Author: Cady Wells
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Comprised of three volumes, this the most comprehensive visual document ever published of Spanish colonial art and frontier artifacts of New Mexico.
Cady Wells and Southwestern Modernism
Author: Cady Wells
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Comprised of three volumes, this the most comprehensive visual document ever published of Spanish colonial art and frontier artifacts of New Mexico.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Comprised of three volumes, this the most comprehensive visual document ever published of Spanish colonial art and frontier artifacts of New Mexico.
Cady Wells, 1904-1954
Author: Cady Wells
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Cady Wells
Author: Cady Wells
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
A Contested Art
Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Cady Wells, 1904-1954
Author: California Palace of the Legion of Honor
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Artist File
Author: Cady Wells
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Mabel Dodge Luhan & Company
Author: Carmella Padilla
Publisher:
ISBN: 9780890136140
Category : Art
Languages : en
Pages : 0
Book Description
Addresses issues common to contemporary Native Americans, such as the definition of Indian art and the stereotypical Indian portrayed in film.
Publisher:
ISBN: 9780890136140
Category : Art
Languages : en
Pages : 0
Book Description
Addresses issues common to contemporary Native Americans, such as the definition of Indian art and the stereotypical Indian portrayed in film.
Taos Moderns
Author: David L. Witt
Publisher: Museum of NM Press/Red Crane Books
ISBN: 9781878610164
Category : Art
Languages : en
Pages : 0
Book Description
Stories of the foreboding beings and presences that exist just outside our consciousness.
Publisher: Museum of NM Press/Red Crane Books
ISBN: 9781878610164
Category : Art
Languages : en
Pages : 0
Book Description
Stories of the foreboding beings and presences that exist just outside our consciousness.
Tradition and Transformation in Christian Art
Author: C.A. Tsakiridou
Publisher: Routledge
ISBN: 1351187252
Category : Art
Languages : en
Pages : 321
Book Description
Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
Publisher: Routledge
ISBN: 1351187252
Category : Art
Languages : en
Pages : 321
Book Description
Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
The Unknown Masterpiece
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Book Description