Enchiridion Theologicum; or, a Manual, for the use of Students in Divinity PDF Download
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Author: John RANDOLPH (successively Bishop of Oxford, of Bangor, and of London.)
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 524
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Book Description
Author: Stephanie Vanderslice
Publisher: Bloomsbury Publishing
ISBN: 147428504X
Category : Language Arts & Disciplines
Languages : en
Pages : 265
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Book Description
Revised and updated throughout, this 10th-anniversary edition of Can Creative Writing Really Be Taught? is a significantly expanded guide to key issues and practices in creative writing teaching today. Challenging the myths of creative writing teaching, experienced and up-and-coming teachers explore what works in the classroom and workshop and what does not. Now brought up-to-date with new issues that have emerged with the explosion of creative writing courses in higher education, the new edition includes: · Guides to and case studies of workshop practice · Discussions on grading and the myth of “the easy A” · Explorations of the relationship between reading and writing · A new chapter on creative writing research · A new chapter on games, fan-fiction and genre writing · New chapters on identity and activism Can Creative Writing Really Be Taught? is supported by a companion website at www.bloomsbury.com, including extensive links to online resources, teaching case studies and lesson plans.
Author: Alexandria Peary
Publisher: SIU Press
ISBN: 0809334046
Category : Language Arts & Disciplines
Languages : en
Pages : 322
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Book Description
The creative writing workshop: beloved by some, dreaded by others, and ubiquitous in writing programs across the nation. For decades, the workshop has been entrenched as the primary pedagogy of creative writing. While the field of creative writing studies has sometimes myopically focused on this single method, the related discipline of composition studies has made use of numerous pedagogical models. In Creative Writing Pedagogies for the Twenty-First Century, editors Alexandria Peary and Tom C. Hunley gather experts from both creative writing and composition studies to offer innovative alternatives to the traditional creative writing workshop. Drawing primarily from the field of composition studies—a discipline rich with a wide range of established pedagogies—the contributors in this volume build on previous models to present fresh and inventive methods for the teaching of creative writing. Each chapter offers both a theoretical and a historical background for its respective pedagogical ideas, as well as practical applications for use in the classroom. This myriad of methods can be used either as a supplement to the customary workshop model or as stand-alone roadmaps to engage and reinvigorate the creative process for both students and teachers alike. A fresh and inspiring collection of teaching methods, Creative Writing Pedagogies for the Twenty-First Century combines both conventional and cutting-edge techniques to expand the pedagogical possibilities in creative writing studies.
Author: James Elkins
Publisher: University of Illinois Press
ISBN: 9780252069505
Category : Art
Languages : en
Pages : 228
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Book Description
He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art--including art that takes time to complete and art that isn't serious--that cannot be learned in studio art classes.
Author: Kelly Ritter
Publisher: Heinemann Educational Books
ISBN:
Category : Education
Languages : en
Pages : 144
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Book Description
The process of creativity is shrouded in mystery and lore, but that doesn't mean that the teaching of creative writing has to remain in the dark. "Can It Really Be Taught?" shines a bright light on creative writing pedagogy, with a special focus on that hallmark of fiction and poetry classes everywhere - the workshop - in order to discover what works, what doesn't, and what is purely apocryphal. s"Can It Really Be Taught? "offers a critical look at the pedagogical lore of creative writing that has been, up until now, accepted unquestioningly. Fifteen experienced teachers and researchers analyze long-accepted elements and theories of teaching creative writing, such as: workshop practices the canon of creative-writing craft books the criteria for grading (including the myth of the easy A) ways to use the mythologized presence of the writer in film. In examining these pedagogical practices and the thinking behind them, as well as the reasons for their popularity, "Can It Really Be Taught?" offers a range of best practices grounded in relevant theory and based on research, experience, and success. sTeachers solely responsible for creative writing, along with faculty and graduate students from all of English, will find great value in the thought-provoking essays within "Can It Really Be Taught?" Let creativity have its mystery, but take the mystery out of teaching creative writing. Read "Can It Really Be Taught?" and join a new conversation on creative writing's fundamental importance to English studies.s
Author: Arthur Whimbey
Publisher: Dutton Adult
ISBN: 9780525931287
Category : Education
Languages : en
Pages : 232
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Book Description
Author: John RANDOLPH (successively Bishop of Oxford, of Bangor, and of London.)
