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Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134030061
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134030061
Category : Literary Criticism
Languages : en
Pages : 400
Get Book Here
Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Author: Nigel Sellars
Publisher: iUniverse
ISBN: 0595255736
Category : Fiction
Languages : en
Pages : 190
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Book Description
From the depths of outer space to the tight spaces of the inner mind, the short stories in this collection range from the confessions of a Shakespearian monster, to the rantings of a serial killer who exists outside time and space, and to the bemused thoughts of a man whose world is literally falling apart around him. Moving from the humorous The World, the Flesh, and Maxwell Harrison to the horrific Melissa's Bear and the cautionary Priorities, the Confession of Caliban and Other Stories seeks to go beyond the average science fiction or fantasy story and explore human experiences in a variety of writing styles, from the traditional to the experimental. Whether you come away with a smirk, a smile, or a decided chill up your spine, you will find these short stories an unforgettable experience.
Author: William Shakespeare
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0
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Book Description
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Author: Margaret Atwood
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286
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Book Description
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
Author: Jack Hilton
Publisher: Random House
ISBN: 1529926033
Category : Fiction
Languages : en
Pages : 122
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Book Description
A lyrical tour of life as a young working-class man born into the first days of the 20th century, Caliban Shrieks is a lost masterpiece of 1930s British literature. WITH NEW INTRODUCTIONS BY ANDREW McMILLAN AND JACK CHADWICK Caliban Shrieks’ narrator went from a childhood of poverty, yet joy and freedom, to the punishing grind of factory life and the idiocy of being sent blindly into war. He was turned out of the army a vagrant - seeing England from city to city, county to county - before being thrust back into an uncertain cycle of working life as it unfolded in the post-war years. A story of men and women lost, wandering – and angrily dreaming of a better, fairer England, Hilton’s autobiographical novel is a bold modernist retelling of the myth of how we find ourselves disenfranchised from the world and sold into a slavery of our making. Lost to time, only to be rediscovered again in the Salford's Working Class Movement Library in 2022, Caliban Shrieks is a working-class masterpiece of British literature, and continues to speak as brash and impassioned as it did on its first rave publication in 1935. 'Witty and unusual' George Orwell 'Magnificent' W H Auden
Author: Tad Williams
Publisher: Harpercollins
ISBN: 9780061054136
Category : Fiction
Languages : en
Pages : 194
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Book Description
Discovering the beautiful Miranda, the daughter of Prospero, Caliban the Beast has a single evening in which to tell her the most compelling stories she has ever heard. By the author of Tailchaser's Song. Reprint.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 113403007X
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Author:
Publisher: BRILL
ISBN: 9004648259
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known. Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages. Rather, Constellation Caliban intends to look at a number of specific refigurations of Caliban. What is the Caliban-figure's role and function within a specific work of art? What is its relation to the other signifiers in that work of art? What interests are invested in the Caliban-figure, what values does it represent or advocate? Whose interests and values are these? These and similar questions guided the contributors to the present volume. In other words, what one finds here is not a study of origins, not a genealogy, not a reception-study, but rather a fascinating series of case studies informed by current theoretical debate in areas such as women's studies, sociology of literature and of the intellectuals, nation-formation, new historicism, etc. Its interdisciplinary approach and its attention to matters of multi-culturalism make Constellation Caliban into an unusually wide ranging and highly original contribution to Shakespeare-studies. The book should appeal to students of English Literature, Modern European Literature, Comparative Literature, Drama or Theatre Studies, and Cultural Studies, as well as to anyone interested in looking at literature within a broad social and historical context while still appreciating detailed textual analyses.
Author:
Publisher:
ISBN:
Category : Parapsychology
Languages : en
Pages : 652
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Book Description
Author: James W. Coleman
Publisher: University Press of Kentucky
ISBN: 0813193559
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman's study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers' struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.
