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Author: Erik Ryding
Publisher: Yale University Press
ISBN: 0300129270
Category : Music
Languages : en
Pages : 538
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Book Description
div Bruno Walter, one of the greatest conductors in the twentieth century, lived a fascinating life in difficult times. This engrossing book is the first full-length biography of Walter to appear in English. Erik Ryding and Rebecca Pechefsky describe Walter’s early years in Germany, where his successes in provincial theaters led to positions at the Berlin State Opera and the Vienna State Opera. They then tell of his decade-long term as Bavarian music director and his romantic involvement with the soprano Delia Reinhardt; his other positions in the musical community until he was ousted from Germany when the Nazi Party came to power in 1933; and his return to Vienna, where he was artistic director of the Opera House until he was again forced out by the Nazis. Finally they trace his career in the United States, where he led the New York Philharmonic and other orchestras and in his last years made numerous recordings with the Columbia Symphony Orchestra, an ensemble created especially for him. Ryding and Pechefsky are the first biographers to make extensive use of the thousands of unpublished letters in the Bruno Walter Papers, now in the New York Public Library for the Performing Arts. In addition to interviewing more than sixty people who knew Walter, they examined countless reviews to assess the popular and critical impact he had on his times. Authoritative and even-handed, this biography sheds new light on Walter, one of the great formative influences in musical interpretation. /DIV
Author: Erik Ryding
Publisher: Yale University Press
ISBN: 0300129270
Category : Music
Languages : en
Pages : 538
Get Book Here
Book Description
div Bruno Walter, one of the greatest conductors in the twentieth century, lived a fascinating life in difficult times. This engrossing book is the first full-length biography of Walter to appear in English. Erik Ryding and Rebecca Pechefsky describe Walter’s early years in Germany, where his successes in provincial theaters led to positions at the Berlin State Opera and the Vienna State Opera. They then tell of his decade-long term as Bavarian music director and his romantic involvement with the soprano Delia Reinhardt; his other positions in the musical community until he was ousted from Germany when the Nazi Party came to power in 1933; and his return to Vienna, where he was artistic director of the Opera House until he was again forced out by the Nazis. Finally they trace his career in the United States, where he led the New York Philharmonic and other orchestras and in his last years made numerous recordings with the Columbia Symphony Orchestra, an ensemble created especially for him. Ryding and Pechefsky are the first biographers to make extensive use of the thousands of unpublished letters in the Bruno Walter Papers, now in the New York Public Library for the Performing Arts. In addition to interviewing more than sixty people who knew Walter, they examined countless reviews to assess the popular and critical impact he had on his times. Authoritative and even-handed, this biography sheds new light on Walter, one of the great formative influences in musical interpretation. /DIV
Author: Bruno Walter
Publisher: Courier Corporation
ISBN: 0486492176
Category : Music
Languages : en
Pages : 260
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Book Description
Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.
![Bruno Walter, Etc. [With Portraits.]. PDF](https://books.google.com/books/content/images/frontcover/R-EOMwEACAAJ?fife=w80-h100)
Author: Paul Stefan
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Bruno Walter
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages :
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Book Description
Author: Bruno Walter
Publisher:
ISBN:
Category :
Languages : en
Pages : 17
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Book Description
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Bruno Walter
Publisher:
ISBN:
Category :
Languages : de
Pages : 376
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Book Description
The bulk of the collection dates from 1938-1962. It had been supplemented (through Lotte Walter Lindt's efforts) with reproductions of Walter's correspondence to various recipients. Most of Walter's pre-1938 correspondence was lost during wartime bombing (Lindt, Bruno Walter Briefe, p. 1). Correspondents with more than 10 items include Paul Badura-Skoda, Rudolf Bing, Karl Böhm, Adrian Boult, Van Cliburn, Kathleen Ferrier, Lotte Lehmann, Goddard Lieberson, Alma Mahler, Gustav Mahler, Thomas Mann, Daniel Gregory Mason, David Oppenheim, Hans Pfitzner, Wolfgang Streseman, Heinz Tietjen, Arturo Toscanini, BBC Symphony Orchestra, Columbia Records, Decca Record Company, Gustav Fischer Verlag, Gewandhausorchester Leipzig, Metropolitan Opera, New York Philharmonic, and Wiener Philharmoniker.
Author: Bruno Walter
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 230
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Book Description
Author: Andrew Snedden
Publisher: Routledge
ISBN: 1000369188
Category : Music
Languages : en
Pages : 272
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Book Description
Historically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.
