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Author: Youhe Zeng
Publisher:
ISBN: 9789627956013
Category : Bronze mirrors
Languages : en
Pages : 312
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Book Description
Author: Youhe Zeng
Publisher:
ISBN: 9789627956013
Category : Bronze mirrors
Languages : en
Pages : 312
Get Book Here
Book Description
Author: Peng Peng
Publisher:
ISBN: 9781604979626
Category : Bronze founding
Languages : en
Pages :
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Book Description
"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
Author: Emily Mokros
Publisher: University of Washington Press
ISBN: 029574880X
Category : History
Languages : en
Pages : 282
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Book Description
In the Qing dynasty (1644–1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. This illuminating study presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state’s inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette’s evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power.
Author: Associate Professor of History Kin Sum Li
Publisher:
ISBN: 9780295752907
Category : Art
Languages : en
Pages : 0
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Book Description
Examines mass production in antiquity Highly decorated mirrors are widely sought by museums with collections of Chinese art and are the most actively exchanged items in the art market of ancient Chinese bronzes. Featuring intricate designs that draw from those observable on woven bamboo, textiles, jade, and lacquered and painted objects of their time, these mirrors display intricate artistry. Motifs such as dragons, birds, and monsters interplay with layered decorative patterns. Most of what we know of these mirrors comes from their discovery in recent decades in tombs dating to early China. Despite their importance, this is the first book-length, scholarly study of Chinese bronze mirrors. Through research based on close examination and comparison of extant examples, Kin Sum Li offers a detailed analysis of how mirrors were designed and produced during the period from 500 to 200 BCE. He documents evidence of an emphasis on efficiency and division of labor in the production process that permitted artisans to apply expertise accumulated from long-term training and professional practice. Improvements in the production process eventually changed how mirror models and molds were prepared, as compared to earlier freehand carving. Collectively, mirror producers laid the foundations of a large commercial exchange network. Bronze Mirrors in Ancient China will be of interest to art historians, archaeologists, museum curators, art dealers, mirror collectors, and auction houses.
Author: Lei Xue
Publisher: University of Washington Press
ISBN: 0295746351
Category : Art
Languages : en
Pages : 234
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Book Description
Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation. In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form. Art History Publication Initiative A McLellan Book
Author: Kristina Kleutghen
Publisher: University of Washington Press
ISBN: 0295805528
Category : Art
Languages : en
Pages : 388
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Book Description
In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions
Author: Robert William Swallow
Publisher:
ISBN:
Category : Bronze mirrors
Languages : en
Pages : 198
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Book Description
Author: Jeannette Shambaugh Elliot
Publisher: University of Washington Press
ISBN: 0295997559
Category : Art
Languages : en
Pages : 193
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Book Description
Author: Aurelia Campbell
Publisher: University of Washington Press
ISBN: 0295746890
Category : History
Languages : en
Pages : 234
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Book Description
One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor. Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time. Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
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Book Description
