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Author: Haing Ngor
Publisher: Robinson
ISBN: 1472103882
Category : Biography & Autobiography
Languages : en
Pages : 573
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Book Description
Best known for his academy award-winning role as Dith Pran in "The Killing Fields", for Haing Ngor his greatest performance was not in Hollywood but in the rice paddies and labour camps of war-torn Cambodia. Here, in his memoir of life under the Khmer Rouge, is a searing account of a country's descent into hell. His was a world of war slaves and execution squads, of senseless brutality and mind-numbing torture; where families ceased to be and only a very special love could soar above the squalor, starvation and disease. An eyewitness account of the real killing fields by an extraordinary survivor, this book is a reminder of the horrors of war - and a testament to the enduring human spirit.
Author: Haing Ngor
Publisher: Robinson
ISBN: 1472103882
Category : Biography & Autobiography
Languages : en
Pages : 573
Get Book Here
Book Description
Best known for his academy award-winning role as Dith Pran in "The Killing Fields", for Haing Ngor his greatest performance was not in Hollywood but in the rice paddies and labour camps of war-torn Cambodia. Here, in his memoir of life under the Khmer Rouge, is a searing account of a country's descent into hell. His was a world of war slaves and execution squads, of senseless brutality and mind-numbing torture; where families ceased to be and only a very special love could soar above the squalor, starvation and disease. An eyewitness account of the real killing fields by an extraordinary survivor, this book is a reminder of the horrors of war - and a testament to the enduring human spirit.
Author: Daryn Reicherter
Publisher: Tuttle Publishing
ISBN: 1462917690
Category : Juvenile Nonfiction
Languages : en
Pages : 37
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Book Description
"Dance is a means to tell stories across cultures and in The Cambodian Dancer: Sophany's Gift of Hope, we discover how it can also be used as a way to overcome immense pain and loss. Daryn Reicherter's moving story and Christy Hale's beautiful illustrations introduce us to Sophany Bay and show us how central dance was to her life. When she was forced to leave Cambodia, dance became the means for her to heal and help others connect with the culture. This is an important book that reminds us all that no matter what happens, we need to live. We need to dance. --award-winning author, John Coy"
Author: John Haiman
Publisher: John Benjamins Publishing
ISBN: 9027285020
Category : Language Arts & Disciplines
Languages : en
Pages : 447
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Book Description
Cambodian is in many respects a typical Southeast Asian language, whose syntax at least on first acquaintance seems to approximate that of any SVO pidgin. On closer acquaintance, however, because of the richness of its idioms, the language seems to be a forbiddingly alien form of “Desesperanto” – a language of which one can read a page and understand every word individually, and have no inkling of what the page was all about. Like many of the languages of its genetic (Austroasiatic) family, its basic root vocabulary seems to consist largely of sesquisyllabic or iambic words, although there are an enormous number of unassimilated borrowings from Indic languages (which seem to play the same role in Cambodian that Latinate borrowings do in English). Morphologically, Cambodian has a fairly elaborate system of derivational affixes, and it is possible that the genesis of many of the most common of these affixes is related to (and undoes) the constant reduction of unstressed initial syllables in sesquisyllabic words. Again like many of the languages of Southeast Asia, Cambodian exhibits in its lexicon a penchant for symmetrical decorative compounding, a phenomenon which is so marginally attested in Western languages that the phenomenon has received little attention in the typological literature.
Author: Anne Elizabeth Moore
Publisher: Microcosm Publishing
ISBN: 1621065456
Category : History
Languages : en
Pages : 97
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Book Description
In Cambodian Grrrl: Self-Publishing in Phnom Penh, writer and independent publisher Anne Elizabeth Moore brings her experience in the American cultural underground to Cambodia, a country known mostly for the savage extermination of around 2 million of its own under the four-year reign of the Khmer Rouge. Following the publication of her critically acclaimed book Unmarketable and the demise of the magazine she co-published, Punk Planet, and armed with the knowledge that the second generation of genocide survivors in Cambodia had little knowledge of their country’s brutal history, Moore disembarked to Southeast Asia hoping to teach young women how to make zines. What she learned instead were brutal truths about women’s rights, the politics of corruption, the failures of democracy, the mechanism of globalization, and a profound emotional connection that can only be called love. Moore’s fascinating story from the cusp of the global economic meltdown is a look at her time with the first all-women’s dormitory in the history of the country, just kilometers away from the notorious Killing Fields. Her tale is a noble one, as heartbreaking as it is hilarious; staunchly ethical yet conflicted and human.
