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Author: M. Schwartz
Publisher: Springer
ISBN: 0230623328
Category : History
Languages : en
Pages : 224
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Book Description
Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
Author: M. Schwartz
Publisher: Springer
ISBN: 0230623328
Category : History
Languages : en
Pages : 224
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Book Description
Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
Author: M. Schwartz
Publisher: Springer
ISBN: 1137353058
Category : History
Languages : en
Pages : 200
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Book Description
Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World. American class movement and class divisions have long been reflected on the Broadway stage and here Michael Schwartz presents a fresh look at the conflict between labor and capital.
Author: David Boje
Publisher:
ISBN: 9781521963470
Category :
Languages : en
Pages : 499
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Book Description
I think one requirement for conscious capitalism is that we understand the social process and dialectic of creativity and oppression. Some oppression is highly creative, and some forms of resistance are not all that creative. Much of the resistance is individual, thought in the postmodern turn, a wide variety of different social causes and movements are networking to put on large-scale carnivals of protest. This partly affirms social creativity, and partly rechannels individual expression in postmodern carnivals of resistance. The Society of the Spectacle, is a form of theatre that imposes constraints upon individual improvisation, deviances from some script, carry severe punishments. Yet, in the most oppressive, most McDonaldized scripting of our work and consumption lives, there is room from creative resistance and improvisation, one might call festive. I conclude that theatre is dangerous. We are addicted to spectacle theatre, there is not enough carnival to resist, and we do not know how to perform work and leisure in a more festive relationship to Nature or each other. We witness the contest of spectacle and carnival in the Battle for Seattle, and the subsequent off-Broadway performances in Canada, Switzerland, Italy, and in post-September 11, the war on terror. These are not festive theatrical performances, they are increasingly dangerous, and the blood is flowing.
Author: Catherine P. Mulder
Publisher: Routledge
ISBN: 1135843384
Category : Business & Economics
Languages : en
Pages : 162
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Book Description
Unions and class transformation : the case of the Broadway musicians -- The Broadway musicians : a case study -- Subjects of concern for Broadway musicians -- Class transformation -- Post class transformation : applications on Broadway and beyond.
Author: Paul Johnson
Publisher: Cambridge University Press
ISBN: 1139487051
Category : History
Languages : en
Pages :
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Book Description
Corporate capitalism was invented in nineteenth-century Britain; most of the market institutions that we take for granted today - limited companies, shares, stock markets, accountants, financial newspapers - were Victorian creations. So were the moral codes, the behavioural assumptions, the rules of thumb and the unspoken agreements that made this market structure work. This innovative study provides the first integrated analysis of the origin of these formative capitalist institutions, and reveals why they were conceived and how they were constructed. It explores the moral, economic and legal assumptions that supported this formal institutional structure, and which continue to shape the corporate economy of today. Tracing the institutional growth of the corporate economy in Victorian Britain and demonstrating that many of the perceived problems of modern capitalism - financial fraud, reckless speculation, excessive remuneration - have clear historical precedents, this is a major contribution to the economic history of modern Britain.
Author: William G. Roy
Publisher:
ISBN: 9780691043531
Category : Business & Economics
Languages : en
Pages : 338
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Book Description
Departing from the perception that the rise of the large publicly traded corporation resulted from the need to expand in answer to expanding technology and market growth, sociologist William Roy focuses on political, social, and institutional processes governed by the dynamics of power. Roy covers the entire history of American corporation.
