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Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
Get Book Here
Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: Britta Martens
Publisher: Routledge
ISBN: 1317171187
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: Matthew Bevis
Publisher: OUP Oxford
ISBN: 0191653039
Category : Literary Criticism
Languages : en
Pages : 1101
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Book Description
'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements--'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication--provocative, seminal volume that will offer a lasting contribution to future studies in the area.
Author: Britta Martens
Publisher: Bloomsbury Publishing
ISBN: 1350310190
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
Robert Browning's pre-eminent status amongst Victorian poets has endured despite the recent broadening of the literary canon. He is the main practitioner of the period's most important poetic genre, the dramatic monologue, while his engagement with many aspects of nineteenth-century culture makes him a key figure in the wider field of Victorian studies. This stimulating introduction to Browning criticism provides an overview of the major responses to the poet's work over the last two hundred years. It offers an insightful guide to criticism from various theoretical perspectives, elucidating Browning's participation in Victorian debates about aesthetics, history, politics, religion, gender and psychology.
Author: Rieko Suzuki
Publisher: Liverpool University Press
ISBN: 1800855230
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This book is about the intertextual relationships between the works of the Shelleys and the Brownings. While a lot of research has been done on the relationship between Percy Bysshe Shelley and Robert Browning, virtually nothing has been said about the links between Mary Shelley and Robert Browning, and very little on the connections between the Shelleys and Elizabeth Barrett Browning. Rieko Suzuki seeks to address this blind spot by focusing on three areas in particular: firstly, the way that Browning’s later poems reflect back on and re-engage with Shelley’s work; secondly, Mary Shelley’s influence on Browning’s early poems; and thirdly, Shelley’s presence in and influence on Elizabeth Barrett Browning’s writing. In mapping out the various ways in which texts relate to other texts, the book also identifies a number of important thematic threads that run throughout the work of all four writers. These include theories of history and historical consciousness, providing a further dimension to the question of ‘influence’. They also include ideas about exile, gender, liberal politics and cultural heritage, central to almost all the texts discussed here, as the Shelleys and the Brownings, in different ways and in varying contexts, tried to negotiate the possibility of a more tolerant and resilient social, political and cultural environment.
Author: Philipp Erchinger
Publisher: Edinburgh University Press
ISBN: 1474438989
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them
Author: Jane Stabler
Publisher: OUP Oxford
ISBN: 0191510068
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
The Artistry of Exile is a new reading of one of the most important themes of nineteenth-century literature. Exile represents a crisis in the always present tension between self and culture, the disturbance of memory, the quest for home, and the survival or not of life's heart quakes — all of which became identifying features of canonical Romanticism. Focusing on two interlinked groups of writers who, for various reasons, felt cast out of England and sought refuge in Italy, this book traces the material and metaphoric dynamics of distance in poems, novels and epistolary conversations. The book brings into dialogue the self-alienation and existential antagonism of the Cain figure with the contingencies of real travel: conversations about writing desks, lost parcels of books, missing pans and stray camels. Domestic and cosmic perspectives mingle as the book reveals how writers realize the full resonance of Dante's vivid summation of exile in the taste of different bread and the difficulty of another man's stairs. As a country that only exists in the early nineteenth-century as a memory, Italy both embodies and energises formal attempts to bridge the distance created by exile in the work of the Byron-Shelley circle and the later Barrett-Browning- Browning collaboration. Examining these writers in relation to Italian art, sound, religion, narrative art and history, the book presents a new perspective on Romantic canonicity and relocates contemporary ideas of cosmopolitanism in the aesthetic, ethical and political debates of the late Romantic and early Victorian world.
Author: Alexis Easley
Publisher: Routledge
ISBN: 1317065492
Category : Language Arts & Disciplines
Languages : en
Pages : 245
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Book Description
Extending the work of The Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, this volume provides a critical introduction and case studies that illustrate cutting-edge approaches to periodicals research, as well as an overview of recent developments in the field. The twelve chapters model diverse approaches and methodologies for research on nineteenth-century periodicals. Each case study is contextualized within one of the following broad areas of research: single periodicals, individual journalists, gender issues, periodical networks, genre, the relationship between periodicals, transnational/transatlantic connections, technologies of printing and illustration, links within a single periodical, topical subjects, science and periodicals, and imperialism and periodicals. Contributors incorporate first-person accounts of how they conducted their research and provide specific examples of how they gained access to primary sources, as well as the methods they used to analyze the materials. The 2018 winner of the Robert and Vineta Colby Scholarly Book Prize. The Committee describes the focus of the book on methodology and case studies as “fresh and original,” and “useful for both experienced scholars and those new to the field.” "Overall. Case Studies suggests new ways of reading canonical authors, new unerstandings of the interprentation of the personal and the public, and an admirable energy in engaging with the structures of national and transnational periodical discourses that are clearly implicated in maintaining soft power within societies" -- Brian Maidment, Liverpool John Moores University
Author: María Teresa Caneda-Cabrera
Publisher: Taylor & Francis
ISBN: 1000819477
Category : Language Arts & Disciplines
Languages : en
Pages : 183
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Book Description
Historically, the Atlantic Ocean has served to define the relationship between the so-called worlds of the 'Old' and the 'New'. A geographical divide between continents, it is also no less a historical space across which peoples have travelled, sharing ideas and cultural practices, a site of encounter and exchange that has shaped the lives of communities and nations across the globe. This book maps this productive web of multi-layered connections, not just in terms of military, migratory, economic and commercial actions and processes, but also of shifting lines of translation that have mobilised ideas, fomented the exchange of experiences and opened up channels of communication. The Atlantic is considered here a global translation zone that has been created through a myriad of crossings, physical and conceptual, and historically shaped through the reciprocal influences between the different communities situated around and beyond its shores. In the final analysis, the book explores the Atlantic as a zone of created relation, characterised by the interaction between processes of translation, mobility and, in the best of cases, of hospitality; and most importantly, as a space no longer defined by economic and military power but by the multiplicity of identities forged in its ambit. This book will be of interest to scholars and advanced students of translation studies, literature, history, human geography, politics, sociology, and cultural studies. It was originally published as a special issue of the journal, Atlantic Studies.
Author: Isobel Armstrong
Publisher: Routledge
ISBN: 1317688805
Category : Literary Collections
Languages : en
Pages : 576
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Book Description
In Victorian Poetry: Poetry, Poetics and Politics, Isobel Armstrong rescued Victorian poetry from its longstanding sepia image as ‘a moralised form of romantic verse' and unearthed its often subversive critique of nineteenth-century culture and politics. In this uniquely comprehensive and theoretically astute new edition, Armstrong provides an entirely new preface that notes the key advances in the criticism of Victorian poetry since her classic work was first published in 1993. A new chapter on the alternative fin de siècle sees Armstrong discuss Michael Field, Rudyard Kipling, Alice Meynell and a selection of Hardy lyrics. The extensive bibliography acts as a key resource for students and scholars alike.
