Author: Harold Bloom
Publisher: Chelsea House
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 272
Book Description
Part of an ongoing series covering the texts and lives of the most important women writers of English, British Women Fiction Writers of the 19th Century contains introductory essays by Harold Bloom and provides biographical information, a wide selection of critical excerpts, and complete bibliographies of 11 authors: Jane Austen, Anne Brontë, Charlotte Brontë, Emily Brontë, Fanny Burney, George Eliot, Elizabeth Gaskell, Harriet Martineau, Margaret Oliphant, Mary Shelly, and Frances Trollope.
British Women Fiction Writers of the 19th Century
Author: Harold Bloom
Publisher: Chelsea House
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 272
Book Description
Part of an ongoing series covering the texts and lives of the most important women writers of English, British Women Fiction Writers of the 19th Century contains introductory essays by Harold Bloom and provides biographical information, a wide selection of critical excerpts, and complete bibliographies of 11 authors: Jane Austen, Anne Brontë, Charlotte Brontë, Emily Brontë, Fanny Burney, George Eliot, Elizabeth Gaskell, Harriet Martineau, Margaret Oliphant, Mary Shelly, and Frances Trollope.
Publisher: Chelsea House
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 272
Book Description
Part of an ongoing series covering the texts and lives of the most important women writers of English, British Women Fiction Writers of the 19th Century contains introductory essays by Harold Bloom and provides biographical information, a wide selection of critical excerpts, and complete bibliographies of 11 authors: Jane Austen, Anne Brontë, Charlotte Brontë, Emily Brontë, Fanny Burney, George Eliot, Elizabeth Gaskell, Harriet Martineau, Margaret Oliphant, Mary Shelly, and Frances Trollope.
British Women Writers and the Writing of History, 1670-1820
Author: Devoney Looser
Publisher: JHU Press
ISBN: 0801876400
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Chosen by Choice Magazine as an Outstanding Academic Title Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history. Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
Publisher: JHU Press
ISBN: 0801876400
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Chosen by Choice Magazine as an Outstanding Academic Title Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history. Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
Literary Theology by Women Writers of the Nineteenth Century
Author: Dr Rebecca Styler
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476219
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Examining popular fiction, life writing, poetry and political works, Rebecca Styler explores women's contributions to theology in the nineteenth century. Female writers, Styler argues, acted as amateur theologians by use of a range of literary genres. Through these, they questioned the Christian tradition relative to contemporary concerns about political ethics, gender identity, and personal meaning. Among Styler's subjects are novels by Emma Worboise; writers of collective biography, including Anna Jameson and Clara Balfour, who study Bible women in order to address contemporary concerns about 'The Woman Question'; poetry by Anne Bronte; and political writing by Harriet Martineau and Josephine Butler. As Styler considers the ways in which each writer negotiates the gender constraints and opportunities that are available to her religious setting and literary genre, she shows the varying degrees of frustration which these writers express with the inadequacy of received religion to meet their personal and ethical needs. All find resources within that tradition, and within their experience, to reconfigure Christianity in creative, and more earth-oriented ways.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476219
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Examining popular fiction, life writing, poetry and political works, Rebecca Styler explores women's contributions to theology in the nineteenth century. Female writers, Styler argues, acted as amateur theologians by use of a range of literary genres. Through these, they questioned the Christian tradition relative to contemporary concerns about political ethics, gender identity, and personal meaning. Among Styler's subjects are novels by Emma Worboise; writers of collective biography, including Anna Jameson and Clara Balfour, who study Bible women in order to address contemporary concerns about 'The Woman Question'; poetry by Anne Bronte; and political writing by Harriet Martineau and Josephine Butler. As Styler considers the ways in which each writer negotiates the gender constraints and opportunities that are available to her religious setting and literary genre, she shows the varying degrees of frustration which these writers express with the inadequacy of received religion to meet their personal and ethical needs. All find resources within that tradition, and within their experience, to reconfigure Christianity in creative, and more earth-oriented ways.
The Exotic Woman in Nineteenth-century British Fiction and Culture
Author: Piya Pal-Lapinski
Publisher: UPNE
ISBN: 9781584654292
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
A fresh and provocative approach to representations of exotic women in Victorian Britain.
Publisher: UPNE
ISBN: 9781584654292
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
A fresh and provocative approach to representations of exotic women in Victorian Britain.
