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Author: Maurice Fells
Publisher: The History Press
ISBN: 0750969067
Category : History
Languages : en
Pages : 174
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Book Description
Blue, red, green and black plaques – they are everywhere in Bristol, on houses, bridges and even on a riverbank. But have you ever wanted to know more than the brief details they tell you about the person they honour?There are fascinating and colourful stories behind all of the plaques in the city, which venerate a variety of artists, inventors and scientists, as well as ordinary folk who have done extraordinary things.Read about the ex-convict whose books were turned into West End musicals, the millionaire businessman who was promised a cabbage a year as thanks for his philanthropy, and the architect transported for financial fraud who ended up having his portrait on a banknote.This handy guide is for all the curious, who want to know more about the people who lived and worked in the city in times gone by. The first volume of its kind, it is the only reference book to contain potted histories of Bristol’s fascinating plaques.
Author: Maurice Fells
Publisher: The History Press
ISBN: 0750969067
Category : History
Languages : en
Pages : 174
Get Book Here
Book Description
Blue, red, green and black plaques – they are everywhere in Bristol, on houses, bridges and even on a riverbank. But have you ever wanted to know more than the brief details they tell you about the person they honour?There are fascinating and colourful stories behind all of the plaques in the city, which venerate a variety of artists, inventors and scientists, as well as ordinary folk who have done extraordinary things.Read about the ex-convict whose books were turned into West End musicals, the millionaire businessman who was promised a cabbage a year as thanks for his philanthropy, and the architect transported for financial fraud who ended up having his portrait on a banknote.This handy guide is for all the curious, who want to know more about the people who lived and worked in the city in times gone by. The first volume of its kind, it is the only reference book to contain potted histories of Bristol’s fascinating plaques.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
Author: Maurice Fells
Publisher: The History Press
ISBN: 0750995874
Category : History
Languages : en
Pages : 161
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Book Description
No one knows for certain when Bristol was founded. What we do know is that for more than 1,000 years it has been at the centre of national and international history. From its earliest days Bristol's prosperity was linked to its port, with the importation of wine and tobacco and its involvement with the slave trade. In those days, explorers sailed from Bristol on epic voyages and discovered new lands. In more recent times its economy has been built on creative media and the aerospace industry, including the construction of Concorde, the world's first supersonic aircraft. From the Avon Gorge's formation, Iron Age settlers and Norman castle construction, to civil war, riots and bus boycotts, The Little History of Bristol is guaranteed to enthral both residents and visitors alike.
Author: F. Severne Mackenna
Publisher:
ISBN:
Category : Bristol porcelain
Languages : en
Pages : 172
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Book Description
Author: Maurice Fells
Publisher: The History Press
ISBN: 0750965436
Category : History
Languages : en
Pages : 153
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Book Description
A rich, and indeed sometimes bizarre, thread of history weaves its way through the Bristol story. Find out all manner of things, from why a 'Bristol Diamond' would never be found in a jewellery shop to why local by-laws restrict carpet beating to certain hours. Along with a fresh look at city life past and present, these and many more anecdotes will surprise even those Bristolians who thought they really knew their city.
Author: Llewellynn Frederick William Jewitt
Publisher: Library of Alexandria
ISBN: 1465589686
Category : Art
Languages : en
Pages : 1463
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Book Description
In issuing my present work I have two distinct personal duties to perform, and I hasten, in these few brief lines of introduction, to discharge them. First, I earnestly desire to ask indulgence from my readers for any shortcomings which may be apparent in its contents; and next, I desire emphatically to express my thanks to all who have in any way, or even to the smallest extent, assisted me in my labours. The preparation of the work has extended over a considerable period of time, and I have had many difficulties to contend with that are, and must necessarily be, wholly unknown to any but myself—hard literary digging to get at facts and to verify dates, that is not understood, and would scarce be believed in, by the reader who turns to my pages—and hence errors of omission and of commission may have, nay, doubtless have crept in, and may in some places, to a greater or less extent, have marred the accuracy of the page whereon they have occurred. I can honestly say I have left nothing undone, no source untried, and no trouble untaken to secure perfect accuracy in all I have written, and yet I am painfully aware that shortcomings may, and doubtless will, be laid to my charge; for these, wherever they occur, I ask, and indeed claim, indulgence. I believe in work, in hard unceasing labour, in patient and painstaking research, in untiring searchings, and in diligent collection and arrangement of facts—to make time and labour and money subservient to the end in view, rather than that the end in view, and the time and labour and money expended, should bend and bow and ultimately break before time. Thus it is that my “Ceramic Art” has been so long in progress, and thus it is that many changes have occurred during the time it has been passing through the press which it has been manifestly impossible to chronicle. I have the proud satisfaction, however, of knowing that my work is the only one of its kind yet attempted, and I feel a confident hope that it will fill a gap that has long wanted filling, and will be found alike useful to the manufacturer, the china collector, and the general reader. When, some twenty years ago, at the instance of my dear friend Mr. S. C. Hall, I began my series of papers in the Art Journal upon the various famous earthenware and porcelain works of the kingdom, but little had been done in that direction, and the information I got together from time to time had to be procured from original sources, by prolonged visits to the places themselves and by numberless applications to all sorts of people from whom even scraps of reliable matter could be obtained. Books on the subject were not many, and the information they contained on English Ceramics was meagre in the extreme. Since then numerous workers have sprung up, and their published volumes—many of them sumptuous and truly valuable works—attest strongly to the interest and pains they have taken in the subject. To all these, whoever they may be, the world owes a debt of gratitude for devoting their time and their talents to so important a branch of study. To each of them I tender my own thanks for having devoted themselves to the elucidation of one of my favourite pursuits, and for having given to the world the result of their labours. No work has, however, until now been entirely devoted to the one subject of British Ceramics, and I feel therefore that in presenting my present volumes to the public I am only carrying out the plan I at first laid down, and am not even in the slightest degree encroaching on the province of any other writer.
Author: Thomas Houlton
Publisher: Routledge
ISBN: 0429588828
Category : Art
Languages : en
Pages : 238
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Book Description
Monuments as Cultural and Critical Objects explores monuments as political, psychical, social, and mystical objects. Incorporating autoethnography, psychoanalysis, deconstruction, postcolonialism, and queer ecology, Houlton argues for a radical, interdisciplinary approach to our monument-culture. Tracing historical developments in monuments alongside contemporary movements such as Rhodes Must Fall and Black Lives Matter, Houlton provides an in-depth critique of monument sites, as well as new critical and conceptual methodologies for thinking across the field. Alongside analysis of monuments to the Holocaust, colonial figures, and LGBTQIA+ subjects, this book provides new critical engagements with the work of D.W. Winnicott, Marion Milner, Jacques Derrida, Edward Said, Eve Sedgwick, and others. Houlton traces the potential for monuments to exert great influence over our sense of self, nation, community, sexuality, and place in the world. Exploring the psychic and physical spaces these objects occupy—their aesthetics, affects, politics, and powers—this book considers how monuments can challenge our identities, beliefs, and our very notions of remembrance. The interdisciplinary nature of Monuments as Cultural and Critical Objects means that it is ideally placed to intervene across several critical fields, particularly museum and heritage studies. It will also prove invaluable to those engaged in the study of monuments, psychoanalytic object relations, decolonization, queer ecology, radical death studies, and affect theory.
Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 188
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
The periodical's purpose was to report on contemporary developments in painting from the British Isles and elsewhere ; more importantly, each issue contained high quality colour reproductions of examples of various artists' work.
