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Author: Gavriel David Rosenfeld
Publisher:
ISBN: 9780300169140
Category : Architecture
Languages : en
Pages : 0
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Book Description
The first major study to examine the rise to prominence of Jewish architects since 1945 and the connection of their work to the legacy of the Holocaust Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this "new Jewish architecture." Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Author: Gavriel David Rosenfeld
Publisher:
ISBN: 9780300169140
Category : Architecture
Languages : en
Pages : 0
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Book Description
The first major study to examine the rise to prominence of Jewish architects since 1945 and the connection of their work to the legacy of the Holocaust Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this "new Jewish architecture." Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Author: Thomas Geve
Publisher: HarperCollins
ISBN: 0063062011
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
A real account of a boy’s life during the Holocaust in Auschwitz, Gross-Rosen and Buchenwald, recorded in his own words and color drawings. In June 1943, after long years of hardship and persecution, thirteen-year-old Thomas Geve and his mother were deported to Auschwitz-Birkenau. Separated upon arrival, he was left to fend for himself in the men’s camp of Auschwitz I. During twenty-two harsh months in three camps, Thomas experienced and witnessed the cruel and inhumane world of Nazi concentration and death camps. Nonetheless, he never gave up the will to live. Miraculously, he survived and was liberated from Buchenwald at the age of fifteen. While still in the camp and too weak to leave, Thomas felt a compelling need to document it all, and drew over eighty drawings, all portrayed in simple yet poignant detail with extraordinary accuracy. He not only shared the infamous scenes, but also the day-to-day events of life in the camps, alongside inmates’ manifestations of humanity, support and friendship. To honor his lost friends and the millions of silenced victims of the Holocaust, in the years following the war, Thomas put his story into words. Despite the evil of the camps, his account provides a striking affirmation of life. The Boy Who Drew Auschwitz, accompanied by fifty-six of his color illustrations, is the unique testimony of young Thomas and his quest for a brighter tomorrow.
Author: Eva Schloss
Publisher: Hodder & Stoughton
ISBN: 144476070X
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
THE SUNDAY TIMES AND INTERNATIONAL BESTSELLER 'A standalone classic . . . An incredible book, remarkable for its unflinching gaze at the past and also for its hope' GUARDIAN, 'Books to Give You Hope' 'Remarkable . . . Makes it clear just what an achievement it was starting over again, when survivors were not only economically and physically depleted, but emotionally devastated, too' SCOTSMAN Eva was arrested by the Nazis on her fifteenth birthday and sent to Auschwitz. Her survival depended on endless strokes of luck, her own determination and the love and protection of her mother Fritzi, who was deported with her. When Auschwitz was liberated, Eva and Fritzi began the long journey home. They searched desperately for Eva's father and brother, from whom they had been separated. The news came some months later. Tragically, both men had been killed. Before the war, in Amsterdam, Eva had become friendly with a young girl called Anne Frank. Though their fates were very different, Eva's life was set to be entwined with her friend's for ever more, after her mother Fritzi married Anne's father Otto Frank in 1953. This is a searingly honest account of how an ordinary person survived the Holocaust. Eva's memories and descriptions are heartbreakingly clear, her account brings the horror as close as it can possibly be. But this is also an exploration of what happened next, of Eva's struggle to live with herself after the war and to continue the work of her step-father Otto, ensuring that the legacy of Anne Frank is never forgotten.
Author: Luis Ferreiro
Publisher: National Geographic Books
ISBN: 0789213311
Category : History
Languages : en
Pages : 0
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Book Description
This book tells a story to shake the conscience of the world. It is the catalogue of the first-ever traveling exhibition about the Auschwitz concentration camp, where 1.1 million people—mostly Jews, but also non-Jewish Poles, Roma, and others—lost their lives. More than 280 objects and images from the exhibition are illustrated herein. Drawn from the Auschwitz-Birkenau State Museum and other collections around the world, they range from the intimate (such as victims’ family snapshots and personal belongings) to the immense (an actual surviving barrack from the Auschwitz III–Monowitz satellite camp); all are eloquent in their testimony. An authoritative yet accessible text weaves the stories behind these artifacts into an encompassing history of Auschwitz—from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance. Auschwitz: Not long ago. Not far away. is an essential volume for everyone who is interested in history and its lessons.
