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Author: Edward Burne-Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 211
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Book Description
Author: Edward Burne-Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 211
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Book Description
Author: Edward Coley Burne-Jones
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Author: Edward Coley Burne-Jones
Publisher: John Murray
ISBN:
Category : Painters
Languages : en
Pages : 240
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Book Description
Author: Caroline Arscott
Publisher: Paul Mellon Centre
ISBN: 9780300140934
Category : Art
Languages : en
Pages : 0
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Book Description
The friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and--despite their differences in temperament and in attitudes to political engagement--lasted until Morris's death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has not previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists. Published for the Paul Mellon Centre for Studies in British Art
Author: Stephen Wildman
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
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Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
ISBN: 152757010X
Category : Art
Languages : en
Pages : 420
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Book Description
This volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.
Author: Debra N. Mancoff
Publisher: Pomegranate Communications
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
The sister volume to Political Parties in Advanced Industrial Democracies, this book offers a systematic and rigorous analysis of parties in some of the world's major new democracies. Drawing on a wealth of expertise and data, the book assesses the popular legitimacy, organizational development and functional performance of political parties in Latin America and postcommunist Eastern Europe. It demonstrates the generational differences between parties in the old and new democracies, and reveals contrasts among the latter. Parties are shown to be at their most feeble in those recently transitional democracies characterized by personalistic, candidate-centred forms of politics, but in other new democracies - especially those with parliamentary systems - parties are more stable and institutionalized, enabling them to facilitate a meaningful degree of popular choice and control. Wherever party politics is weakly institutionalized, political inequality tends to be greater, commitment to pluralism less certain, clientelism and corruption more pronounced, and populist demagoguery a greater temptation. Without party, democracy's hold is more tenuous. Comparative Politics is a series for scholars and students of political science that deals with contemporary issues in comparative government and politics. The General Editor is David M. Farrell, Jean Monnet Chair in European Politics and Head of School of Social Sciences, University of Manchester. The series is published in association with the European Consortium for Political Research.
Author: John Christian
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Throws new light on the draughtsmanship of leading Pre-Raphaelite artist, Edward Burne-Jones.
Author: Fiona MacCarthy
Publisher: Harvard University Press
ISBN: 0674065565
Category : Architecture
Languages : en
Pages : 696
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Book Description
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author: Margaretta Frederick Watson
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
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Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