British Women Short Story Writers
Author: Emma Young
Publisher: Edinburgh University Press
ISBN: 1474407277
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? This collection examines what this versatile genre offers women writers, and what this can tell us about the society and culture they inhabit. From the rise of the modern printing press at the end of the Nineteenth Century through to the present digital age, these essays examine how the short story has been deployed and reworked by women writers and how they have influenced and shaped the genres development. Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today. From the New Woman to contemporary feminisms, women's anthologies to microfiction, modernist writers to the contemporary works of Sarah Hall and Helen Simpson, the chapters in this collection investigate a crucial yet under-examined field of British literature.Key Features and Benefits12 chapters discussing a range of gender and genre issues since the fin-de-sic e to the present day.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers. Offers a comprehensive account of the genres development to provide scholars with a unique insight into a largely neglected aspect of womens writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.
Publisher: Edinburgh University Press
ISBN: 1474407277
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? This collection examines what this versatile genre offers women writers, and what this can tell us about the society and culture they inhabit. From the rise of the modern printing press at the end of the Nineteenth Century through to the present digital age, these essays examine how the short story has been deployed and reworked by women writers and how they have influenced and shaped the genres development. Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today. From the New Woman to contemporary feminisms, women's anthologies to microfiction, modernist writers to the contemporary works of Sarah Hall and Helen Simpson, the chapters in this collection investigate a crucial yet under-examined field of British literature.Key Features and Benefits12 chapters discussing a range of gender and genre issues since the fin-de-sic e to the present day.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers. Offers a comprehensive account of the genres development to provide scholars with a unique insight into a largely neglected aspect of womens writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.
British Women Writers and the Asiatic Society of Bengal, 1785-1835
Author: Dr Kathryn S Freeman
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472430905
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
In her study of newly recovered works by British women, Kathryn Freeman traces the literary relationship between women writers and the Asiatic Society of Bengal, otherwise known as the Orientalists. Distinct from their male counterparts of the Romantic period, who tended to mirror the Orientalist distortions of India, women writers like Phebe Gibbes, Elizabeth Hamilton, Sydney Owenson, Mariana Starke, Eliza Fay, Anna Jones, and Maria Jane Jewsbury interrogated these distortions from the foundation of gender. Freeman takes a three-pronged approach, arguing first that in spite of their marked differences, female authors shared a common resistance to the Orientalists’ intellectual genealogy that allowed them to represent Vedic non-dualism as an alternative subjectivity to the masculine model of European materialist philosophy. She also examines the relationship between gender and epistemology, showing that women’s texts not only shift authority to a feminized subjectivity, but also challenge the recurring Orientalist denigration of Hindu masculinity as effeminate. Finally, Freeman contrasts the shared concern about miscegenation between Orientalists and women writers, contending that the first group betrays anxiety about intermarriage between East Indian Company men and indigenous women while the varying portrayals of intermarriage by women show them poised to dissolve the racial and social boundaries. Her study invites us to rethink the Romantic paradigm of canonical writers as replicators of Orientalists’ cultural imperialism in favor of a more complicated stance that accommodates the differences between male and female authors with respect to India.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472430905
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
In her study of newly recovered works by British women, Kathryn Freeman traces the literary relationship between women writers and the Asiatic Society of Bengal, otherwise known as the Orientalists. Distinct from their male counterparts of the Romantic period, who tended to mirror the Orientalist distortions of India, women writers like Phebe Gibbes, Elizabeth Hamilton, Sydney Owenson, Mariana Starke, Eliza Fay, Anna Jones, and Maria Jane Jewsbury interrogated these distortions from the foundation of gender. Freeman takes a three-pronged approach, arguing first that in spite of their marked differences, female authors shared a common resistance to the Orientalists’ intellectual genealogy that allowed them to represent Vedic non-dualism as an alternative subjectivity to the masculine model of European materialist philosophy. She also examines the relationship between gender and epistemology, showing that women’s texts not only shift authority to a feminized subjectivity, but also challenge the recurring Orientalist denigration of Hindu masculinity as effeminate. Finally, Freeman contrasts the shared concern about miscegenation between Orientalists and women writers, contending that the first group betrays anxiety about intermarriage between East Indian Company men and indigenous women while the varying portrayals of intermarriage by women show them poised to dissolve the racial and social boundaries. Her study invites us to rethink the Romantic paradigm of canonical writers as replicators of Orientalists’ cultural imperialism in favor of a more complicated stance that accommodates the differences between male and female authors with respect to India.
