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Author: Mark Haworth-Booth
Publisher: Getty Publications
ISBN: 9781606060254
Category : Photography
Languages : en
Pages : 168
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Book Description
Life and work of the French photographer Camille Silvy (1834-1910).
Author: Mark Haworth-Booth
Publisher: Getty Publications
ISBN: 9781606060254
Category : Photography
Languages : en
Pages : 168
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Book Description
Life and work of the French photographer Camille Silvy (1834-1910).
Author: Mark Haworth-Booth
Publisher: Getty Publications
ISBN: 0892362057
Category : Architecture
Languages : en
Pages : 123
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Book Description
This series introduces individual works or small groups of related works in the Museum's collections to a broad public. Each monograph includes a close discussion of its subject as well as a detailed analysis of the broader context in which the work was created, considering relevant historical, cultural, and chronological issues.
Author: Weston J. Naef
Publisher: Getty Publications
ISBN: 0892367490
Category : Photography
Languages : en
Pages : 180
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Book Description
Celebrating 20 years of collecting photographs at the Getty Museum, Photographers of Genius at the Getty spotlights the genius of 38 seminal photographers selected from the hundreds of artists represented in the collection.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271048376
Category :
Languages : en
Pages : 392
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Book Description
Author: Rachel Teukolsky
Publisher: Oxford University Press
ISBN: 0192603566
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Geoffrey Batchen
Publisher: Routledge
ISBN: 1000224767
Category : Social Science
Languages : en
Pages : 221
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Book Description
As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium. The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The interaction of these two components was often spread out over time and space and could involve more than one person, giving photography the capacity to produce multiple copies of a given image and for that image to have many different looks, sizes and makers. This book traces these complications for canonical images by such figures as William Henry Fox Talbot, Kusakabe Kimbei, Dorothea Lange, Man Ray, Seydou Keïta, Richard Avedon, and Andreas Gursky. But it also considers a number of related issues crucial to any understanding of photography, from the business practices of professional photographers to the repetition of pose and setting that is so central to certain familiar photographic genres. Ranging from the daguerreotype to the digital image, the end result is a kind of little history of photography, partial and episodic, but no less significant a rendition of the photographic experience for being so. This book represents a summation of Batchen’s work to date, making it be essential reading for students and scholars of photography and for all those interested in the history of the medium
Author: Gordon Baldwin
Publisher: Getty Publications
ISBN: 089236517X
Category : Photography
Languages : en
Pages : 130
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Book Description
The J. Paul Getty Museum’s collection of over one hundred thousand images is among the most comprehensive holdings of rare and important photographs in the world. It ranges from daguerreotypes to work by contemporary photographers such as Frederick Sommer and Manuel Alvarez Bravo. The fifty selections in this volume include Walker Evans’s Citizen in Downtown Havana, The Whisper of the Muse by Julia Margaret Cameron, and Georgia O’Keeffe: A Portrait by Alfred Stieglitz, as well as photographs by Carleton Watkins, André Kertész, Man Ray, Lisette Model, and many others. Each image is described in detail by the curatorial staff of the Department of Photographs at the Getty Museum.
Author: Mia Fineman
Publisher: Metropolitan Museum of Art
ISBN: 1588394735
Category : Exhibitions
Languages : en
Pages : 298
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Book Description
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
