Author: Bertrand Goy
Publisher: Sepia
ISBN:
Category : Art metal-work
Languages : en
Pages : 200
Book Description
Bronzes d'Afrique
Author: Bertrand Goy
Publisher: Sepia
ISBN:
Category : Art metal-work
Languages : en
Pages : 200
Book Description
Publisher: Sepia
ISBN:
Category : Art metal-work
Languages : en
Pages : 200
Book Description
The Founders and Editors of the Barye Bronzes
Author: J. G. Reinis
Publisher: Polymath Press
ISBN: 9780937370025
Category : Art
Languages : en
Pages : 156
Book Description
Publisher: Polymath Press
ISBN: 9780937370025
Category : Art
Languages : en
Pages : 156
Book Description
Cultural Objects and Reparative Justice
Author: Patty Gerstenblith
Publisher: Oxford University Press
ISBN: 0192872109
Category : Law
Languages : en
Pages : 321
Book Description
Cultural Objects and Reparative Justice provides a comprehensive legal and historical analysis surrounding a highly debated current question: Where should cultural objects that were removed without consent be located? This book follows an innovative, interdisciplinary approach based in law, history, art history, anthropology, and archaeology and proposes a paradigm for reparations. Tracing the historical foundations of the current legal framework, the work closely examines three factors that heavily informed the cultural heritage debate since the late eighteenth century: the rise of the encyclopaedic museum, the development of archaeology as a science, and the appropriation of objects in the context of armed conflict and colonialism. Each of these explorations is enriched by examples from around the globe and assessed on the international, national, and local level. Subjecting contested objects -such as the Parthenon Sculptures, those from the Yuanmingyuan Palace, the Benin artifacts, looted archaeological artefacts and human remains, and artwork stolen during the Holocaust - to this holistic approach enables a contextualisation of the unique history of appropriation of these objects. Cultural Objects and Reparative Justice outlines how current cultural heritage laws and ethical guidelines with respect to cultural heritage derive from a background of imperialism and colonialism. The book advocates for a new structure based on reparation, restitution, repatriation, compensation, and market regulation to cease perpetuating past harms and to disincentivize new ones.
Publisher: Oxford University Press
ISBN: 0192872109
Category : Law
Languages : en
Pages : 321
Book Description
Cultural Objects and Reparative Justice provides a comprehensive legal and historical analysis surrounding a highly debated current question: Where should cultural objects that were removed without consent be located? This book follows an innovative, interdisciplinary approach based in law, history, art history, anthropology, and archaeology and proposes a paradigm for reparations. Tracing the historical foundations of the current legal framework, the work closely examines three factors that heavily informed the cultural heritage debate since the late eighteenth century: the rise of the encyclopaedic museum, the development of archaeology as a science, and the appropriation of objects in the context of armed conflict and colonialism. Each of these explorations is enriched by examples from around the globe and assessed on the international, national, and local level. Subjecting contested objects -such as the Parthenon Sculptures, those from the Yuanmingyuan Palace, the Benin artifacts, looted archaeological artefacts and human remains, and artwork stolen during the Holocaust - to this holistic approach enables a contextualisation of the unique history of appropriation of these objects. Cultural Objects and Reparative Justice outlines how current cultural heritage laws and ethical guidelines with respect to cultural heritage derive from a background of imperialism and colonialism. The book advocates for a new structure based on reparation, restitution, repatriation, compensation, and market regulation to cease perpetuating past harms and to disincentivize new ones.
African Arts
Author:
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 416
Book Description
Emprints Du Passé D'Afrique de L'ouest
Author: Bassey W. Andah
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 328
Book Description
The Materials and Methods of Sculpture
Author: Jack C. Rich
Publisher: Courier Corporation
ISBN: 0486257428
Category : Art
Languages : en
Pages : 511
Book Description
"Promises to become a standard reference book." — The Art Digest. Exhaustive, profusely illustrated guide to all of the technical aspects of sculpting in stone, metal, wood, and other materials. The author expertly covers casting, surface treatment, exotic materials such as amber, coal, and even butter! Much more. 281 illustrations.
Publisher: Courier Corporation
ISBN: 0486257428
Category : Art
Languages : en
Pages : 511
Book Description
"Promises to become a standard reference book." — The Art Digest. Exhaustive, profusely illustrated guide to all of the technical aspects of sculpting in stone, metal, wood, and other materials. The author expertly covers casting, surface treatment, exotic materials such as amber, coal, and even butter! Much more. 281 illustrations.
A Bronze Age Landscape in the Russian Steppes
Author: David W. Anthony
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770323
Category : Social Science
Languages : en
Pages : 537
Book Description
The first English-language monograph that describes seasonal and permanent Late Bronze Age settlements in the Russian steppes, this is the final report of the Samara Valley Project, a US-Russian archaeological investigation conducted between 1995 and 2002. It explores the changing organization and subsistence resources of pastoral steppe economies from the Eneolithic (4500 BC) through the Late Bronze Age (1900-1200 BC) across a steppe-and-river valley landscape in the middle Volga region, with particular attention to the role of agriculture during the unusual episode of sedentary, settled pastoralism that spread across the Eurasian steppes with the Srubnaya and Andronovo cultures (1900-1200 BC). Three astonishing discoveries were made by the SVP archaeologists: agriculture played no role in the LBA diet across the region, a surprise given the settled residential pattern; a unique winter ritual was practiced at Krasnosamarskoe involving dog and wolf sacrifices, possibly related to male initiation ceremonies; and overlapping spheres of obligation, cooperation, and affiliation operated at different scales to integrate groups defined by politics, economics, and ritual behaviors.
