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Author: Anton Wagner
Publisher: University of Toronto Press
ISBN: 1442611839
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
Author: Anton Wagner
Publisher: University of Toronto Press
ISBN: 1442611839
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
Author: Cheryl MacDonald
Publisher: Dundurn
ISBN: 092047490X
Category : History
Languages : en
Pages : 240
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Book Description
When Ezra Chipman brought fellow Canadian George Sternaman to board at his Buffalo home, he set in motion a nightmarish chain of events. Within months, Ezra was dead of a mysterious ailment. Then, shortly after marrying Ezra's widow Olive, George developed similar symptoms. Impoverished by George's long illness, the family moved to his mother's farm in Haldimand County, Ontario. There, in August 1896, 24-year-old George Sternaman died. After his funeral, Olive returned to Buffalo to try to pick up the pieces of her life. Meanwhile, a Canadian investigation into George's death had begun. Medical examinations and evidence uncovered by Ontario's "great detective," John Wilson Murray, pointed to one conclusion: George Sternaman had died of arsenic poisoning. Olive was arrested and charged with his murder. Sensational legal battles followed, involving the highest courts in both Canada and the United States. When Olive finally went to trial at the Haldimand County Courthouse in Cayuga, her lawyer, Welland politician William Manley German, was up against the most brilliant legal mind of the day: Britton Bath Osler. Drawing on newspaper accounts and legal documents, Cheryl MacDonald has recreated a true-to-life Victorian melodrama. Who Killed George? offers insight into the legal system, social sentiments, and status of women of the 1890s, along with the thrill of a genuine Canadian murder mystery.
Author: Charles W. Humphries
Publisher: University of Toronto Press
ISBN: 1487590369
Category : Biography & Autobiography
Languages : en
Pages : 491
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Book Description
On a promise of 'Clean, Uncorrupt, and Incorruptible Government,' James Pliny Whitney marked the end of an era of Liberal rule that had lasted for over three decades, and introduced to the province a new, 'progressive' brand of conservatism. As this lively biography demonstrates, Whitney was a gruff and forceful leader. He had a keen understanding of the social and technological forces that were changing Ontario so dramatically in the early twentieth century; he also understood, better than the Liberals, the political implications of those forces. The policies of his government extended to hydroelectric power, bilingual schools, northern development, automobile regulation, temperance (he dealt with the advocates of prohibition 'through gritted teeth'), imperial unity, housing, workmen's compensation, and the suffrage movement. (In a lapse from progressiveness, he argued that women should not be exposed to 'the unlovely influence of party politics.') He had a lasting influence on higher education in the province through the establishment of a Board of Governors for the University of Toronto, then unmistakably the provincial university of Ontario, and the provision of tenure for its full professors. Whitney liked to describe himself as 'bold enough to be honest ... honest enough to be bold.' Humphries concludes that as premier from 1905 to 1914 Whitney lived up to his self-description. The boldness of his legislative programs recognized the evolution of a new industrial society and paved the way for government to intervene in economic and social affairs. The success of his progressive conservatism laid the foundation for decades of Tory success in Ontario.
Author: Carolyn Whitzman
Publisher: On Point Press
ISBN: 0774890630
Category : True Crime
Languages : en
Pages : 334
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Book Description
On the night of October 6, 1894, Frank Westwood was shot to death by an unknown assailant as he stood in the doorway of his home. Six weeks later, Clara Ford – a Black tailor and single mother known for wearing men’s attire – was arrested and confessed to the murder. But as the details of her arrest and her history with Westwood emerged, Clara recanted, testifying that she was coerced by police into a false confession. Carolyn Whitzman tells the story of a courageous Black woman in nineteenth-century Toronto and paints a portrait of a city and a society that have not changed enough in 125 years.
Author: Janice Anne Fiamengo
Publisher: University of Toronto Press
ISBN: 0802095372
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
In the late nineteenth and early twentieth centuries, journalism, politics, and social advocacy were largely male preserves. Six women, however, did manage to come to prominence through their writing and public performance: Agnes Maule Machar, Sara Jeannette Duncan, E. Pauline Johnson, Kathleen Blake Coleman, Flora MacDonald Denison, and Nellie L. McClung. The Woman's Page is a detailed study of these six women and their respective works. Focusing on the diverse sources of their rhetorical power, Janice Fiamengo assesses how popular poetry, journalism, essays, and public speeches enabled these women to play major roles in the central debates of their day. A few of their names, particularly those of McClung and Johnson, are still well known today, although studies of their writings and speeches are limited. Others are almost entirely unknown, an unfortunate fact given the wit, intelligence, and passion of their writing and self-presentation. Seeking to return their words to public attention, The Woman's Page demonstrates how these women influenced readers and listeners regarding their society's most controversial issues.
