Author: Paul Kildea
Publisher: Penguin Classics
ISBN: 9781846142338
Category : Composers
Languages : en
Pages : 0
Book Description
Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer - now in paperback Benjamin Britten was Britain's greatest twentieth-century composer, who broke decisively with figures such as Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. Paul Kildea's biography has been acclaimed as the definitive account of Britten's extraordinary life, exploring his deeply held and controversial pacifism; his complex forty-year relationship with Peter Pears; and his creation of an artistic community in Aldeburgh. Above all, however, this book helps us understand the relationship of Britten's music to his life, and takes us as far into its unique alchemy as we are ever likely to go. PAUL KILDEA is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London, and lives in Berlin. 'Must now rank as the standard work' Financial Times 'Indispensable ... This is a masterly, highly readable account and the most comprehensive to date of the life and work of one of the 20th century's great musical figures' Barry Millington, Evening Standard ' A] wise, cautious, challenging book ... Kildea's verbal explorations of the music are done with level-headed sensitivity leavened by a quirky lightness of touch' Alexandra Harris, New Statesman
Benjamin Britten
Author: Paul Kildea
Publisher: Penguin Classics
ISBN: 9781846142338
Category : Composers
Languages : en
Pages : 0
Book Description
Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer - now in paperback Benjamin Britten was Britain's greatest twentieth-century composer, who broke decisively with figures such as Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. Paul Kildea's biography has been acclaimed as the definitive account of Britten's extraordinary life, exploring his deeply held and controversial pacifism; his complex forty-year relationship with Peter Pears; and his creation of an artistic community in Aldeburgh. Above all, however, this book helps us understand the relationship of Britten's music to his life, and takes us as far into its unique alchemy as we are ever likely to go. PAUL KILDEA is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London, and lives in Berlin. 'Must now rank as the standard work' Financial Times 'Indispensable ... This is a masterly, highly readable account and the most comprehensive to date of the life and work of one of the 20th century's great musical figures' Barry Millington, Evening Standard ' A] wise, cautious, challenging book ... Kildea's verbal explorations of the music are done with level-headed sensitivity leavened by a quirky lightness of touch' Alexandra Harris, New Statesman
Publisher: Penguin Classics
ISBN: 9781846142338
Category : Composers
Languages : en
Pages : 0
Book Description
Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer - now in paperback Benjamin Britten was Britain's greatest twentieth-century composer, who broke decisively with figures such as Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. Paul Kildea's biography has been acclaimed as the definitive account of Britten's extraordinary life, exploring his deeply held and controversial pacifism; his complex forty-year relationship with Peter Pears; and his creation of an artistic community in Aldeburgh. Above all, however, this book helps us understand the relationship of Britten's music to his life, and takes us as far into its unique alchemy as we are ever likely to go. PAUL KILDEA is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London, and lives in Berlin. 'Must now rank as the standard work' Financial Times 'Indispensable ... This is a masterly, highly readable account and the most comprehensive to date of the life and work of one of the 20th century's great musical figures' Barry Millington, Evening Standard ' A] wise, cautious, challenging book ... Kildea's verbal explorations of the music are done with level-headed sensitivity leavened by a quirky lightness of touch' Alexandra Harris, New Statesman
Britten's Century
Author: Mark Bostridge
Publisher: A&C Black
ISBN: 1441151869
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event. Britten's Century considers various aspects of Britten's life and work. The book is written by biographers, performers and music critics. Here is a wealth of subject matter - Britten's operatic output, his orchestral works, his contribution to the revival of English song. Biographically, this book moves on beyond the relationship with Peter Pears and the salacious speculation about his infatuation with various boys, to a consideration of Britten's experience as a homosexual man living in a largely homophobic society. Another area here which is often overlooked is the view of Britten from outside the British Isles - the USA and Italy, where his operas have long been extremely popular.
Publisher: A&C Black
ISBN: 1441151869
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event. Britten's Century considers various aspects of Britten's life and work. The book is written by biographers, performers and music critics. Here is a wealth of subject matter - Britten's operatic output, his orchestral works, his contribution to the revival of English song. Biographically, this book moves on beyond the relationship with Peter Pears and the salacious speculation about his infatuation with various boys, to a consideration of Britten's experience as a homosexual man living in a largely homophobic society. Another area here which is often overlooked is the view of Britten from outside the British Isles - the USA and Italy, where his operas have long been extremely popular.
Britten's Musical Language
Author: Philip Rupprecht
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Britten's Century
Author: Mark Bostridge
Publisher: A&C Black
ISBN: 1441177906
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
November 2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event.
Publisher: A&C Black
ISBN: 1441177906
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
November 2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event.
Benjamin Britten
Author: Michael Oliver
Publisher: Phaidon Press
ISBN: 9780714847719
Category : Music
Languages : it
Pages : 240
Book Description
A portrait of the life and work of Benjamin Britten.
Publisher: Phaidon Press
ISBN: 9780714847719
Category : Music
Languages : it
Pages : 240
Book Description
A portrait of the life and work of Benjamin Britten.
Britten's Children
Author: John Bridcut
Publisher:
ISBN: 9780571228409
Category : Composers
Languages : en
Pages : 334
Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Publisher:
ISBN: 9780571228409
Category : Composers
Languages : en
Pages : 334
Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Middlebrow Modernism
Author: Christopher Chowrimootoo
Publisher: University of California Press
ISBN: 0520298659
Category : Music
Languages : en
Pages : 244
Book Description
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
Publisher: University of California Press
ISBN: 0520298659
Category : Music
Languages : en
Pages : 244
Book Description
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
Music and Sexuality in Britten
Author: Philip Brett
Publisher: Univ of California Press
ISBN: 0520246101
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
Publisher description
Publisher: Univ of California Press
ISBN: 0520246101
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
Publisher description
Benjamin Britten in Context
Author: Vicki P Stroeher
Publisher: Composers in Context
ISBN: 1108496695
Category : Music
Languages : en
Pages : 427
Book Description
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
Publisher: Composers in Context
ISBN: 1108496695
Category : Music
Languages : en
Pages : 427
Book Description
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
Beyond Britten
Author: Peter Wiegold
Publisher: Boydell & Brewer
ISBN: 1843839652
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society. PETER WIEGOLD is a composer, conductor and the director of Club In gales and the Institute of Composing. He is a Research Professor of Music at Brunel University, and also director of the 'Brunel Institute for Contemporary Middle-Eastern Music' (BICMEM). GHISLAINE KENYON is an author, freelance arts education consultant and curator.
Publisher: Boydell & Brewer
ISBN: 1843839652
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society. PETER WIEGOLD is a composer, conductor and the director of Club In gales and the Institute of Composing. He is a Research Professor of Music at Brunel University, and also director of the 'Brunel Institute for Contemporary Middle-Eastern Music' (BICMEM). GHISLAINE KENYON is an author, freelance arts education consultant and curator.