A Study Guide for Jean Toomer's "Blood-Burning Moon" PDF Download
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Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410341674
Category : Literary Criticism
Languages : en
Pages : 26
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Book Description
A Study Guide for Jean Toomer's "Blood-Burning Moon," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410341674
Category : Literary Criticism
Languages : en
Pages : 26
Get Book Here
Book Description
A Study Guide for Jean Toomer's "Blood-Burning Moon," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Author: Aron Spilken
Publisher: Playboy Paperbacks
ISBN:
Category : Fiction
Languages : en
Pages : 216
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Book Description
Author: Selena Lin
Publisher:
ISBN: 9783865804303
Category :
Languages : de
Pages : 159
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Book Description
Author: John F. Callahan
Publisher: University of Illinois Press
ISBN: 9780252069826
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
"In the African-American Grain is a powerful exploration of the impact of African-American oral storytelling techniques on modern and contemporary fiction. Reading literature in the call-and-response tradition, John F. Callahan shows how African-American writers including Charles Chesnutt, Jean Toomer, Zora Neale Hurston, Ralph Ellison, Ernest Gaines, and Alice Walker have used the forms and forces of this uniquely participatory discourse to establish not only a potential relationship between storyteller and audience but also a potential for change. In a new preface Callahan comments on how the tradition of call-and-response has continued to develop among African-American writers as well as writers of other backgrounds."
Author: Genevieve Fabre Professor of American Literature University of Paris
Publisher: Oxford University Press, USA
ISBN: 0195359240
Category : Social Science
Languages : en
Pages : 334
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Book Description
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Veve Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Genevieve Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
Author: Karen Jackson Ford
Publisher: University of Alabama Press
ISBN: 0817358463
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
A deft study of the evolving literary aesthetic of one of the first avant-garde black writers in America. In Split-Gut Song, Karen Jackson Ford looks at what it means to be African American, free, and creative by analyzing Jean Toomer's main body of work, specifically, his groundbreaking creation Cane. When first published in 1923, this pivotal work of modernism was widely hailed as inaugurating a truly artistic African American literary tradition. Yet Toomer's experiments in literary form are consistently read in terms of political radicalism—protest and uplift—rather than literary radicalism. Ford contextualizes Toomer's poetry, letters, and essays in the literary culture of his period and, through close readings of the poems, shows how they negotiate formal experimentation (imagism, fragmentation, dialect) and traditional African American forms (slave songs, field hollers, call-and-response sermons, lyric poetry). At the heart of Toomer's work is the paradox that poetry is both the saving grace of African American culture and that poetry cannot survive modernity. This contradiction, Ford argues, structures Cane, wherein traditional lyric poetry first flourishes, then falters, then falls silent. The Toomer that Ford discovers in Split-Gut Song is a complicated, contradictory poet who brings his vexed experience and ideas of racial identity to both conventional lyric and experimental forms. Although Toomer has been labelled a political radical, Ford argues that politics is peripheral in his experimental, stream-of-consciousness work. Rather Toomer exhibits a literary radicalism as he struggles to articulate his perplexed understanding of race and art in 20th-century America.
Author: Barbara Foley
Publisher: University of Illinois Press
ISBN: 0252096320
Category : Social Science
Languages : en
Pages : 337
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Book Description
The 1923 publication of Cane established Jean Toomer as a modernist master and one of the key literary figures of the emerging Harlem Renaissance. Though critics and biographers alike have praised his artistic experimentation and unflinching eyewitness portraits of Jim Crow violence, few seem to recognize how much Toomer's interest in class struggle, catalyzed by the Russian Revolution and the post–World War One radical upsurge, situate his masterwork in its immediate historical context. In Jean Toomer: Race, Repression, and Revolution, Barbara Foley explores Toomer's political and intellectual connections with socialism, the New Negro movement, and the project of Young America. Examining his rarely scrutinized early creative and journalistic writings, as well as unpublished versions of his autobiography, she recreates the complex and contradictory consciousness that produced Cane. Foley's discussion of political repression runs parallel with a portrait of repression on a personal level. Examining family secrets heretofore unexplored in Toomer scholarship, she traces their sporadic surfacing in Cane. Toomer's text, she argues, exhibits a political unconscious that is at once public and private.
Author: John Kevin Young
Publisher: University of Iowa Press
ISBN: 1609389654
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The Roots of Cane proposes a new way to read one of the most significant works of the New Negro Renaissance, Jean Toomer's Cane. John Young traces the many pieces of Cane that were dispersed across multiple modernist magazines from 1922 through 1923. Interweaving a periodical-studies approach to modernism with book history and critical race theory, Young resituates Toomer's uneasy place within Black modernism by asking how original readers would have encountered his work.
Author: Chong Jiqing
Publisher: Funstory
ISBN: 1648971393
Category : Fiction
Languages : en
Pages : 1061
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Book Description
Unexpectedly, the Heaven Realm Lord had cast down a Flowing Fire to destroy the mortal world. Jin Jian had also been wounded by the Flowing Fire, so he sank into the Deep Sea, turned into a floating object, and started cultivating again. What kind of world was the Deep Sea, and what would Jin Jian's fate be like in the mortal world?
Author: Bei JiHai
Publisher: Funstory
ISBN: 1647571081
Category : Fiction
Languages : en
Pages : 623
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Book Description
When Lu Yang returned to the world that he lived in for many years, he unexpectedly discovered that the time was fixed at three days before he disappeared. Back then, Lu Yang had tried to learn literature but failed to do so. He could only be mocked by his clansmen as trash if he had no cultivation. He was helpless to do anything about it. In the past, his mother had been neglected because of her birth, so she had to wash her face with tears all day long. Back then, he had suffered all sorts of humiliation and vowed to become stronger. However, under the manipulation of fate, there was nothing he could do about it. Now that he had returned from the Asura Realm, Lu Yang wanted to change everything. He wanted to make heaven and earth submit to him.