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 524
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Book Description
Author: Mark W. Lansberry
Publisher: Mark W. Lansberry
ISBN: 0976347903
Category :
Languages : en
Pages : 94
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Book Description
Most Christians today practice a religion about Jesus with the emphasis on his sacrificial death on our behalf and very little attention given to what he actually taught during his ministry. While the importance of Jesus' death for our sake cannot be over-emphasized, Jesus' teachings are also important. The spirituality he teaches prepares us for life in the kingdom of God. And, importantly, Jesus teaches us that eternal life begins now, in this world. If we don't understand our own spirituality in this life, we will enter the next unprepared for the fullness of God's kingdom. What Jesus Really Taught And Why We Don't Believe It re-presents the core of Jesus' teaching in a simple, engaging way that shows that Jesus teaches us how to have an authentic, dynamic spirituality with practical skills for living in this world as well as preparing us for the next. The book is brief so that it can be read in one sitting.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 722
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Book Description
Author: Pennsylvania. Department of Public Instruction
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 444
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Book Description
Author: Christa Boske
Publisher: IAP
ISBN: 1648027032
Category : Art
Languages : en
Pages : 142
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Book Description
High school students, teachers, community members, and leaders come together in this innovative book to share the profound influence of artmaking and justice- oriented work. Authors paint vibrant images of being empowered and engaging in social change. Throughout their art-based meaning making, authors pose critical questions and unlock possibilities. Their first-tellings regarding the power of art provide readers with a lens to understand how they navigate injustices they endure and ways in which artmaking is a vehicle for transformation. Their artmaking is a call for change. Authors emphasize how artmaking bridges relationships and brings diverse community members together with purpose. Together, they engage in new understandings of self and other. Authors identify how their arts-based collaborations publicly showcase their justice-oriented work, but more importantly, promote possibility and hope. Youth explore how artmaking plays a vital role in promoting collective efficacy and engaging diverse communities in social transformation. Artmaking mobilizes people. And once activated, these authors utilize their newly cultivated communities to foster justice-oriented work throughout schools and communities. Their justice-oriented artmaking affords community members opportunities to respond in new ways by embracing community strengths and students’ lived experiences. This authentic collaboration empowers the artmaker and community to promote justice-oriented work and practices centered on diversity and inclusivity. ENDORSEMENTS: Reading Christa Boske’s The Time is Now is to find a profound sense of joy, wholeness, and energy to push out the borders of consciousness too tightly bound to the hyperrationalism of the workday world grounded in materialism and business transactions. The collected authors in Christa’s book give form to the spirit world, and its proclivity to allow the whole human being to embrace it, putter in it, explore it and find themselves in the journey. Artmaking is about self-discovery and emancipation. It’s a must read for anyone who wants re-establish a belief in themselves and in humanity. — Fenwick W. English, Professor and Department Chair, Ball State University Read this compelling new resource if you want to engage the next generation of youth activists in transforming our world. Truly, The Time is Now offers school leaders the most exciting, creative avenues for generating justice we’ve seen in a long time. This book rises to the challenge of being real when so much is at stake. — Margaret Grogan, Professor of Educational Leadership & Policy, Chapman University The Time is Now. A profound title that encapsulates so much regarding what we need in today's world. Woven through the various narratives, we accept the invitation to hear the stories of artists and explorers in their respective communities. An authentic confrontation of the many tensions that exist in our quest to seek out equity in the areas of diversity, inclusivity, and lived experiences. Voices that ring of radical change, the reconceptualization of freedom, and the agentive stance we are called to take to realize a higher state of being and a more noble existence. The stories remind us that the dream of transformation is our most compelling force- this book gives us a map of all that is possible if we work together. — Lillian McEnery-Benavente, Director and Professor, University of Houston Christa Boske’s edited book, The Time is Now, provides readers with a profound sense of what it means to live through injustice. The book, though, is not just a collection of heartbreaking stories, but a chronicle of triumphs, as the previously unheard are finally given a voice through artmaking. In chapter after deeply moving chapter, I was struck by the simultaneous vulnerability and bravery of the artists who shared their stories. What was clear, was that artmaking was a form of awakening for the artmakers: awakening to social justice issues, awakening to their ability to connect to the community through art and even awakening to their own value, which for so many, had been wholly unrecognized prior to this experience. This book comes at a time of deep reflection on equity, diversity and inclusion in our nation and the stories remind us that our children are absorbing these conversations. They are living these experiences and their voices are an essential part of the dialogue. — Habeebah R. Grimes, Chief Executive Officer
