British Water-Colour Art in the First Year of the Reign of King Edward the Seventh, and During the Century Covered by the Life of the Royal Society of Painters in Water Colours. Illustrated by the Collection of Drawings Dedicated by that Society to Their Majesties the King and Queen at Their Coronation. (Édition de Luxe.). PDF Download
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Author: Marcus Bourne HUISH
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
Author: Marcus Bourne HUISH
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 506
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Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1306
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1338
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Book Description
American national trade bibliography.
Author:
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ISBN:
Category : American literature
Languages : en
Pages : 1308
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1308
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1310
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
