music
Languages : en
Pages : 632
Book Description
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
Publisher: Oxford University Press
ISBN: 0190272961
Category : Music
Languages : en
Pages : 632
Book Description
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.