Author: Richard L. Rubenstein
Publisher: Indianapolis : Bobbs-Merrill
ISBN:
Category : Holocaust (Christian theology)
Languages : en
Pages : 312
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Book Description
Expounds a wide spectrum of problems of post-Holocaust theology: Christianity and Nazism; psychoanalytic interpretation of the connection between religion and the Final Solution; the religious meaning of the Holocaust; the Auschwitz convent controversy. Argues that Nazism as theory and practice was neither the ultimate expression of atheism nor a kind of neo-paganism; on the contrary, it was a monotheistic "anti-religion" which emerged as a rebellion against Christianity, but greatly used its ideas and images, especially that of the "mythological Jew", "Judas". Reveals the religiomythic element in the Holocaust (e.g. the perpetrators fulfilled a religious mission), which singles out this phenomenon from the other cases of genocide. ǂc (From the Bibliography of the Vidal Sassoon International Center for the Study of Antisemitism).
Author: Heather Morris
Publisher: Bonnier Zaffre Ltd.
ISBN: 1760403180
Category : Fiction
Languages : en
Pages : 244
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Book Description
The incredible story of the Auschwitz-Birkenau tattooist and the woman he loved. Lale Sokolov is well-dressed, a charmer, a ladies' man. He is also a Jew. On the first transport of men from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of Tatowierer - the tattooist - to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance. His life given new purpose, Lale does his best through the struggle and suffering to use his position for good. This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable. 'Morris climbs into the dark miasma of war and emerges with an extraordinary tale of the power of love' - Leah Kaminsky
Author: Rena Kornreich Gelissen
Publisher: Beacon Press
ISBN: 0807093130
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
An expanded edition of the powerful memoir about two sisters' determination to survive during the Holocaust featuring new and never before revealed information about the first transport of women to Auschwitz In March 1942, Rena Kornreich and 997 other young women were rounded up and forced onto the first Jewish transport of women to Auschwitz. Soon after, Rena was reunited with her sister Danka at the camp, beginning a story of love and courage that would last three years and forty-one days. From smuggling bread for their friends to narrowly escaping the ever-present threats that loomed at every turn, the compelling events in Rena’s Promise remind us that humanity and hope can survive inordinate brutality.
Author: Anne Bordeleau
Publisher: University of Toronto Press
ISBN: 1487533608
Category : Architecture
Languages : en
Pages : 196
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Book Description
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's The Evidence Room is a chilling exploration of the role architecture played in constructing Auschwitz - arguably the Nazis' most horrifying facility. The Evidence Room is both a companion piece to, and an elaboration of, an exhibit at the 2016 Venice Architecture Biennale, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
Author: Richard L. Rubenstein
Publisher: Johns Hopkins University Press
ISBN: 9780801842856
Category : History
Languages : en
Pages : 0
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Book Description
When first published in 1966, After Auschwitz made headlines and sparked controversy as Jewish "death-of-God" theology. But as the first work by a respected modern theologian to define the Holocaust in religious as well as demographic terms, its greater importance gradually emerged. Today it ranks as a seminal work of modern Jewish thought and culture. In this substantially revised and expanded edition, Richard L. Rubenstein returns to old questions and addresses new issues with the same passion and spirit that characterized his original work. With the first edition of After Auschwitz, Rubenstein virtually invented Holocaust theology. He argued that Jews (and Christians) who accept the traditional belief that God has chosen Israel and acts providentially in history must either interpret that Holocaust as divine punishment or as the most radical challenge ever to traditional belief. Unable to defend traditional faith, Rubenstein turned to psychoanalysis, sociology, and history to defend religious institutions and ritual. The discussion he originated continued unabated. The revised After Auschwitz remains as much a book about the human condition as a book about God. While retaining essential material from the 1966 edition, Rubenstein offers his latest thinking on the issues of belief and tradition after the Holocaust. He also deals extensively with events making headlines and shaping contemporary Jewish thinking and theology, such as the Palestinian question and Judaism in post-communist Eastern Eurpe. Facing the threat of Holy War and future Holocaust, questioning the possibility of genuine peace, exploring mysticism and other religions, this After Auschwitz is as challenging—and may provde as controversial—as the original.
Author: Jennifer Hansen-Glucklich
Publisher: Rutgers University Press
ISBN: 0813571847
Category : Art
Languages : en
Pages : 254
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Book Description
Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.
