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Author: Frank Hilton
Publisher:
ISBN: 9780582410787
Category : Structural drawing
Languages : en
Pages : 168
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Book Description
Author: Frank Hilton
Publisher:
ISBN: 9780582410787
Category : Structural drawing
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Trafalgar Bertram Nichols
Publisher:
ISBN:
Category : Architectural drawing
Languages : en
Pages : 240
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Book Description
Author: Robert Bork
Publisher: Routledge
ISBN: 1351888978
Category : History
Languages : en
Pages : 783
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Book Description
The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
Author: William Minifie
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 258
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Book Description
Author: Richard B. Eaton
Publisher:
ISBN:
Category : Architectural drawing
Languages : en
Pages : 132
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Book Description
Author: Thomas Bradley
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: George Sydenham Clarke Baron Sydenham of Combe
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: George Sydenham Clarke (Lord Sydenham of Combe.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: Richard Burchett
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
Author: David Ross Scheer
Publisher: Routledge
ISBN: 1317803043
Category : Architecture
Languages : en
Pages : 258
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Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
