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Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 360
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Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 360
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Book Description
Author: Martin Wiggins
Publisher:
ISBN: 0199265747
Category : Drama
Languages : en
Pages : 489
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Book Description
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
Author: Martin Wiggins
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
This is a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Author: Martin Wiggins
Publisher: Oxford University Press
ISBN: 0198739117
Category : Drama
Languages : en
Pages : 607
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Book Description
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Author: Gary Taylor
Publisher: Oxford University Press
ISBN: 0192517600
Category : Literary Criticism
Languages : en
Pages : 776
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Book Description
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing. It presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part. A major new contribution to attribution studies, the Authorship Companion illuminates the work and methodology underpinning the groundbreaking New Oxford Shakespeare, and casts new light on the professional working practices, and creative endeavours, of Shakespeare and his contemporaries. We now know that Shakespeare collaborated with his literary and dramatic contemporaries, and that others adapted his works before they reached printed publication. The Authorship Companion's essays explore and explain these processes, laying out everything we currently know about the works' authorship. Using a variety of different attribution methods, The New Oxford Shakespeare has confirmed the presence of other writers' hands in plays that until recently were thought to be Shakespeare's solo work. Taking this process further with meticulous, fresh scholarship, essays in the Authorship Companion show why we must now add new plays to the accepted Shakespeare canon and reattribute certain parts of familiar Shakespeare plays to other writers. The technical arguments for these decisions about Shakespeare's creativity are carefully laid out in language that anyone interested in the topic can understand. The latest methods for authorship attribution are explained in simple but accurate terms and all the linguistic data on which the conclusions are based is provided. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Author: Gary Taylor
Publisher: Oxford University Press
ISBN: 0199591164
Category : Literary Criticism
Languages : en
Pages : 776
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Book Description
"Authorship Companion: Cutting-edge research in attribution studies; A new perspective on the dating of Shakespeare's plays, and on his dramatic collaborations; Combines the work of senior scholars with exciting new voices; Explores the latest developments in the understanding of Shakespeare's style and methods for detecting and describing it; Covers the entire breadth of Shakespeare's writing, across the plays and the poems; A record of all early documents relevant to authorship and chronology; A survey and synthesis of past scholarship to 2016; Individual case studies combined with broader analysis of theories and methods."--Publisher's description.
Author: Goran Stanivukovic
Publisher: Edinburgh University Press
ISBN: 1474419585
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
A survey of modern cinematic and televisual responses to the concept of the golden age
Author: Gesine Manuwald
Publisher: Bloomsbury Publishing
ISBN: 178673558X
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The influence of Cicero is everywhere to be found. His rhetorical and philosophical writings have made an inescapable impact on the history of western culture, impressing figures such as Augustine, Jerome, Petrarch, Erasmus, Martin Luther, John Locke, David Hume, John Adams and Thomas Jefferson. Despite his wide appeal, until now no study has yet offered a comprehensive overview of 'Cicero' as a character in stage plays in the early modern and modern periods. The first book of its kind to discuss Cicero's reception on stage, it includes works by Ben Jonson (1611, Catiline His Conspiracy), Voltaire (1752, Rome sauvée, ou Catilina), Richard Cumberland (1761, The Banishment of Cicero), Henry Bliss (1847, Cicero, A drama) and, most recently, Mike Poulton (Imperium, adapted from the novels of Robert Harris in 2017). Through a chapter-by-chapter account of each play in turn, every oeuvre is placed in its historical and cultural context; the plots are discussed in relation to the ancient sources. These analyses demonstrate how the presentation and assessment of the figure of Cicero develop over time and how this character is exploited for varying political statements. The wealth of material in this book is vital reading for scholars of Classics, drama and literary studies as well as historians of ideas and of the early modern age.
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0192511610
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Author:
Publisher: Anaphora Literary Press
ISBN: 1681145677
Category : Drama
Languages : en
Pages : 186
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Book Description
The neglected actual first part of the Robin Hood series. Both in terms of its plot and date of first-publication and performance, Look Around You is the first part of a trilogy that was followed by the two famous Robin Hood plays, Downfall of Robert and Death of Robert Earl of Huntington. The latter two are tragedies that have been previously falsely attributed to “Anthony Monday”, while Look is a comedy that has remained unattributed since its anonymous release. Censors might have neglected to connect Look to the others because in it, Robin Hood (Earl of Huntington) spends most of the play cross-dressing as Lady Faukenbridge, and being wooed on a balcony by Prince Richard. Meanwhile, Skink wears a myriad of disguises to escape Old King Henry’s wrath over the Queen hiring Skink to assassinate the King’s lover, Rosamund. And Young King Henry has been given the throne by his father, Old King, after several military battles between them. One of the main passions for Young King during his reign is his attempts to see the “fantastical” Earl of Gloucester executed for speaking too freely at Court. Lady Faukenbridge, Robin Hood and their supporters scheme to free Gloucester, and then to aid his life-on-the-run, while the other side schemes to re-capture and execute Gloucester. These schemes force several of the otherwise virtuous characters to take on fraudulent disguises and to succumb to highway robbery to support themselves while on the run from the law. The comedy is enhanced with the absurd constant running in the wrong directions by Redcap, whose ridiculous stuttering is imitated by other characters who take on his red cap as a disguise. This stuttering subversively restates that the attempts to execute Gloucester for speaking the truth are barbaric; hinting that such policies can cause all subjects of a kingdom to stutter instead of directly expressing their ideas. An excerpt from “Raphael Holinshed’s” Chronicles that covers the history of Henry II is included with an explanation of how it was adapted in Look. “Editions of Look are rare and obscure — I’d never heard of the play until this volume came along. The text is… modernized, with… improved stage directions and prefixes, plus on-the-page glosses. And a section of Holinshed’s Chronicles that has… relevance… to this play.” —LibraryThing, Early Reviewers, Robert B. Waltz, Editor of Minnesota Heritage Songbook Exordium Plot and Staging Segments About Henry II from “Raphael Holinshed’s” The Chronicles of England, Scotland, and Ireland Text Terms, References, Questions, Exercises