Scottish Women's Writing in the Long Nineteenth Century
Author: Juliet Shields
Publisher: Cambridge University Press
ISBN: 1009003054
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Walter Scott's tales of chivalry and adventure inaugurated a masculinized Scottish romance tradition that celebrated a sublime and heroic version of Scotland. Nineteenth-century Scotswomen responded to Scott's influence by establishing a counter-tradition of unromantic or even anti-romantic representations of Scotland. Their novels challenged the long-standing claim that Scotland lacked any equivalent to the English realist novel. In turning from the past to the present and from the sublimity of Scott's Highland landscapes to farmhouses, factories, and suburban villas, Scottish women writers brought romance to everyday life, illuminating the magnificence of the mundane. Drawing on the evangelical discourses emerging from the splintering of the Presbyterian Church in 1843, they represented fiction as a form of spiritual comfort, an antidote to the dreary monotony and petty frustrations of daily existence. This volume introduces the previously overlooked tradition of nineteenth-century Scottish women's writing, and corrects previously male-dominated histories of the Scottish novel.
Publisher: Cambridge University Press
ISBN: 1009003054
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Walter Scott's tales of chivalry and adventure inaugurated a masculinized Scottish romance tradition that celebrated a sublime and heroic version of Scotland. Nineteenth-century Scotswomen responded to Scott's influence by establishing a counter-tradition of unromantic or even anti-romantic representations of Scotland. Their novels challenged the long-standing claim that Scotland lacked any equivalent to the English realist novel. In turning from the past to the present and from the sublimity of Scott's Highland landscapes to farmhouses, factories, and suburban villas, Scottish women writers brought romance to everyday life, illuminating the magnificence of the mundane. Drawing on the evangelical discourses emerging from the splintering of the Presbyterian Church in 1843, they represented fiction as a form of spiritual comfort, an antidote to the dreary monotony and petty frustrations of daily existence. This volume introduces the previously overlooked tradition of nineteenth-century Scottish women's writing, and corrects previously male-dominated histories of the Scottish novel.
Fiction by Nineteenth Century Women Writers
Author: Thomas A. Maik
Publisher: Psychology Press
ISBN: 9780815331896
Category : Fiction
Languages : en
Pages : 354
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780815331896
Category : Fiction
Languages : en
Pages : 354
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Women Novelists of Queen Victoria's Reign
Author: Mrs. Oliphant (Margaret)
Publisher: London : Hurst & Blackett, limited
ISBN:
Category : Authors, English
Languages : en
Pages : 330
Book Description
Publisher: London : Hurst & Blackett, limited
ISBN:
Category : Authors, English
Languages : en
Pages : 330
Book Description
Nineteenth-Century British Women Writers
Author: Abigail B. Bloom
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 480
Book Description
British women writers of the 19th century were a remarkably talented, diverse, and prolific group. Some, such as Jane Austen and George Eliot, significantly contributed to the evolution of the English novel, while others, such as Elizabeth Barrett Browning and Christina Rossetti, are known for their poetry. And some, such as Marie Corelli, were enormously popular during their lifetimes but are now known primarily by scholars. This reference book is a guide to the lives and achievements of women writers of the period. Included are alphabetically arranged entries for more than 90 British women writers of the 19th century, ranging from the famous to the obscure. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works and themes, an overview of the critical response to the writer's works, and a bibliography of primary and secondary sources, including web sites. The volume closes with a selected bibliography of anthologies and critical works.
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 480
Book Description
British women writers of the 19th century were a remarkably talented, diverse, and prolific group. Some, such as Jane Austen and George Eliot, significantly contributed to the evolution of the English novel, while others, such as Elizabeth Barrett Browning and Christina Rossetti, are known for their poetry. And some, such as Marie Corelli, were enormously popular during their lifetimes but are now known primarily by scholars. This reference book is a guide to the lives and achievements of women writers of the period. Included are alphabetically arranged entries for more than 90 British women writers of the 19th century, ranging from the famous to the obscure. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works and themes, an overview of the critical response to the writer's works, and a bibliography of primary and secondary sources, including web sites. The volume closes with a selected bibliography of anthologies and critical works.