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Author: John Christopher
Publisher: Amberley Publishing Limited
ISBN: 1445633302
Category : History
Languages : en
Pages : 192
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Book Description
Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
Author: John Christopher
Publisher: Amberley Publishing Limited
ISBN: 1445633302
Category : History
Languages : en
Pages : 192
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Book Description
Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
Author: David Bownes
Publisher: Bloomsbury Publishing
ISBN: 0747815380
Category : Antiques & Collectibles
Languages : en
Pages : 284
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Book Description
The First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
Author: Pearl James
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
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Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Author: Maurice Rickards
Publisher:
ISBN:
Category : War posters
Languages : en
Pages : 136
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Book Description
Author: James Aulich
Publisher: Manchester University Press
ISBN: 9780719075902
Category : Art
Languages : en
Pages : 294
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Book Description
"Seduction or instruction? considers the museological and memorialising imperatives behind the formation of the war publicity collection at the Imperial War Museum and undertakes institutional and iconographical analyses of the British government's recruiting, war load and charity campaigns. It examines the effect of the inroads of the poster into important public and symbolic spaces and provides a comparative analysis of European poster design and the visual contribution of the poster through style and iconography to languages of 'imagined communities'." "This volume will be of interest to design historians, historians and readers involved with the study of communication arts, publicity, advertising and visual culture at every level."--Jacket.
Author: Richard Slocombe
Publisher: Imperial War Museums
ISBN: 9781904897927
Category : Art
Languages : en
Pages : 0
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Book Description
"Keep calm and carry on." In 1939, Britain's Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany's surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens' efforts might help--or hinder--the wartime effort, one of the most effective forms the British government had at its disposal was the poster. British Posters of the Second World War presents one hundred posters from this important period in world history. Some proclaimed in bold type that "Victory of the Allies is assured" and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join "pig clubs." As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: "Furtive Fritz is always listening" warned o≠ another, "Keep mum--she's not so dumb." Drawing on the Imperial War Museum's impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, British Posters of the Second World War explores these campaigns and many others with an introduction and explanatory text by the museum's senior curator, Richard Slocombe.
Author: Frédérick Hadley
Publisher: Pen and Sword
ISBN: 1473822645
Category : History
Languages : en
Pages : 374
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Book Description
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.
Author: Ann P. Linder
Publisher: Rowman & Littlefield
ISBN: 081176530X
Category : History
Languages : en
Pages : 152
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Book Description
Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war.
Author: Dover Publications, Inc.
Publisher: Courier Dover Publications
ISBN: 1606600958
Category : Art
Languages : en
Pages : 212
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Book Description
From the heyday of poster art comes this choice selection of 100 full-page color reproductions accompanied by detailed captions. Magnificent hardcover edition features posters by Lyendecker, Christy, Flagg, Brangwyn, Steinlen, others.
Author: Susan R. Grayzel
Publisher: Cambridge University Press
ISBN: 1139502506
Category : History
Languages : en
Pages : 357
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Book Description
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war threats of the 1920s and 1930s, including the bombing of civilians during the Spanish Civil War and, ultimately, the Blitz itself. The processes by which different constituent bodies of the British nation responded to the arrival of air power reveal the particular role that gender played in defining civilian participation in modern war.
