General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584

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General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584

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Book Description


The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 488

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General Catalogue of Printed Books to 1955

General Catalogue of Printed Books to 1955 PDF Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 982

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Musicians' Mobilities and Music Migrations in Early Modern Europe

Musicians' Mobilities and Music Migrations in Early Modern Europe PDF Author: Gesa zur Nieden
Publisher: transcript Verlag
ISBN: 3839435048
Category : History
Languages : en
Pages : 429

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Book Description
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.

Opera Without Drama

Opera Without Drama PDF Author: Robert Freeman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368

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Italian Opera and European Theatre, 1680-1720

Italian Opera and European Theatre, 1680-1720 PDF Author: Melania Bucciarelli
Publisher: Brepols Publishers
ISBN: 9782503510217
Category : Opera
Languages : en
Pages : 0

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Book Description
What emerges from this study, is a picture of 18th-century opera as a literary work as well as a theatrical and musical event in its challenging and variable interactions of poetry, music, gesture and decor. This is illuminated by an exploration of both the context of ideas in which opera flourished and the aims that animated those who where involved with its existence - poets, composers, performers, dramatists, impresari, patrons, audiences - in an attempt to penetrate the secrets of its appeal, of that tacit agreement between authors and audiences, that made it possible for dramatist, musicians and stage designers to manipulate spectator's emotions and reactions as successfully as many sources document.

Annals of Opera, 1597-1940

Annals of Opera, 1597-1940 PDF Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 912

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The Art of Gesture

The Art of Gesture PDF Author: Dene Barnett
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516

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Thorough-bass Accompaniment According to Johann David Heinichen

Thorough-bass Accompaniment According to Johann David Heinichen PDF Author: George J. Buelow
Publisher: Univ of California Press
ISBN:
Category : Continuo
Languages : en
Pages : 340

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Word as Action

Word as Action PDF Author: Michael Hawcroft
Publisher: Oxford Modern Languages & Lite
ISBN:
Category : Drama
Languages : en
Pages : 296

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Book Description
France's greatest tragedian, Jean Racine, is often admired for his poetic and tragic qualities. This book, on the other hand, explores the theatrical qualities of Racine's language and takes as its analytical tool two neglected parts of rhetoric, inventio and dispositio. How does Racine write exciting dialogue? He makes the persuasive interaction of characters a key feature of his dramatic technique and Word as Action shows how he deploys persuasion in well-defined contexts: trials, embassies, and councils; informal oratory as protagonists try to manipulate each other and their confidants in order to make their own views and wishes prevail; self-persuasion in monologues; and narrations, often used by characters with persuasive intent. The book draws illuminating and provocative comparisons with other playwrights and offers a closer and better documented description of the specific nature of Racine's theatrical language than has previously been available in any one study.