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770323
Category : Social Science
Languages : en
Pages : 537
Book Description
The first English-language monograph that describes seasonal and permanent Late Bronze Age settlements in the Russian steppes, this is the final report of the Samara Valley Project, a US-Russian archaeological investigation conducted between 1995 and 2002. It explores the changing organization and subsistence resources of pastoral steppe economies from the Eneolithic (4500 BC) through the Late Bronze Age (1900-1200 BC) across a steppe-and-river valley landscape in the middle Volga region, with particular attention to the role of agriculture during the unusual episode of sedentary, settled pastoralism that spread across the Eurasian steppes with the Srubnaya and Andronovo cultures (1900-1200 BC). Three astonishing discoveries were made by the SVP archaeologists: agriculture played no role in the LBA diet across the region, a surprise given the settled residential pattern; a unique winter ritual was practiced at Krasnosamarskoe involving dog and wolf sacrifices, possibly related to male initiation ceremonies; and overlapping spheres of obligation, cooperation, and affiliation operated at different scales to integrate groups defined by politics, economics, and ritual behaviors.
African Sculpture Speaks
Author: Ladislas Segy
Publisher: Pickle Partners Publishing
ISBN: 1789125502
Category : History
Languages : en
Pages : 641
Book Description
PABLO PICASSO: “...when the form is realized, it is there to live its own life.” HENRY MOORE: “The sculpture which moves me most is full-blooded and self-supporting, fully in the round; giving out something of an energy and power of great mountains, it has a life of its own independent of the object it represents.” African Art Speaks, the first full appraisal of African art published in the United States, describes and illustrates the sculpted works of more than 150 West African tribes. Ladislas Segy approaches African art from several different but interrelated perspectives, considering the sculptures first as products of a distinct African culture, then as high-quality works of art. Seeking to bring the African carver’s work within the scope of the Western observer, Segy stresses the need for appraising African art within in its own context, suspending established procedures for art appreciation and viewing the object as it actually is, not as we think it is or should be. Bringing to bear the disciplines of aesthetics, anthropology, psychology, and phenomenology, Segy shows how the deep-seated magico-religious beliefs of the tribal carver creates such powerful emotional tension in his work that the viewer can recapture this emotion and identify it as part of his own experience. This present edition is the Third Printing, originally published in 1961, and provides a systematic Style Guide, analyzing the characteristic features of the different styles of tribal sculpture. A special chapter for the collector tells how to buy and care for African art. Segy also discusses the styles of the main sculpture-producing tribes in East and South Africa. Included are maps, a bibliography and a list of illustrations. “While much has been written about African sculpture within recent years, Mr. Segy’s book is undoubtedly among the finest published in this country.”—The San Francisco Chronicle
Publisher: Pickle Partners Publishing
ISBN: 1789125502
Category : History
Languages : en
Pages : 641
Book Description
PABLO PICASSO: “...when the form is realized, it is there to live its own life.” HENRY MOORE: “The sculpture which moves me most is full-blooded and self-supporting, fully in the round; giving out something of an energy and power of great mountains, it has a life of its own independent of the object it represents.” African Art Speaks, the first full appraisal of African art published in the United States, describes and illustrates the sculpted works of more than 150 West African tribes. Ladislas Segy approaches African art from several different but interrelated perspectives, considering the sculptures first as products of a distinct African culture, then as high-quality works of art. Seeking to bring the African carver’s work within the scope of the Western observer, Segy stresses the need for appraising African art within in its own context, suspending established procedures for art appreciation and viewing the object as it actually is, not as we think it is or should be. Bringing to bear the disciplines of aesthetics, anthropology, psychology, and phenomenology, Segy shows how the deep-seated magico-religious beliefs of the tribal carver creates such powerful emotional tension in his work that the viewer can recapture this emotion and identify it as part of his own experience. This present edition is the Third Printing, originally published in 1961, and provides a systematic Style Guide, analyzing the characteristic features of the different styles of tribal sculpture. A special chapter for the collector tells how to buy and care for African art. Segy also discusses the styles of the main sculpture-producing tribes in East and South Africa. Included are maps, a bibliography and a list of illustrations. “While much has been written about African sculpture within recent years, Mr. Segy’s book is undoubtedly among the finest published in this country.”—The San Francisco Chronicle
Metropolitan Fetish
Author: John Warne Monroe
Publisher: Cornell University Press
ISBN: 150173637X
Category : History
Languages : en
Pages : 562
Book Description
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Publisher: Cornell University Press
ISBN: 150173637X
Category : History
Languages : en
Pages : 562
Book Description
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Coinage and Money Under the Roman Republic
Author: Michael Hewson Crawford
Publisher: Univ of California Press
ISBN: 9780520055063
Category : History
Languages : en
Pages : 388
Book Description
Publisher: Univ of California Press
ISBN: 9780520055063
Category : History
Languages : en
Pages : 388
Book Description