Author:
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 966
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Book Description
Author: Linda Kay
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773587179
Category : Social Science
Languages : en
Pages : 242
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Book Description
In 1904, sixteen women travelled together by train to cover the St Louis World's Fair. The Sweet Sixteen traces the fateful ten-day trip that resulted in the formation of a professional club for the advancement of Canadian newspaper women. Drawing upon letters, journals, interviews, and most significantly, newspaper stories written by the women themselves, Linda Kay narrates the journey to St Louis with evocative detail. Delving into the group dynamics and individual experiences of these women, Kay explores the cultural divide between the Anglophone and Francophone members of the group and provides compelling biographical sketches of each woman's life and work. The Sweet Sixteen documents the struggles of a group of tenacious and talented women who, in 1904, did not have the right to vote, were not regarded as persons under the law, and were credentialed as journalists at a time when marriage and motherhood were considered a woman's one true calling. Their legacy -the Canadian Women's Press Club - is a testament to their daring.
Author: Anne Saddlemyer
Publisher: University of Toronto Press
ISBN: 1487586728
Category : Performing Arts
Languages : en
Pages : 436
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Book Description
A circus, a production of Shakespeare, an evening of song and ventriloquism, a performance by a ‘learned pig’ – all of these offered an evening’s entertainment to the citizens of early nineteenth-century Upper Canada. Although the population in 1800 was only 90,000, a wide range of entertainers performed in towns across the province: touring companies, variety and animal acts, and theatrical troupes, professional and amateur, some home-grown and based in the garrisons, others from Montreal, New York, and London. By the end of the century, some 250 touring groups were on the road across Ontario, from Ottawa to Rat Portage (now Kenora). The lively theatre tradition of that century would extend into the next, beyond the appointment in 1913 of Ontario’s first official censor, until the outbreak the following year of the First World War. This collection of essays covers a number of facets of the growth of theatre in Ontario. Ann Saddlemyer’s introduction provides an overview of the period, and historian J.M.S. Careless focuses on the cultural environment. Novelist Robertson Davies writes on the dramatic repertoire of the period. Architect Robert Fairfield explores the structures that housed performances, from the small community halls to the grand opera houses. Theatre scholar and professional actor and director Geralrd Lenton-Young discusses variety performances. Leslie O’Dell, scholar, actor, and playwright, writes on garrison theatre, while Mary M. Brown, a teacher, actress, and director, covers travelling troupes. A chronology and bibliography, both by the theatre scholar Richard Plant, complete the work. A second volume, scheduled for future publication, will look at the development of theatre in Ontario in the twentieth century. (Ontario Historical Studies Series)
Author: Rita Bode
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773597395
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Lucy Maud Montgomery (1874-1942) and Anne of Green Gables will always be associated with Prince Edward Island, Montgomery's childhood home and the setting of her most famous novels. Yet, after marrying Rev. Ewan Macdonald in 1911, she lived in Ontario for three decades. There she became a mother of two sons, fulfilled the duties of a minister's wife, advocated for copyright protection and recognition of Canadian literature, wrote prolifically, and reached a global readership that has never waned. Engaging with discussions on both her life and her fiction, L.M. Montgomery's Rainbow Valleys explores the joys, sorrows, and literature that emerged from her transformative years in Ontario. While this time brought Montgomery much pleasure and acclaim, it was also challenged and complicated by a sense of displacement and the need to self-fashion and self-dramatize as she struggled to align her private self with her public persona. Written by scholars from various fields and including a contribution by Montgomery's granddaughter, this volume covers topics such as war, religion, women's lives, friendships, loss, and grief, focusing on a range of related themes to explore Montgomery's varied states of mind. An in-depth study of one of Canada's most internationally acclaimed authors, L.M. Montgomery's Rainbow Valleys shows how she recreated herself as an Ontario writer and adapted to the rapidly changing world of the twentieth century. Contributors include Elizabeth Waterston (Guelph), Mary Beth Cavert (Independent), Margaret Steffler (Trent), Laura M. Robinson (Royal Military College), Caroline E. Jones (Austin Community College), William V. Thompson (Grant MacEwan University), Melanie J. Fishbane (Humber College), Katherine Cameron (Concordia University College), Emily Woster (Minnesota-Duluth), Natalie Forest (York), E. Holly Pike (Memorial-Grenfell), Linda Rodenburg (Lakehead-Orillia), Kate Sutherland (York), Lesley D. Clement (Lakehead-Orillia), Kate Macdonald Butler (Heirs of L.M. Montgomery Inc.).
Author: Helmut Kallmann
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554588928
Category : Music
Languages : en
Pages : 292
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Book Description
Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