Author: Khatharya Um
Publisher: NYU Press
ISBN: 1479876321
Category : Social Science
Languages : en
Pages : 343
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Book Description
In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma. Drawing on more than 250 interviews with survivors across the United States as well as in France and Cambodia, Khatharya Um places these accounts in conversation with studies of comparative revolutions, totalitarianism, transnationalism, and memory works to illuminate the pathology of power as well as the impact of auto-genocide on individual and collective healing. Exploring the interstices of home and exile, forgetting and remembering, From the Land of Shadows follows the ways in which Cambodian individuals and communities seek to rebuild connections frayed by time, distance, and politics in the face of this injurious history.
Author: David Porter Chandler
Publisher: Yale University Press
ISBN: 9780300057522
Category : History
Languages : en
Pages : 424
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Book Description
The political history of Cambodia between 1945 and 1979, which culminated in the devastating revolutionary excesses of the Pol Pot regime, is one of unrest and misery. This book by David P. Chandler is the first to give a full account of this tumultuous period. Drawing on his experience as a foreign service officer in Phnom Penh, on interviews, and on archival material. Chandler considers why the revolution happened and how it was related to Cambodia's earlier history and to other events in Southeast Asia. He describes Cambodia's brief spell of independence from Japan after the end of World War II; the long and complicated rule of Norodom Sihanouk, during which the Vietnam War gradually spilled over Cambodia's borders; the bloodless coup of 1970 that deposed Sihanouk and put in power the feeble, pro-American government of Lon Nol; and the revolution in 1975 that ushered in the radical changes and horrors of Pol Pot's Communist regime. Chandler discusses how Pol Pot and his colleagues evacuated Cambodia's cities and towns, transformed its seven million people into an unpaid labor force, tortured and killed party members when agricultural quotas were unmet, and were finally overthrown in the course of a Vietnamese military invasion in 1979. His book is a penetrating and poignant analysis of this fierce revolutionary period and the events of the previous quarter-century that made it possible.
Author: May Mayko Ebihara
Publisher: Cornell University Press
ISBN: 1501723855
Category : Social Science
Languages : en
Pages : 214
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Book Description
Since the civil war of the 1970s, Cambodia has suffered devastating upheavals that killed a million ' people and exiled hundreds of thousands. This book is the first to examine Cambodian culture after the ravages of the Pol Pot regime-and to bear witness to the transformation and persistence of tradition among contemporary Cambodians at home and abroad. Bringing together essays by Khmer and Western scholars in anthropology, linguistics, literature, and ethnomusicology, the volume documents the survival of a culture that many had believed lost. Individual chapters explore such topics as Buddhist belief and practice among refugees in the United States, distinctive features of modern Cambodian novels, the lessons taught by Khmer proverbs, some uses of metaphor by the Khmer Rouge regime, the state of traditional music, the recent revival of a form of traditional theater, the concept of pain in Khmer culture, changing conceptions of gender, and refugees' interpretation of American television. Together the essays map a contemporary Cambodian culture, which, for over two hundred thousand Khmers, is now firmly entwined in the social fabric of the urban West.
Author: Sean Bergin
Publisher: The Rosen Publishing Group, Inc
ISBN: 1435848705
Category : Social Science
Languages : en
Pages : 67
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Book Description
This book is a comprehensive look at the brutal and extensive genocide that occurred in Cambodia in the mid- to late 1970s at the hands of Pol Pot and the Khmer Rouge. It provides background history as well as a description of the genocide itself, and its aftermath.
Author: Raya Morag
Publisher: Columbia University Press
ISBN: 0231851170
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment. Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator.
Author: Boreth Ly
Publisher: University of Hawaii Press
ISBN: 0824856090
Category : Political Science
Languages : en
Pages : 209
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Book Description
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.