Author: Steven Pearlstein
Publisher: Macmillan + ORM
ISBN: 1250185998
Category : Business & Economics
Languages : en
Pages : 197
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Book Description
"If anyone can save capitalism from the capitalists, it’s Steven Pearlstein. This lucid, brilliant book refuses to abandon capitalism to those who believe morality and justice irrelevant to an economic system." —Ezra Klein, founder and editor-at-large, Vox Pulitzer Prize-winning economics journalist Steven Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. With a New Introduction by the Author Thirty years ago, “greed is good” and “maximizing shareholder value” became the new mantras woven into the fabric of our business culture, economy, and politics. Although, around the world, free market capitalism has lifted more than a billion people from poverty, in the United States most of the benefits of economic growth have been captured by the richest 10%, along with providing justification for squeezing workers, cheating customers, avoiding taxes, and leaving communities in the lurch. As a result, Americans are losing faith that a free market economy is the best system. In Moral Capitalism, Pulitzer Prize-winning journalist Steven Pearlstein chronicles our descent and challenges the theories being taught in business schools and exercised in boardrooms around the country. We’re missing a key tenet of Adam Smith’s wealth of nations: without trust and social capital, democratic capitalism cannot survive. Further, equality of incomes and opportunity need not come at the expense of economic growth. Pearlstein lays out bold steps we can take as a country: a guaranteed minimum income paired with universal national service, tax incentives for companies to share profits with workers, ending class segregation in public education, and restoring competition to markets. He provides a path forward that will create the shared prosperity that will sustain capitalism over the long term. Previously published as Can American Capitalism Survive?
Author: David Gelles
Publisher: Simon and Schuster
ISBN: 198217644X
Category : Business & Economics
Languages : en
Pages : 272
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Book Description
New York Times Bestseller New York Times reporter and “Corner Office” columnist David Gelles reveals legendary GE CEO Jack Welch to be the root of all that’s wrong with capitalism today and offers advice on how we might right those wrongs. In 1981, Jack Welch took over General Electric and quickly rose to fame as the first celebrity CEO. He golfed with presidents, mingled with movie stars, and was idolized for growing GE into the most valuable company in the world. But Welch’s achievements didn’t stem from some greater intelligence or business prowess. Rather, they were the result of a sustained effort to push GE’s stock price ever higher, often at the expense of workers, consumers, and innovation. In this captivating, revelatory book, David Gelles argues that Welch single-handedly ushered in a new, cutthroat era of American capitalism that continues to this day. Gelles chronicles Welch’s campaign to vaporize hundreds of thousands of jobs in a bid to boost profits, eviscerating the country’s manufacturing base and destabilizing the middle class. Welch’s obsession with downsizing—he eliminated 10% of employees every year—fundamentally altered GE and inspired generations of imitators who have employed his strategies at other companies around the globe. In his day, Welch was corporate America’s leading proponent of mergers and acquisitions, using deals to gobble up competitors and giving rise to an economy that is more concentrated and less dynamic. And Welch pioneered the dark arts of “financialization,” transforming GE from an admired industrial manufacturer into what was effectively an unregulated bank. The finance business was hugely profitable in the short term and helped Welch keep GE’s stock price ticking up. But ultimately, financialization undermined GE and dozens of other Fortune 500 companies. Gelles shows how Welch’s celebrated emphasis on increasing shareholder value by any means necessary (layoffs, outsourcing, offshoring, acquisitions, and buybacks, to name but a few tactics) became the norm in American business generally. He demonstrates how that approach has led to the greatest socioeconomic inequality since the Great Depression and harmed many of the very companies that have embraced it. And he shows how a generation of Welch acolytes radically transformed companies like Boeing, Home Depot, Kraft Heinz, and more. Finally, Gelles chronicles the change that is now afoot in corporate America, highlighting companies and leaders who have abandoned Welchism and are proving that it is still possible to excel in the business world without destroying livelihoods, gutting communities, and spurning regulation.
Author: David Bisaha
Publisher: SIU Press
ISBN: 0809338742
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
"By asking readers to understand how the profession of scenic design was constructed and drawing attention to the work of talented but overlooked women, queer, and Black designers, this book expands the canon of design history and gives insight into how and why some designers were excluded from the professionalization of scenic design"--
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606068911
Category : Art
Languages : en
Pages : 386
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Book Description
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of wellknown international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
