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Author: Leslie Shepard
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Broadside ballads were the printed sheets of verse that were sold in the streets from the early 16th to the late 19th century. They were the documents of the folk ballad, the forerunner of the popular newspaper. Through four centuries such sheets have been eagerly bought and the songs sung by the common people. The whole field of street literature has begun to emerge as a subject in its own right, with great relevance to mass culture. For such study, this work is an original, and primary source. -- Provided by publisher.
Author: Leslie Shepard
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Broadside ballads were the printed sheets of verse that were sold in the streets from the early 16th to the late 19th century. They were the documents of the folk ballad, the forerunner of the popular newspaper. Through four centuries such sheets have been eagerly bought and the songs sung by the common people. The whole field of street literature has begun to emerge as a subject in its own right, with great relevance to mass culture. For such study, this work is an original, and primary source. -- Provided by publisher.
Author: William Hugh Logan
Publisher: Edinburgh : W. Paterson
ISBN:
Category : Ballads, English
Languages : en
Pages : 504
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Book Description
Author: Andrew Pettegree
Publisher: BRILL
ISBN: 9004340319
Category : History
Languages : en
Pages : 564
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Book Description
This volume offers an expansive survey of the role of single-sheet publishing in the European print industry during the first two centuries after the invention of printing. Drawing on new materials made available during the compilation of the Universal Short Title Catalogue, the twenty contributors explore the extraordinary range of broadsheet publishing and its contribution to government, pedagogy, religious devotion and entertainment culture. Long disregarded as ephemera or cheap print, broadsheets emerge both as a crucial communication medium and an essential underpinning of the economics of the publishing industry.
Author: Patricia Fumerton
Publisher: University of Pennsylvania Press
ISBN: 081229727X
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.
Author: Charles Vess
Publisher: Macmillan
ISBN: 9780765312150
Category : Comics & Graphic Novels
Languages : en
Pages : 198
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Book Description
Now in trade paperback, a unique collection of ballads, folktales, and magical sagas, retold in graphic-novel form by an all-star cast of modern fantasists
Author: Leslie Shepard
Publisher: Detroit : Singing Tree Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
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Book Description
Author: Pepys Library
Publisher: D. S. Brewer
ISBN:
Category : Music
Languages : en
Pages : 410
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Book Description
Author: Nessa Cronin
Publisher: Cambridge Scholars Publishing
ISBN: 1443803871
Category : History
Languages : en
Pages : 285
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Book Description
Anáil an Bhéil Bheo brings together a stimulating range of interdisciplinary essays considering the connections between orality and modern Irish culture. From literature to song, folklore to the visual arts, contributors examine not only the connections between oral and textual traditions in Ireland, but also the theoretical concept of “orality” itself and the corresponding significance of oral texts in Irish society. Featuring work by emerging scholars in the fields of history, literature, folklore, music, women’s studies, film and theatre studies and disciplines contributing to Irish Studies, this multifaceted volume also includes contributions from scholars long engaged with issues of orality such as Gearóid Ó Crualaoich and Henry Glassie.
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
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Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Author: Sarah F. Williams
Publisher: Routledge
ISBN: 1317154908
Category : Music
Languages : en
Pages : 240
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Book Description
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
