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Author: Joanna Selborne
Publisher: Oxford University Press, USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 472
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Book Description
Twentieth-century British wood-engraved book illustration up to the beginning of the Second World War was among the most versatile and inventive of the graphic arts. In a climate of typographical renaissance, various wood-engravers made a significant impact on the appearance of the printedpage, transforming good books into works of art and influencing modern standards of book production. This book reveals the methods by which these pioneering artists broke with nineteenth-century illustrative practices. The author surveys the subject in relation to the cultural and historicalbackground, and within the context of mainstream developments in the visual arts, placing emphasis on the working relationship of illustrators with both private presses and commercial publishers. Detailed study of unpublished material, including art school records, publishers' and print societies'archives, and artists' correspondence, throws new light on the work and practices of the more innovative wood engravers.
Author: Joanna Selborne
Publisher: Oxford University Press, USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 472
Get Book Here
Book Description
Twentieth-century British wood-engraved book illustration up to the beginning of the Second World War was among the most versatile and inventive of the graphic arts. In a climate of typographical renaissance, various wood-engravers made a significant impact on the appearance of the printedpage, transforming good books into works of art and influencing modern standards of book production. This book reveals the methods by which these pioneering artists broke with nineteenth-century illustrative practices. The author surveys the subject in relation to the cultural and historicalbackground, and within the context of mainstream developments in the visual arts, placing emphasis on the working relationship of illustrators with both private presses and commercial publishers. Detailed study of unpublished material, including art school records, publishers' and print societies'archives, and artists' correspondence, throws new light on the work and practices of the more innovative wood engravers.
Author: Stephen Bury
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
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Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Author: Clare A. P. Willsdon
Publisher: Oxford University Press, USA
ISBN: 9780198175155
Category : Art
Languages : en
Pages : 730
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Book Description
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Author: Michael F. Suarez
Publisher: Oxford University Press, USA
ISBN: 019967941X
Category : History
Languages : en
Pages : 769
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Book Description
"This volume seeks to delineate the history of the production, dissemination, and reception of texts from the earliest pictograms of the mid-4th millennium to recent developments in electronic books."--Page xi.
Author: Peter Brooker
Publisher: OUP Oxford
ISBN: 0191549436
Category : Literary Criticism
Languages : en
Pages : 974
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Book Description
The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.
Author: Simon Brett
Publisher: Bloomsbury Publishing
ISBN: 1789941261
Category : Art
Languages : en
Pages : 160
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Book Description
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.
Author: Massimo Mastrogregori
Publisher: Walter de Gruyter
ISBN: 3110951401
Category : History
Languages : en
Pages : 420
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Book Description
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Author: Faye Hammill
Publisher: Bloomsbury Publishing
ISBN: 1472573277
Category : Literary Collections
Languages : en
Pages : 233
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Book Description
The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism's Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as: - Periodical publishing – from 'little magazines' such as Rhythm to glossy publications such as Vanity Fair - The material aspects of early twentieth-century publishing – small presses, typography, illustration and book design - The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes - Educational and political print initiatives Including accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.
Author: Arthur James Wells
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1270
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Book Description
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 9780198175131
Category : Art
Languages : en
Pages : 516
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Book Description
Marcel Duchamp and Max Ernst are two of the greatest names associated with Dada and Surrealism, the iconoclastic art movements of the early part of the twentieth century. This detailed study brings their work into close proximity for the first time, examining the structural interaction of "ready-made" belief systems in their productions (Catholicism, masculinism, hermeticism). These artists are revealed as precursors of our postmodern obsessions with male and female identity and cultural fragmentation.
