Camcorder Magic PDF Download
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Author: James R. Caruso
Publisher:
ISBN: 9780887056673
Category : Camcorders
Languages : en
Pages : 202
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Book Description
Author: James R. Caruso
Publisher:
ISBN: 9780887056673
Category : Camcorders
Languages : en
Pages : 202
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Book Description
Author: Michael Stavros
Publisher:
ISBN: 9780936262260
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Home videographers can create more than 40 fun special effects to make home videos more exciting, design more professional-looking business presentations, or even to produce a low-budget epic. Using only inexpensive, easy-to-find materials and props, this book shows how to simulate the effects used by television and Hollywood pros. Readers can create dramatic weather effects -- such as a hurricane, rainstorm, or earthquake -- using fans, colanders, candles, and even a shaky table. Other fun effects include making a split screen to show two friends talking on the phone, teaching a chair to dance, making a friend disappear or magically changing one person into another, faking an artistic foreign film, and even creating a tropical paradise in a closet!
Author: David Pogue
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596527266
Category : Computers
Languages : en
Pages : 516
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Book Description
Presents a comprehensive guide to Macintosh filmmaking and DVD design that includes film techniques, editing basics, and mastering DVDs.
Author: Barry Braverman
Publisher: CRC Press
ISBN: 1136059105
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Tired of the all the Digital Filmmaking guidebooks that give you only the nuts and bolts of how to use a camera? Video Shooter 2e takes that how-to knowledge and takes it a step further by showing you how to craft a story in your video. Barry Braverman is a highly experienced shooter whose name is gold in the field. This book covers everything from framing a shot, to lighting, to the type of camera (and tripod) one should use, and perhaps most importantly--how to translate the use of all this equipment and techniques into a story. Humorous and opinionated, the author provides anecdotes and full-color illustrations that help you to learn the tricks of the trade. He gets right to the point of what you need to know to get good shots--and on a budget. New to this edition: * more up-to-date techniques involving HD technology * more coverage on the multi-skillset required of today's filmmmakers (who are asked to act simulataneously as Director, Director of Photography, Cinematographer, Sound Recordists, etc.) *Website including craft tips, equipment review/blogs, and a teacher's corner to support use of the book in film studies/digital media class (includes student work completed in class using the text)
Author: Videomaker,
Publisher: Taylor & Francis
ISBN: 1136048014
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
From the editors of Videomaker Magazine comes this new edition that you have been waiting for. The Videomaker Guide Digital Video, fourth edition, provides information on all of the latest cutting edge tools and techniques necessary to help you shoot and edit video like the pro's. Learn about equipment, lighting, editing, audio, high definition, and all aspects of video from the leading experts on videography!
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Kurt Lancaster
Publisher: CRC Press
ISBN: 1135040311
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
With the next generation of raw cinema cameras you can finally shoot professionally with uncompressed raw motion pictures—without compromising your image or your budget. In Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras, Lancaster takes you through the birth of these new cameras and includes an exclusive behind-the-scenes look at Digital Bolex. He field tests each camera and discusses the importance of shooting in raw and guides you through the raw color grading process so you can create stunning films. Interviews with professionals who have shot documentaries, shorts, and promotionals with these cameras are featured throughout, allowing you to learn field production techniques under real world conditions. FEATURES: Behind-the-scenes case studies for the next generation of low budget cinema cameras Recommended gear lists to begin your raw shooting experience Full color post workflows that help you realize your boldest cinematic visions A companion website (www.kurtlancaster.com) featuring raw projects covered in the book; video interviews with the creators of the Digital Bolex, Joe Rubinstein and Elle Schneider; and resources for further study of raw cinema
Author: Sasha Torres
Publisher: Princeton University Press
ISBN: 0691186375
Category : Performing Arts
Languages : en
Pages : 155
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Book Description
This book examines the representation of blackness on television at the height of the southern civil rights movement and again in the aftermath of the Reagan-Bush years. In the process, it looks carefully at how television's ideological projects with respect to race have supported or conflicted with the industry's incentive to maximize profits or consolidate power. Sasha Torres examines the complex relations between the television industry and the civil rights movement as a knot of overlapping interests. She argues that television coverage of the civil rights movement during 1955-1965 encouraged viewers to identify with black protestors and against white police, including such infamous villains as Birmingham's Bull Connor and Selma's Jim Clark. Torres then argues that television of the 1990s encouraged viewers to identify with police against putatively criminal blacks, even in its dramatizations of police brutality. Torres's pioneering analysis makes distinctive contributions to its fields. It challenges television scholars to consider the historical centrality of race to the constitution of the medium's genres, visual conventions, and industrial structures. And it displaces the analytical focus on stereotypes that has hamstrung assessments of television's depiction of African Americans, concentrating instead on the ways in which African Americans and their political collectives have actively shaped that depiction to advance civil rights causes. This book also challenges African American studies to pay closer and better attention to television's ongoing role in the organization and disorganization of U.S. racial politics.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Joel Schlemowitz
Publisher: Routledge
ISBN: 0429997035
Category : Art
Languages : en
Pages : 281
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Book Description
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.
