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Author: S. E. Gontarski
Publisher: Bloomsbury Publishing USA
ISBN: 1501362208
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
In addition to contributing significantly to the growing field of Burroughs scholarship, Burroughs Unbound also directly engages with the growing fields of textual studies, archival research, and genetic criticism, asking crucial questions thereby about the nature of archives and their relationship to a writer's work. These questions about the archive concern not only the literary medium. In the 1960s and 1970s Burroughs collaborated with filmmakers, sound technicians, and musicians, who helped re-contextualized his writings in other media. Burroughs Unbound examines these collaborations and explores how such multiple authorship complicates the authority of the archive as a final or complete repository of an author's work. It takes Burroughs seriously as a radical theorist and practitioner who critiqued drug laws, sexual practice, censorship, and what we today call a society of control. More broadly, his work continues to challenge our common assumptions about language, authorship, textual stability, and the archive in its broadest definition.
Author: S. E. Gontarski
Publisher: Bloomsbury Publishing USA
ISBN: 1501362208
Category : Literary Criticism
Languages : en
Pages : 456
Get Book Here
Book Description
In addition to contributing significantly to the growing field of Burroughs scholarship, Burroughs Unbound also directly engages with the growing fields of textual studies, archival research, and genetic criticism, asking crucial questions thereby about the nature of archives and their relationship to a writer's work. These questions about the archive concern not only the literary medium. In the 1960s and 1970s Burroughs collaborated with filmmakers, sound technicians, and musicians, who helped re-contextualized his writings in other media. Burroughs Unbound examines these collaborations and explores how such multiple authorship complicates the authority of the archive as a final or complete repository of an author's work. It takes Burroughs seriously as a radical theorist and practitioner who critiqued drug laws, sexual practice, censorship, and what we today call a society of control. More broadly, his work continues to challenge our common assumptions about language, authorship, textual stability, and the archive in its broadest definition.
Author:
Publisher:
ISBN: 9781501362217
Category : Electronic books
Languages : en
Pages : 240
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Book Description
"In addition to contributing significantly to the growing field of Burroughs scholarship, Burroughs Unbound also directly engages with the growing fields of textual studies, archival research, and genetic criticism, asking crucial questions thereby about the nature of archives and their relationship to a writer's work. These questions about the archive concern not only the literary medium. In the 1960s and 1970s Burroughs collaborated with filmmakers and musicians, who re-contextualized his writings in other media. Burroughs Unbound examines these collaborations and explores how such multiple authorship complicates the authority of the archive as a final or complete repository of an author's work. It takes Burroughs seriously as a radical theorist and practitioner who challenges common assumptions about language, authorship, and the archive in its broadest definition."--
Author: Blake Stricklin
Publisher: Anthem Press
ISBN: 1785277235
Category : Literary Criticism
Languages : en
Pages : 122
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Book Description
A critical account of the 1975 Schizo-Culture conference, which Michel Foucault called “the last countercultural event of the 1960s,” and its direct and indirect connection to American experimental literature.
Author: Magda Dragu
Publisher: Taylor & Francis
ISBN: 104002212X
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
Author: William S Burroughs
Publisher: Alma Books
ISBN: 0714550264
Category : Fiction
Languages : en
Pages : 321
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Book Description
First published in 1963 and representing Burroughs's literary breakthrough in the UK, Dead Fingers Talk is, in the words of Burroughs scholar Oliver Harris, "e;a prophetic work of haunting power,"e; a unique experiment in writing that has for too long been overlooked. Combining new material with rearranged selections from Naked Lunch and his cut-up novels The Soft Machine and The Ticket That Exploded, the book is a fascinating precursor to remix and mash-up forms in art and music, which owe much to Burroughs's influence.This newly restored edition of Dead Fingers Talk, based on the novel's archival manuscripts, will delight all Burroughs fans and lovers of experimental literature, and offer a new insight into the artistic process of one of the most original and influential writers of the twentieth century
Author: Jonathan Najarian
Publisher: Univ. Press of Mississippi
ISBN: 1496849590
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.
Author: Goodrich, Peter
Publisher: Edward Elgar Publishing
ISBN: 1839102268
Category : Law
Languages : en
Pages : 640
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Book Description
In this original and thought-provoking Research Handbook, an international and interdisciplinary group of scholars, artists, lawyers, judges, and writers offer a range of perspectives on rethinking law by means of literary concepts. Presenting a comprehensive introduction to jurisliterary themes, it destabilises the traditional hierarchy that places law before literature and exposes the literary nature of the legal.
Author: Serene Richards
Publisher: Bloomsbury Publishing
ISBN: 1350412104
Category : Philosophy
Languages : en
Pages : 217
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Book Description
Our contemporary mode of life is characterised by what Serene Richards in Biopolitics as a System of Thought calls: Smart Being. Smart Being believes in the solutions of techno-capital where living is always at stake and directed to survival. Armed with this concept, this book examines how we arrived at this mode of being and asks how it could be that, while the material conditions of our lives have increasingly worsened, our capacities for effective political action, understood as the capacity for transforming our existing social relations, appear to be diminishing. Drawing from jurists and philosophers such as Pierre Legendre, Yan Thomas, Giorgio Agamben, Michel Foucault and Gilles Deleuze, Richards argues that biopolitics intervenes at the most minute level of our everyday lives. She argues that there are conceptual truths presupposed in the mode of biopolitics' functioning, for instance that life can be assigned a value for the purpose of intervention, abandonment, or death, which have implications for our politics. In exciting engagements with political movements such as the post-May 1968 Mouvement des travailleurs Arabes (MTA), Richards shows how demands to transform our system of social relations are undermined by institutional models that proffer to offer rights protection while simultaneously annihilating the living altogether. Through a reappraisal of law, governance and capital, Richards seeks to reconceptualise our collectivity of thought, arguing for a politics of destitution that could form the basis of a communism to come.
Author: Michael J. Bartos
Publisher:
ISBN:
Category : Dredged material disposal
Languages : en
Pages : 538
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Book Description
Author: Polina Mackay
Publisher: Routledge
ISBN: 1000509885
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
This is the first book-length study to read women of the Beat Generation as feminist writers. The book focuses on one author from each of the three generations that comprise the groups of female writers associated with the Beats – Diane di Prima, ruth weiss and Anne Waldman – as well as on experimental and multimedia artists, such as Laurie Anderson and Kathy Acker, who have not been read through the prism of Beat feminism before. This book argues that these writers’ feminism evolved over time but persistently focussed on intertextuality, transformation, revisionism, gender, interventionist poetics and activism. It demonstrates how these Beat feminisms counteract the ways in which women have been undermined, possessed or silenced.
